Analysis of Great Ships

ADAM ZAGAJEWSKI 1945 (Poland) – 2021



This is a poem about the great ships that wandered
                   the oceans
And groaned sometimes in deep voices, grumbling about fog
                   and submerged peaks,
But usually they sliced the pages of tropical seas
                   in silence,
Divided by height, category, and class, just like our communities
                   and hotels.
Beneath the deck poor emigrants played cards, and no one
                   won
While on the highest deck Claudel gazed at Ysé and her hair
                   glowed.

And toasts were raised to a safe trip, to coming
                   times,
Toasts were raised, Alsatian wine and champagne
                   from France's finest vineyards,
Some days were static, windless, when only the light seeped      
                   steadily,
Days when nothing happened but the horizon, which traveled   
                   with the ship,
Days of emptiness and boredom, playing solitaire, repeating   
                   the latest news,
Who'd been seen with whom in a tropical night's shade, embracing   
                   beneath a peach-colored moon.

But filthy stokers tirelessly tossed coal into open   
                   flaming mouths
And everything that is now already existed then, but
                  in condensed form.
Our days already existed and our hearts baked
                   in the blazing stove,
And the moment when I met you may also have existed,
                  and my mistrust
Brittle as a faience plate, and my faith, no less frail   
                  and capricious,
And my searches for the final answer, my   
                disappointments and discoveries.

Great ships: some sunk suddenly, arousing consciences   
                and fear,
Gaining deathless fame, becoming stars
                of special bulletins.
Others went peacefully, waned without a word in provincial   
                ports, in dockyards,
Beneath a coat of rust, a ruddy fur of rust, a slipcover of rust,
                and waited
For the final transformation, the last judgment of souls and
                objects,
They wait as patiently as chess players in Luxembourg Garden
                nudging pieces a fraction of an inch or so.


Scheme XAXXBXBXCCXX DXXXXXXXDXDX CXXXXXEFXXXB XXXAXAFEXXCX
Poetic Form
Metre 1101001011110 010 01010110100011 0011 110001101011001 010 010111000111100100 001 0101110011011 1 1101011111001 1 01011011110 1 1010101001 1101010 110101110011 100 11101010010110 101 111000101001010 0101 111110010011010 0101101 1101100110110 101 01011101001011 0011 10101001001011 00101 001011111101010 0101 101011011111 0010 01101010101 001000100 1111100010100 01 10110101 110100 101100101010010 101 0101110101110111 010 10100100110110 10 111100111001010 101001011111
Closest metre Iambic pentameter
Characters 2,213
Words 321
Sentences 7
Stanzas 4
Stanza Lengths 12, 12, 12, 12
Lines Amount 48
Letters per line (avg) 29
Words per line (avg) 6
Letters per stanza (avg) 351
Words per stanza (avg) 72
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Submitted by Drone232 on April 21, 2022

Modified on April 05, 2023

1:37 min read
36

ADAM ZAGAJEWSKI

Adam Zagajewski was born in Lvov, Poland, in 1945; as an infant he was relocated with his family to western Poland. He lived in Berlin for a couple of years, moved to France in 1982, and taught at universities in the United States, including the University of Houston and the University of Chicago. Zagajewski wrote in Polish, but many of his books of poetry and essays have been translated into English. His prose collections include Two Cities: On Exile, History and the Imagination (1995) and the 2000 memoir Another Beauty. Zagajewski won the Prix de la Liberté as well as fellowships from the Guggenheim Foundation and the Berliner Künstlerprogramm. more…

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