Analysis of A Child's Battles



Praise of the knights of old
May sleep: their tale is told,
And no man cares:
The praise which fires our lips is
A knight's whose fame eclipses
All of theirs.

The ruddiest light in heaven
Blazed as his birth-star seven
Long years ago:
All glory crown that old year
Which brought our stout small soldier
With the snow!

Each baby born has one
Star, for his friends a sun,
The first of stars:
And we, the more we scan it,
The more grow sure your planet,
Child, was Mars.

For each one flower, perchance,
Blooms as his cognizance:
The snowdrop chill,
The violet unbeholden,
For some: for you the golden
Daffodil.

Erect, a fighting flower,
It breasts the breeziest hour
That ever blew,
And bent or broke things brittle
Or frail, unlike a little
Knight like you.

Its flower is firm and fresh
And stout like sturdiest flesh
Of children: all
The strenuous blast that parches
Spring hurts it not till March is
Near his fall.

If winds that prate and fret
Remark, rebuke, regret,
Lament, or blame
The brave plant's martial passion,
It keeps its own free fashion
All the same.

We that would fain seem wise
Assume grave mouths and eyes
Whose looks reprove
Too much delight in battle:
But your great heart our prattle
Cannot move.

We say, small children should
Be placid, mildly good
And blandly meek:
Whereat the broad smile rushes
Full on your lips, and flushes
All your cheek.

If all the stars that are
Laughed out, and every star
Could here be heard,
Such peals of golden laughter
We should not hear, as after
Such a word.

For all the storm saith, still,
Stout stands the daffodil:
For all we say,
Howe'er he look demurely,
Our martialist will surely
Have his way.

We may not bind with bands
Those large and liberal hands,
Nor stay from fight,
Nor hold them back from giving:
No lean mean laws of living
Bind a knight.

And always here of old
Such gentle hearts and bold
Our land has bred:
How durst her eye rest else on
The glory shed from Nelson
Quick and dead?

Shame were it, if but one
Such once were born her son,
That one to have borne,
And brought him ne'er a brother:
His praise should bring his mother
Shame and scorn.

A child high-souled as he
Whose manhood shook the sea
Smiles haply here:
His face, where love lies baslcing,
With bright shut mouth seems asking,
What is fear?

The sunshine-coloured fists
Beyond his dimpling wrists
Were never closed
For saving or for sparing--
For only deeds of daring
Predisposed.

Unclenched, the gracious hands
Let slip their gifts like sands
Made rich with ore
That tongues of beggars ravish
From small stout hands so lavish
Of their store.

Sweet hardy kindly hands
Like these were his that stands
With heel on gorge
Seen trampling down the dragon
On sign or flask or flagon,
Sweet Saint George.

Some tournament, perchance,
Of hands that couch no lance,
Might mark this spot
Your lists, if here some pleasant
Small Guenevere were present,
Launcelot.

My brave bright flower, you need
No foolish song, nor heed
It more than spring
The sighs of winter stricken
Dead when your haunts requicken
Here, my king.

Yet O, how hardly may
The wheels of singing stay
That whirl along
Bright paths whence echo raises
The phantom of your praises,
Child, my song!

Beyond all other things
That give my words fleet wings,
Fleet wings and strong,
You set their jesses ringing
Till hardly can I, singing,
Stint my song.

But all things better, friend,
And worse must find an end:
And, right or wrong,
'Tis time, lest rhyme should baffle,
I doubt, to put a snaffle
On my song.

And never may your ear
Aught harsher hear or fear,
Nor wolfish night
Nor dog-toothed winter snarling
Behind your steps, my darling,
My delight!

For all the gifts you give
Me, dear, each day you live,
Of thanks above
All thanks that could be spoken
Take not my song in token,
Take my love.


Scheme Text too long
Poetic Form
Metre 110111 111111 0111 011101011 0111010 111 011010 1111110 1101 1101111 11101110 101 110111 111101 0111 0101111 0111110 111 1111001 111100 011 01001 1111010 10 0101010 110110 1101 0111110 1101010 111 1101101 01111 1101 0100111 1111111 111 111101 010101 0111 0111010 1111110 101 111111 011101 111 1101010 11111010 101 111101 110101 0101 101110 1111010 111 110111 1101001 1111 1111010 1111110 101 110111 11010 1111 1011010 101110 111 111111 1101001 1111 1111110 1111110 101 01111 110101 10111 1101111 0101110 101 101111 110101 11111 0111010 1111110 101 011111 11101 111 111111 1111110 111 01101 01111 0101 1101110 1101110 01 10101 111111 1111 111101 1111110 111 110101 110111 1111 1101010 111111 111 110001 111111 1111 1111110 11010 10 1111011 110111 1111 0111010 11111 111 111101 011101 1101 1111010 0101110 111 011101 111111 1101 111110 1101110 111 111101 011111 0111 1111110 111101 111 010111 110111 111 1111010 0111110 101 110111 111111 1101 1111110 1111010 111
Closest metre Iambic trimeter
Characters 3,638
Words 687
Sentences 26
Stanzas 25
Stanza Lengths 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6
Lines Amount 150
Letters per line (avg) 20
Words per line (avg) 5
Letters per stanza (avg) 119
Words per stanza (avg) 27
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Submitted on May 13, 2011

Modified on March 05, 2023

3:27 min read
102

Algernon Charles Swinburne

Algernon Charles Swinburne was an English poet, playwright, novelist, and critic. He wrote several novels and collections of poetry such as Poems and Ballads, and contributed to the famous Eleventh Edition of the Encyclopædia Britannica. Swinburne wrote about many taboo topics, such as lesbianism, cannibalism, sado-masochism, and anti-theism. His poems have many common motifs, such as the ocean, time, and death. Several historical people are featured in his poems, such as Sappho ("Sapphics"), Anactoria ("Anactoria"), Jesus ("Hymn to Proserpine": Galilaee, La. "Galilean") and Catullus ("To Catullus"). more…

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