Analysis of Tortoise Family Connections

David Herbert Lawrence 1885 (Eastwood, Nottinghamshire) – 1930 (Vence)



On he goes, the little one,
Bud of the universe,
Pediment of life.
Setting off somewhere, apparently.
Whither away, brisk egg?

His mother deposited him on the soil as if he were no more than droppings,
And now he scuffles tinily past her as if she were an old rusty tin.

A mere obstacle,
He veers round the slow great mound of her --
Tortoises always foresee obstacles.

It is no use my saying to him in an emotional voice:
'This is your Mother, she laid you when you were an egg.'

He does not even trouble to answer: 'Woman, what have I to do with thee?'
He wearily looks the other way,
And she even more wearily looks another way still,
Each with the utmost apathy,
Incognisant,
Unaware,
Nothing.
As for papa,
He snaps when I offer him his offspring,
Just as he snaps when I poke a bit of stick at him,
Because he is irascible this morning, an irascible tortoise
Being touched with love, and devoid of fatherliness.

Father and mother,
And three little brothers,
And all rambling aimless, like little perambulating pebbles scattered in the garden,
Not knowing each other from bits of earth or old tins.

Except that papa and mama are old acquaintances, of course,
Though family feeling there is none, not even the beginnings.

Fatherless, motherless, brotherless, sisterless
Little tortoise.

Row on then, small pebble,
Over the clods of the autumn, wind-chilled sunshine,
Young gaiety.

Does he look for a companion?

No, no, don't think it.
He doesn't know he is alone;
Isolation is his birthright,
This atom.

To row forward, and reach himself tall on spiny toes,
To travel, to burrow into a little loose earth, afraid of the night,
To crop a little substance,
To move, and to be quite sure that he is moving:
Basta!
To be a tortoise!
Think of it, in a garden of inert clods
A brisk, brindled little tortoise, all to himself --
Adam!

In a garden of pebbles and insects
To roam, and feel the slow heart beat
Tortoise-wise, the first bell sounding
From the warm blood, in the dark-creation morning.

Moving, and being himself,
Slow, and unquestioned,
And inordinately there, O stoic!
Wandering in the slow triumph of his own existence,
Ringing the soundless bell of his presence in chaos,
And biting the frail grass arrogantly,
Decidedly arrogantly.  


Scheme ABXCD EX FGX XD CXXCHXIXIXJB GXAX XE BJ FXH A HXHK XHLIHJBMK XHII MHXLXCC
Poetic Form Tetractys  (20%)
Etheree  (20%)
Metre 1110101 11010 111 10110100 100111 11001001101111011110 01110110111011101 01100 111011110 100101100 1111110110101001 1111011111011 1111010110101111111 110010101 01101100101011 1101100 1 01 10 1110 111110111 1111111011111 011101001101010010 1011100111 10010 011010 011010110110100010 1101101111111 0111001011010011 1100101111100010 10010011 1010 111110 10011010111 11 11110010 11111 11011101 010111 110 1110010111101 110110010101101101 1101010 110111111110 10 11010 11100101011 01110101101 10 001011001 11010111 10101110 101100101010 1001001 10010 0010001110 10000110111010 100111110010 0100111000 1001000
Closest metre Iambic pentameter
Characters 2,193
Words 398
Sentences 23
Stanzas 14
Stanza Lengths 5, 2, 3, 2, 12, 4, 2, 2, 3, 1, 4, 9, 4, 7
Lines Amount 60
Letters per line (avg) 29
Words per line (avg) 7
Letters per stanza (avg) 125
Words per stanza (avg) 28
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Submitted on May 13, 2011

Modified on April 29, 2023

1:59 min read
79

David Herbert Lawrence

David Herbert Lawrence was an English writer and poet. His collected works represent, among other things, an extended reflection upon the dehumanising effects of modernity and industrialisation. Lawrence's writing explores issues such as sexuality, emotional health, vitality, spontaneity, and instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "savage pilgrimage". At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation." Later, the literary critic F. R. Leavis championed both his artistic integrity and his moral seriousness. more…

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