Analysis of The Undying One' - Canto I

Caroline Elizabeth Sarah Norton 1808 (Caroline Elizabeth Sarah Sheridan London) – 1877 (London)



MOONLIGHT is o'er the dim and heaving sea,--
Moonlight is on the mountain's frowning brow,
And by their silvery fountains merrily
The maids of Castaly are dancing now.
Young hearts, bright eyes, and rosy lips are there,
And fairy steps, and light and laughing voices,
Ringing like welcome music through the air--
A sound at which the untroubled heart rejoices.
But there are hearts o'er which that dancing measure
Heavily falls!
And there are ears to which the voice of pleasure
Still vainly calls !
There's not a scene on earth so full of lightness
That withering care
Sleeps not beneath the flowers, and turns their brightness
To dark despair!

Oh! Earth, dim Earth, thou canst not be our home;
Or wherefore look we still for joys to come?
The fairy steps are flown--the scene is still--
Nought mingles with the murmuring of the rill.
Nay, hush! it is a sound--a sigh--again!
It is a human voice--the voice of pain.
And beautiful is she, who sighs alone
Now that her young and playful mates are gone:
The dim moon, shining on her statue face,
Gives it a mournful and unearthly grace;
And she hath bent her gentle knee to earth;
And she hath raised her meek sad eyes to heaven--
As if in such a breast sin could have birth,
She clasps her hands, and sues to be forgiven.
Her prayer is over; but her anxious glance
Into the blue transparency of night
Seems as it fain would read the book of chance,
And fix the future hours, dark or bright.
A slow and heavy footstep strikes her ear--
What ails the gentle maiden?--Is it fear?
Lo! she hath lightly raised her from the ground,
And turn'd her small and stag-like head around;
Her pale cheek paler, and her lips apart,
Her bosom heaving o'er her beating heart:
And see, those thin white hands she raises now
To press the throbbing fever from her brow--

In vain--in vain! for never more shall rest
Find place in that young, fair, but erring breast!
He stands before her now--and who is he
Into whose outspread arms confidingly
She flings her fairy self?--Unlike the forms
That woo and win a woman's love--the storms
Of deep contending passions are not seen
Darkening the features where they once have been,
Nor the bright workings of a generous soul,
Of feelings half conceal'd, explain the whole.
But there is something words cannot express--
A gloomy, deep, and quiet fixedness;
A recklessness of all the blows of fate--
A brow untouch'd by love, undimm'd by hate--
As if, in all its stores of crime and care,
Earth held no suffering now for him to bear.
Yes--all is passionless--the hollow cheek
Those pale thin lips shall never wreathe with smiles;
Ev'n now, 'mid joy, unmoved and sad they speak
In spite of all his Linda's winning wiles.
Yet can we read, what all the rest denies,
That he hath feelings of a mortal birth,
In the wild sorrow of those dark bright eyes,
Bent on that form--his one dear link to earth.
He loves--and he is loved! then what avail
The scornful words which seek to brand with shame?

Or bitterer still, the wild and fearful tale
Which couples guilt and horror with that name?
What boots it that the few who know him shun
To speak or eat with that unworthy one?
Were all their words of scorn and malice proved,
It matters not--he loves and he is loved!
* * * * * *
* * * * * *
'Linda! my Linda!' thus the silence broke,
And slow and mournfully the stranger spoke,
'Seat we ourselves upon this mossy bed,
Where the glad airs of heaven wave o'er thy head,
And thou shalt hear the awful tale which ne'er
Hath yet been breathed, save once, to mortal ear.
And if, my Linda--nay, love, tremble not--
Thou shudder'st to partake so dark a lot--
Go--and be happy in forgetfulness,
And take--I'd bless thee if my tongue could bless,'
There was that sudden sinking of the tone
That lingers in our memory when alone,
And thrills the heart to think how deep the grief
Which sues no pity--looks for no relief.
Oh! deep, beyond the feeble power of tears,
Such scene will dwell within our souls for years;
And it will seem but yesterday we heard
The faltering pause--the calm but broken word;

Saw the averted head, where each blue vein
Swell'd in its agony of mental pain;
And heard the grief confess'd:--no, not confess'd,
But struggling burst convulsive from the breast!
'Isbal,' that gentle voice half-murmuring said,
As from his shoulder she upraised her head;
'Thou knowest I love thee. When I came to-night


Scheme ABABCXCADEDEFCFC XXGGXHIXJJKLKLMNMNOXPPQQBB RRAGSSXXTTUAVVCCWXWXYKYKZ1 Z1 LLXX 2 2 3 3 CO4 4 AUII5 5 XX6 6 HHRR3 3 B
Poetic Form
Metre 1110010101 111010101 01110010100 01111101 1111010111 01010101010 1011010101 0111001011 111110111010 1001 01111101110 1101 11011111110 11001 110101001110 1101 11111111101 111111111 0101110111 11010100101 1111010101 1101010111 0100111101 1101010111 011101011 1101000101 0111010111 01110111110 1101011111 11010111010 0111010101 0101010011 1111110111 0101010111 010101101 1101010111 1111010101 0101011101 011100101 01010100101 0111111101 1101010101 0101110111 1101111101 1101010111 011111 1101010101 1101010101 1101010111 10001011111 10110101001 1101010101 1111011001 01010101 0100110111 010111111 1101111101 11110011111 11110101 1111110111 11111010111 0111110101 1111110101 1111010101 0011011111 1111111111 1101111101 0101111111 111010101 1101010111 1111011111 1111110101 0111110101 1101110111 1 1 1011010101 01010101 1100101111 101111011011 0111010111 1111111101 0111011101 11011011101 1011001 0111111111 1111010101 110010100101 0101111101 1111011101 11010101011 11110110111 011111011 01001011101 1001011111 1011001101 0101011101 11001010101 1110111001 111101101 11111111111
Closest metre Iambic pentameter
Characters 4,376
Words 796
Sentences 36
Stanzas 5
Stanza Lengths 16, 26, 26, 26, 7
Lines Amount 101
Letters per line (avg) 33
Words per line (avg) 8
Letters per stanza (avg) 675
Words per stanza (avg) 158
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Submitted on May 13, 2011

Modified on March 05, 2023

4:03 min read
108

Caroline Elizabeth Sarah Norton

Caroline Elizabeth Sarah Norton was an English feminist, social reformer, and author of the early and mid-nineteenth century. more…

All Caroline Elizabeth Sarah Norton poems | Caroline Elizabeth Sarah Norton Books

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