Analysis of The Wound Dresser

Walt Whitman 1819 (West Hills) – 1892 (Camden)



AN old man bending, I come, among new faces,
Years looking backward, resuming, in answer to children,
Come tell us, old man, as from young men and maidens that love me;
(Arous'd and angry, I'd thought to beat the alarum, and urge relentless war,
but soon my fingers fail'd me, my face droop'd and I resign'd myself,
To sit by the wounded and soothe them, or silently watch the dead
Years hence of these scenes, of these furious passions, these chances,
Of unsurpass’d heroes, (was one side so brave? the other was equally brave
Now be witness again—paint the mightiest armies of earth;
Of those armies so rapid, so wondrous, what saw you to tell us?
What stays with you latest and deepest? of curious panics,
Of hard-fought engagements, or sieges tremendous, what deepest remains?

O maidens and young men I love, and that love me,
What you ask of my days, those the strangest and sudden your talking recalls;
Soldier alert I arrive, after a long march, cover’d with sweat and dust;
In the nick of time I come, plunge in the fight, loudly shout in the rush of successful charge;
Enter the captur’d works.... yet lo! like a swift-running river, they fade;
Pass and are gone, they fade—I dwell not on soldiers’ perils or soldiers’ joys;
(Both I remember well—many the hardships, few the joys, yet I was content.)

But in silence, in dreams’ projections,
While the world of gain and appearance and mirth goes on,
So soon what is over forgotten, and waves wash the imprints off the sand,
With hinged knees returning, I enter the doors—(while for you up there,
Whoever you are, follow me without noise, and be of strong heart.)

Bearing the bandages, water and sponge,
Straight and swift to my wounded I go,
Where they lie on the ground, after the battle brought in;
Where their priceless blood reddens the grass, the ground;
Or to the rows of the hospital tent, or under the roof’d hospital;
To the long rows of cots, up and down, each side, I return;
To each and all, one after another, I draw near—not one do I miss;
An attendant follows, holding a tray—he carries a refuse pail,
Soon to be fill’d with clotted rags and blood, emptied and fill’d again.

I onward go, I stop,
With hinged knees and steady hand, to dress wounds;
I am firm with each—the pangs are sharp, yet unavoidable;
One turns to me his appealing eyes—(poor boy! I never knew you,
Yet I think I could not refuse this moment to die for you, if that would save you.)

On, on I go!—(open doors of time! open hospital doors!)
The crush’d head I dress, (poor crazed hand, tear not the bandage away
The neck of the cavalry-man, with the bullet through and through, I examine;
Hard the breathing rattles, quite glazed already the eye, yet life struggles hard;
(Come, sweet death! be persuaded, O beautiful death!
In mercy come quickly.)

From the stump of the arm, the amputated hand,
I undo the clotted lint, remove the slough, wash off the matter and blood;
Back on his pillow the soldier bends, with curv’d neck, and side-falling head;
His eyes are closed, his face is pale, he dares not look on the bloody stump,
And has not yet look’d on it.

I dress a wound in the side, deep, deep;
But a day or two more—for see, the frame all wasted already, and sinking,
And the yellow-blue countenance see.

I dress the perforated shoulder, the foot with the bullet wound,
Cleanse the one with a gnawing and putrid gangrene, so sickening, so offensive,
While the attendant stands behind aside me, holding the tray and pail.

I am faithful, I do not give out;
The fractur’d thigh, the knee, the wound in the abdomen,
These and more I dress with impassive hand, (yet deep in my breast a fire, a burning flame.)

Thus in silence, in dreams’ projections,
Returning, resuming, I thread my way through the hospitals;
The hurt and wounded I pacify with soothing hand,
I sit by the restless all the dark night—some are so young;
Some suffer so much—I recall the experience sweet and sad;
(Many a soldier’s loving arms about this neck have cross’d and rested,
Many a soldier’s kiss dwells on these bearded lips.)


Scheme ABCXXDAXXXXX CXXXXXX EXFXX XXGHIXXJX XXIKK XXGXXC FLDXX XXC HXJ XBX EXFXXLX
Poetic Form
Metre 111101101110 11010010010110 111111111010111 01010111101010101 111101111101011 1110100111100101 111111110010110 11101111101011001 111001101001011 1110110110111111 111110010110010 11101011001011001 110011110111 11111110100101101 10011011001111101 0011111100110100110101 1001111101101011 101111111110101101 1101011001010111110 101001010 1011100100111 111110010011001101 1110101100111111 0101110101101111 1001001001 101111011 1111011001010 1110110101 1101101011100110 10111110111101 110111001011111111 10101010011100011 1111110101100101 110111 1110101111 11111011110100 1111101011111011 11111101110111111111 11111011110101 011111111101001 0110100110101011010 101010110100111101 111101011001 010110 10110101001 101010101011101001 11110010111101101 11111111111110101 0111111 110100111 1011111101110010010 001011001 110100100110101 10110100101011001010 10010101011100101 111011111 011010100010 1011110101110110100101 101001010 01001011111010 010101101101 11101010111111 110111100100101 10010101011111010 100101111101
Closest metre Iambic heptameter
Characters 4,066
Words 738
Sentences 23
Stanzas 11
Stanza Lengths 12, 7, 5, 9, 5, 6, 5, 3, 3, 3, 7
Lines Amount 65
Letters per line (avg) 48
Words per line (avg) 11
Letters per stanza (avg) 283
Words per stanza (avg) 66
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Submitted on May 13, 2011

Modified on April 27, 2023

3:43 min read
331

Walt Whitman

Walter "Walt" Whitman was an American poet, essayist and journalist. more…

All Walt Whitman poems | Walt Whitman Books

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