Analysis of Snap-Dragon

David Herbert Lawrence 1885 (Eastwood, Nottinghamshire) – 1930 (Vence)



She bade me follow to her garden where
The mellow sunlight stood as in a cup
Between the old grey walls; I did not dare
To raise my face, I did not dare look up
Lest her bright eyes like sparrows should fly in
My windows of discovery and shrill 'Sin!'

So with a downcast mien and laughing voice
I followed, followed the swing of her white dress
That rocked in a lilt along: I watched the poise
Of her feet as they flew for a space, then paused to press
The grass deep down with the royal burden of her:
And gladly I'd offered my breast to the tread of her.

'I like to see,' she said, and she crouched her down,
She sunk into my sight like a settling bird;
And her bosom crouched in the confines of her gown
Like heavy birds at rest there, softly stirred
By her measured breaths: 'I like to see,' said she,
'The snap-dragon put out his tongue at me.'

She laughed, she reached her hand out to the flower
Closing its crimson throat: my own throat in her power
Strangled, my heart swelled up so full
As if it would burst its wineskin in my throat,
Choke me in my own crimson; I watched her pull
The gorge of the gaping flower, till the blood did float

        Over my eyes and I was blind --
Her large brown hand stretched over
The windows of my mind,
And in the dark I did discover
Things I was out to find:

My grail, a brown bowl twined
With swollen veins that met in the wrist,
Under whose brown the amethyst
I longed to taste: and I longed to turn
My heart's red measure in her cup,
I longed to feel my hot blood burn
With the lambent amethyst in her cup.

Then suddenly she looked up
And I was blind in a tawny-gold day
Till she took her eyes away. So she came down from above
And emptied my heart of love . . .
So I helf my heart aloft
To the cuckoo that fluttered above,
And she settled soft.

It seemed that I and the morning world
Were pressed cup-shape to take this reiver
Bird who was weary to have furled
Her wings on us,
As we were weary to receive her:

This bird, this rich
      Sumptuous central grain,
      This mutable witch,
      This one refrain,
      This laugh in the fight,
      This clot of light,
      This core of night.

She spoke, and I closed my eyes
To shut hallucinations out.
I echoed with surprise
Hearing my mere lips shout
The answer they did devise.

Again, I saw a brown bird hover
      Over the flowers at my feet;
      I felt a brown bird hover
      Over my heart, and sweet
      Its shadow lay on my heart.
      I thought I saw on the clover
      A brown bee pulling apart
      The closed flesh of the clover
      And burrowing into its heart.

She moved her hand, and again
I felt the brown bird hover
Over my heart . . . and then
The bird came down on my heart,
As on a nest the rover
Cuckoo comes, and shoves over
The brim each careful part
Of love, takes possession and settles down,
With her wings and her feathers does drown
The nest in a heat of love.

She turned her flushed face to me for the glint
Of a moment. 'See,' she laughed, 'if you also
Can make them yawn.' I put my hand to the dint
In the flower's throat, and the flower gaped wide with woe.
She watched, she went of a sudden intensely still,
She watched my hand, and I let her watch her fill.

I pressed the wretched, throttled flower between
My fingers, till its head lay back, its fangs
Poised at her: like a weapon my hand stood white and keen,
And I held the choked flower-serpent in its pangs
Of mordant anguish till she ceased to laugh,
Until her pride's flag, smitten, cleaved down to the staff.

She hid her face, she murmured between her lips
The low word 'Don't!' I let the flower fall,
But held my hand afloat still towards the slips
Of blossom she fingered, and my crisp fingers all
Put forth to her: she did not move, nor I,
For my hand like a snake watched hers that could not fly.
Then I laughed in the dark of my heart, I did exult
Like a sudden chuckling of music: I bade her eyes
Meet mine, I opened her helpless eyes to consult
Their fear, their shame, their joy that underlies
Defeat in such a battle: in the dark of her eyes
My heart was fierce to make her laughter rise . . .
Till her dark deeps shook with convulsive thrills, and the dark
Of her spirit wavered like water thrilled with light,
And my heart leaped up in longing to plunge its stark


Scheme ABABCC XDXDEE FGFGHH EEIJIJ KEKEK KLLMBMB BXNNXNX XAGXE OPOPQQQ RSRSR ETETUEUEU VEVUEEUFFN WXWXYY Z1 Z1 2 2 3 4 3 4 5 5 6 R6 RRR7 Q7
Poetic Form
Metre 1111010101 010111001 0101111111 1111111111 1011110110 11010100011 110110101 11010011011 11001011101 1011111011111 011110101010 0101101110110 11111101101 110111101001 00101001101 1101111101 10101111111 0110111111 11110111010 1011011110010 10111111 1111111011 11011101101 0110101010111 10110111 0111110 010111 000111010 111111 110111 110111001 10110100 111101111 11110001 11111111 101100001 1100111 0111001011 11101011111101 0101111 1111101 10111001 01101 111100101 01111111 11110111 0111 110101010 1111 10101 11001 1101 11001 1111 1111 1101111 1100101 110101 101111 0101101 011101110 10010111 1101110 101101 111111 11111010 0111001 0111010 01000111 1101001 1101110 101101 0111111 1101010 110110 011101 1110100101 101001011 0100111 1101111101 10101111110 11111111101 001100101111 111110100101 11110110101 11010101001 1101111111 1101010111101 011011010011 1101011111 010111011101 11011100101 0111110101 11110110101 110110011101 1110111111 111101101111 1110011111101 1010101101101 111100101101 111111101 0101010001101 1111110101 1011110101001 101010110111 011110101111
Closest metre Iambic pentameter
Characters 4,294
Words 825
Sentences 29
Stanzas 15
Stanza Lengths 6, 6, 6, 6, 5, 7, 7, 5, 7, 5, 9, 10, 6, 6, 15
Lines Amount 106
Letters per line (avg) 31
Words per line (avg) 8
Letters per stanza (avg) 216
Words per stanza (avg) 55
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Submitted on May 13, 2011

Modified on April 05, 2023

4:07 min read
56

David Herbert Lawrence

David Herbert Lawrence was an English writer and poet. His collected works represent, among other things, an extended reflection upon the dehumanising effects of modernity and industrialisation. Lawrence's writing explores issues such as sexuality, emotional health, vitality, spontaneity, and instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "savage pilgrimage". At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation." Later, the literary critic F. R. Leavis championed both his artistic integrity and his moral seriousness. more…

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