Analysis of At a Pantomime. By a Bilious One



An Actor sits in doubtful gloom,
His stock-in-trade unfurled,
In a damp funereal dressing-room
In the Theatre Royal, World.

He comes to town at Christmas-time,
And braves its icy breath,
To play in that favourite pantomime,
HARLEQUIN LIFE AND DEATH.

A hoary flowing wig his weird
Unearthly cranium caps,
He hangs a long benevolent beard
On a pair of empty chaps.

To smooth his ghastly features down
The actor's art he cribs, -
A long and a flowing padded gown.
Bedecks his rattling ribs.

He cries, "Go on - begin, begin!
Turn on the light of lime -
I'm dressed for jolly Old Christmas, in
A favourite pantomime!"

The curtain's up - the stage all black -
Time and the year nigh sped -
Time as an advertising quack -
The Old Year nearly dead.

The wand of Time is waved, and lo!
Revealed Old Christmas stands,
And little children chuckle and crow,
And laugh and clap their hands.

The cruel old scoundrel brightens up
At the death of the Olden Year,
And he waves a gorgeous golden cup,
And bids the world good cheer.

The little ones hail the festive King, -
No thought can make them sad.
Their laughter comes with a sounding ring,
They clap and crow like mad!

They only see in the humbug old
A holiday every year,
And handsome gifts, and joys untold,
And unaccustomed cheer.

The old ones, palsied, blear, and hoar,
Their breasts in anguish beat -
They've seen him seventy times before,
How well they know the cheat!

They've seen that ghastly pantomime,
They've felt its blighting breath,
They know that rollicking Christmas-time
Meant Cold and Want and Death, -

Starvation - Poor Law Union fare -
And deadly cramps and chills,
And illness - illness everywhere,
And crime, and Christmas bills.

They know Old Christmas well, I ween,
Those men of ripened age;
They've often, often, often seen
That Actor off the stage!

They see in his gay rotundity
A clumsy stuffed-out dress -
They see in the cup he waves on high
A tinselled emptiness.

Those aged men so lean and wan,
They've seen it all before,
They know they'll see the charlatan
But twice or three times more.

And so they bear with dance and song,
And crimson foil and green,
They wearily sit, and grimly long
For the Transformation Scene.


Scheme ABAB CDCD EFEF GHGH ICIC JKJK LMLM NONO PQPQ RORO STST CDCD UVUV GWXW BXXX XSXS YXYX
Poetic Form Quatrain  (94%)
Metre 11010101 110101 0011101 00100101 11111101 011101 1101110 100101 01010111 0101001 110101001 1011101 11110101 010111 010010101 11101 11110101 110111 111101100 0110 0110111 100111 1111001 011101 01111101 011101 010101001 010111 010110101 10110101 011010101 010111 010110101 111111 110110101 110111 11010011 0101001 01010101 00101 0111101 110101 111100101 111101 1111010 11111 111100101 110101 01011101 010101 0101010 010101 11110111 111101 11010101 110101 110111 010111 110011111 01100 1111101 111101 11110100 111111 01111101 010101 110010101 100101
Closest metre Iambic tetrameter
Characters 2,128
Words 396
Sentences 21
Stanzas 17
Stanza Lengths 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4
Lines Amount 68
Letters per line (avg) 25
Words per line (avg) 6
Letters per stanza (avg) 100
Words per stanza (avg) 23
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Submitted on May 13, 2011

Modified on March 05, 2023

2:01 min read
74

William Schwenck Gilbert

Sir William Schwenck Gilbert was an English dramatist librettist poet and illustrator best known for his fourteen comic operas produced in collaboration with the composer Sir Arthur Sullivan of which the most famous include HMS Pinafore The Pirates of Penzance and one of the most frequently performed works in the history of musical theatre The Mikado These as well as most of their other Savoy operas continue to be performed regularly throughout the English-speaking world and beyond by opera companies repertory companies schools and community theatre groups Lines from these works have become part of the English language such as short sharp shock What never Well hardly ever and Let the punishment fit the crime Gilbert also wrote the Bab Ballads an extensive collection of light verse accompanied by his own comical drawings His creative output included over 75 plays and libretti numerous stories poems lyrics and various other comic and serious pieces His plays and realistic style of stage direction inspired other dramatists including Oscar Wilde and George Bernard Shaw According to The Cambridge History of English and American Literature Gilberts lyrical facility and his mastery of metre raised the poetical quality of comic opera to a position that it had never reached before and has not reached since Source - Wikipedia more…

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