Analysis of Burning of the Exeter Theatre

William Topaz McGonagall 1825 – 1902 (Greyfriars Parish, Edinburgh)



'Twas in the year of 1887, which many people will long remember,
The burning of the Theatre at Exeter on the 5th of September,
Alas! that ever-to-be-remembered and unlucky night,
When one hundred and fifty lost their lives, a most agonising sight.

The play on this night was called "Romany Rye,"
And at act four, scene third, Fire! Fire! was the cry;
And all in a moment flames were seen issuing from the stage,
Then the women screamed frantically, like wild beasts in a cage.

Then a panic ensued, and each one felt dismayed,
And from the burning building a rush was made;
And soon the theatre was filled with a blinding smoke,
So that the people their way out had to grope.

The shrieks of those trying to escape were fearful to hear,
Especially the cries of those who had lost their friends most dear;
Oh, the scene was most painful in the London Inn Square,
To see them wringing their hands and tearing their hair!

And as the flames spread, great havoc they did make,
And the poor souls fought heroically in trying to make their escape;
Oh, it was horrible to see men and women trying to reach the door!
But in many cases death claimed the victory, and their struggles were o'er.

Alas! 'twas pitiful the shrieks of the audience to hear,
Especially as the flames to them drew near;
Because on every face were depicted despair and woe,
And many of them jumped from the windows into the street below.

The crushed and charred bodies were carried into London Hotel yard,
And to alleviate their sufferings the doctors tried hard;
But, alas! their attendance on many was thrown away,
But those that survived were conveyed to Exeter Hospital without delay.

And all those that had their wounds dressed proceeded home,
Accompanied by their friends, and making a loud moan;
While the faces and necks of others were sickening to behold,
Enough to chill one's blood, and make the heart turn cold.

Alas! words fail to describe the desolation,
And in many homes it will cause great lamentation;
Because human remains are beyond all identification,
Which will cause the relatives of the sufferers to be in great tribulation.

Oh, Heaven! it must have been an awful sight,
To see the poor souls struggling hard with all their might,
Fighting hard their lives to save,
While many in the smoke and burning flame did madly rave!

It was the most sickening sight that ever anybody saw,
Human remains, beyond recognition, covered with a heap of straw;
And here and there a body might be seen, and a maimed hand,
Oh, such a sight, that the most hard-hearted person could hardly withstand!

The number of people in the theatre was between seven and eight thousand,
But alas! one hundred and fifty by the fire have been found dead;
And the most lives were lost on the stairs leading from the gallery,
And these were roasted to death, which was sickening to see.

The funerals were conducted at the expense of the local authority,
And two hours and more elapsed at the mournful ceremony;
And at one grave there were two thousand people, a very great crowd,
And most of the men were bareheaded ad weeping aloud.

Alas! many poor children have been bereft of their fathers and mothers,
Who will be sorely missed by little sisters and brothers;
But, alas! unto them they can ne'er return again,
Therefore the poor little innocents must weep for them in vain.

I hope all kind Christian souls will help the friends of the dead,
Especially those that have lost the winners of their bread;
And if they do, God surely will them bless,
Because pure Christianity is to help the widows and orphans in distress.

I am very glad to see Henry Irving has sent a hundred pounds,
And I hope his brother actors will subscribe their mite all round;
And if they do it will add honour to their name,
Because whatever is given towards a good cause they will it regain.


Scheme AABB CCDD EEXX FGHH XXXA FGII JJKK XLMM NLNN BBOO PPQQ XRSS SSTT UUXV RRWW XXXV
Poetic Form Quatrain  (50%)
Metre 100111101011010 01010100110010111010 011101101000101 11100101110111 01111111001 0111111010101 010010101100101 101011000111001 101001011101 01010100111 0101001110101 11010111111 01111010101011 01001111111111 1011110001011 111101101011 01011110111 0011110001011101 111100111010101101 1010101101000110010 011100011010011 0101011111 011100100100101 0101111010010101 0101100100110011 01010110001011 10110101101101 111010011100100101 011111110101 0100111010011 1010011100100101 011111010111 01111010010 0010111111 011001101100010 1110100101001101010 11011111101 1101110011111 1011111 11000101011101 1101100111010001 1001010101010111 01010101110011 11011011101011001 01011000100101100110 10111001010101111 0011011011010100 01010111110011 01000010100110100100 011001011010100 0111101101001011 011010111001 011011011011110010 11110111010010 1011011110101 10110100111101 11111011101101 0101111010111 0111110111 0110100111010010001 11101111010110101 011110101011111 01111111111 01101100101111101
Closest metre Iambic heptameter
Characters 3,776
Words 685
Sentences 28
Stanzas 16
Stanza Lengths 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4
Lines Amount 64
Letters per line (avg) 47
Words per line (avg) 11
Letters per stanza (avg) 189
Words per stanza (avg) 43
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Submitted on May 13, 2011

Modified on March 05, 2023

3:26 min read
78

William Topaz McGonagall

William Topaz McGonagall (March 1825 – 29 September 1902) was an Irish weaver, poet and actor who lived in Scotland. He won notoriety as an extremely bad poet who exhibited no recognition of, or concern for, his peers' opinions of his work. He wrote about 200 poems, including "The Tay Bridge Disaster" and "The Famous Tay Whale", which are widely regarded as some of the worst in English literature. Groups throughout Scotland engaged him to make recitations from his work, and contemporary descriptions of these performances indicate that many listeners were appreciating McGonagall's skill as a comic music hall character. Collections of his verse remain popular, with several volumes available today. McGonagall has been lampooned as the worst poet in British history. The chief criticisms are that he was deaf to poetic metaphor and unable to scan correctly. His only apparent understanding of poetry was his belief that it needed to rhyme. McGonagall's fame stems from the humorous effects these shortcomings are considered to generate in his work. Scholars argue that his inappropriate rhythms, weak vocabulary, and ill-advised imagery combine to make his work amongst the most unintentionally amusing dramatic poetry in the English language. His work is in a long tradition of narrative ballads and verse written and published about great events and tragedies, and widely circulated among the local population as handbills. In an age before radio and television, their voice was one way of communicating important news to an avid public. more…

All William Topaz McGonagall poems | William Topaz McGonagall Books

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