Analysis of Letter

Victor Marie Hugo 1802 (Besançon) – 1885 (Paris)



You can see it already: chalks and ochers;
Country crossed with a thousand furrow-lines;
Ground-level rooftops hidden by the shrubbery;
Sporadic haystacks standing on the grass;
Smoky old rooftops tarnishing the landscape;
A river (not Cayster or Ganges, though:
A feeble Norman salt-infested watercourse);
On the right, to the north, bizarre terrain
All angular--you'd think a shovel did it.
So that's the foreground. An old chapel adds
Its antique spire, and gathers alongside it
A few gnarled elms with grumpy silhouettes;
Seemingly tired of all the frisky breezes,
They carp at every gust that stirs them up.
At one side of my house a big wheelbarrow
Is rusting; and before me lies the vast
Horizon, all its notches filled with ocean blue;
Cocks and hens spread their gildings, and converse
Beneath my window; and the rooftop attics,
Now and then, toss me songs in dialect.
In my lane dwells a patriarchal rope-maker;
The old man makes his wheel run loud, and goes
Retrograde, hemp wreathed tightly round the midriff.
I like these waters where the wild gale scuds;
All day the country tempts me to go strolling;
The little village urchins, book in hand,
Envy me, at the schoolmaster's (my lodging),
As a big schoolboy sneaking a day off.
The air is pure, the sky smiles; there's a constant
Soft noise of children spelling things aloud.
The waters flow; a linnet flies; and I say: "Thank you!
Thank you, Almighty God!"--So, then, I live:
Peacefully, hour by hour, with little fuss, I shed
My days, and think of you, my lady fair!
I hear the children chattering; and I see, at times,
Sailing across the high seas in its pride,
Over the gables of the tranquil village,
Some winged ship which is traveling far away,
Flying across the ocean, hounded by all the winds.
Lately it slept in port beside the quay.
Nothing has kept it from the jealous sea-surge:
No tears of relatives, nor fears of wives,
Nor reefs dimly reflected in the waters,
Nor importunity of sinister birds.


Scheme AABACDAEFAFAAGDHIAAJKALAMNMLOPILQRASTUABVAAA
Poetic Form
Metre 1111010101 1011010101 11011010100 010110101 101110001 010111101 0101010101 1011010101 11001101011 110111101 10110100111 011111001 100101101010 11110011111 1111110110 1100011101 010111011101 101111010 0111000110 101111010 01110010110 0111111101 101110101 1111010111 11010111110 0101010101 101101110 101110011 01110111010 1111010101 0101010101111 1101011111 10010110110111 1101111101 1101010001111 1001011011 10010101010 11111100101 1001010101101 1011010101 10111101011 1111001111 11100100010 1111001
Closest metre Iambic pentameter
Characters 1,960
Words 343
Sentences 14
Stanzas 1
Stanza Lengths 44
Lines Amount 44
Letters per line (avg) 35
Words per line (avg) 8
Letters per stanza (avg) 1,548
Words per stanza (avg) 340
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Submitted on May 13, 2011

Modified on March 05, 2023

1:44 min read
33

Victor Marie Hugo

Victor Marie Hugo was a French poet, novelist, and dramatist of the Romantic movement. He is considered one of the greatest and best known French writers. In France, Hugo's literary fame comes first from his poetry but also rests upon his novels and his dramatic achievements. Among many volumes of poetry, Les Contemplations and La Légende des siècles stand particularly high in critical esteem. Outside France, his best-known works are the novels Les Misérables, 1862, and Notre-Dame de Paris, 1831. Though a committed royalist when he was young, Hugo's views changed as the decades passed; he became a passionate supporter of republicanism, and his work touches upon most of the political and social issues and artistic trends of his time. He was buried in the Panthéon. more…

All Victor Marie Hugo poems | Victor Marie Hugo Books

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