Analysis of Lycus the Centaur



FROM AN UNROLLED MANUSCRIPT OF APOLLONIUS CURIUS

(The Argument: Lycus, detained by Circe in her magical dominion, is beloved by a Water Nymph, who, desiring to render him immortal, has recourse to the Sorceress. Circe gives her an incantation to pronounce, which should turn Lycus into a horse; but the horrible effect of the charm causing her to break off in the midst, he becomes a Centaur).

Who hath ever been lured and bound by a spell
To wander, fore-doomed, in that circle of hell
Where Witchery works with her will like a god,
Works more than the wonders of time at a nod,—
At a word,—at a touch,—at a flash of the eye,
But each form is a cheat, and each sound is a lie,
Things born of a wish—to endure for a thought,
Or last for long ages—to vanish to nought,
Or put on new semblance? O Jove, I had given
The throne of a kingdom to know if that heaven,
And the earth and its streams were of Circe, or whether
They kept the world's birthday and brighten'd together!
For I loved them in terror, and constantly dreaded
That the earth where I trod, and the cave where I bedded,
The face I might dote on, should live out the lease
Of the charm that created, and suddenly cease:
And I gave me to slumber, as if from one dream
To another—each horrid,—and drank of the stream
Like a first taste of blood, lest as water I quaff'd
Swift poison, and never should breathe from the draught,—
Such drink as her own monarch husband drain'd up
When he pledged her, and Fate closed his eyes in the cup.
And I pluck'd of the fruit with held breath, and a fear
That the branch would start back and scream out in my ear;
For once, at my suppering, I plucked in the dusk
An apple, juice-gushing and fragrant of musk;
But by daylight my fingers were crimson'd with gore,
And the half-eaten fragment was flesh at the core;
And once—only once—for the love of its blush,
I broke a bloom bough, but there came such a gush
On my hand, that it fainted away in weak fright,
While the leaf-hidden woodpecker shriek'd at the sight;
And oh! such an agony thrill'd in that note,
That my soul, startling up, beat its wings in my throat,
As it long'd to be free of a body whose hand
Was doom'd to work torments a Fury had plann'd!

There I stood without stir, yet how willing to flee,
As if rooted and horror-turn'd into a tree,—
Oh! for innocent death,—and to suddenly win it,
I drank of the stream, but no poison was in it;
I plunged in its waters, but ere I could sink,
Some invisible fate pull'd me back to the brink;
I sprang from the rock, from its pinnacle height,
But fell on the grass with a grasshopper's flight;
I ran at my fears—they were fears and no more,
For the bear would not mangle my limbs, nor the boar,
But moan'd—all their brutalized flesh could not smother
The horrible truth,—we were kin to each other!

They were mournfully gentle, and group'd for relief,
All foes in their skin, but all friends in their grief:
The leopard was there,—baby-mild in its feature;
And the tiger, black-barr'd, with the gaze of a creature
That knew gentle pity; the bristle-back'd boar,
His innocent tusks stain'd with mulberry gore;
And the laughing hyena—but laughing no more;
And the snake, not with magical orbs to devise
Strange death, but with woman's attraction of eyes;
The tall ugly ape, that still bore a dim shine
Through his hairy eclipse of a manhood divine;
And the elephant stately, with more than its reason,
How thoughtful in sadness! but this is no season
To reckon them up from the lag-bellied toad
To the mammoth, whose sobs shook his ponderous load.
There were woes of all shapes, wretched forms, when I came,
That hung down their heads with a human-like shame;
The elephant hid in the boughs, and the bear
Shed over his eyes the dark veil of his hair;
And the womanly soul turning sick with disgust,
Tried to vomit herself from her serpentine crust;
While all groan'd their groans into one at their lot,
As I brought them the image of what they were not.

Then rose a wild sound of the human voice choking
Through vile brutal organs—low tremulous croaking:
Cries swallow'd abruptly—deep animal tones
Attuned to strange passion, and full-utter'd groans;
All shuddering weaken, till hush'd in a pause
Of tongues in mute motion and wide-yawning jaws;
And I guessed that those horrors were meant to tell o'er
The tale of their woes; but the silence told more,
That writhed on their tongues; and I knelt on the sod,
And pray'd with my voice to the c


Scheme A B CCDDEEXDFFGGHHAAIIDXJJXXKKBBLLMMNNOO PPQQRRMMBBGG SSGGBBBAATTFFUUVVWWXXYY ZZAAAAGBDP
Poetic Form
Metre 11110111 01001011100100010101101011010011010101101011101011010111110101101000110110011100110101 11101101101 11011011011 111101101 11101011101 101101101101 111101011101 11101101101 11111011011 111110111110 011010111110 001011011110 11011010010 1111010010010 1011110011110 01111111101 101101001001 011111011111 101011001101 101111111011 11001011101 1110111011 111001111001 011101111001 101111011011 1111111001 11011001011 1111100111 001101011101 01101101111 11011111101 111111001011 10110101101 01111001011 111101111011 111111101011 1111101011 111011111011 111001010101 1110010110011 111011110101 11011011111 101001111101 11101111001 111011011 11111101011 101111011101 11111011110 010011011110 1011001101 11011111011 010111010110 0010111011010 11101001011 1100111101 001001011011 001111001101 11111001011 01101111011 11100110101 0010010111110 110010111110 11011101101 101011111001 101111101111 11111101011 01001001001 11011011111 0011101101 11100110101 11111011111 111101011101 110111010110 111010110010 11001011001 01111001101 11001011001 11011001101 0111110011110 01111101011 11111011101 01111101
Closest metre Iambic hexameter
Characters 4,474
Words 824
Sentences 13
Stanzas 6
Stanza Lengths 1, 1, 36, 12, 23, 10
Lines Amount 83
Letters per line (avg) 42
Words per line (avg) 10
Letters per stanza (avg) 575
Words per stanza (avg) 136
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Submitted on May 13, 2011

Modified on March 05, 2023

4:15 min read
47

Thomas Hood

Thomas Hood was a British humorist and poet. His son, Tom Hood, became a well known playwright and editor. more…

All Thomas Hood poems | Thomas Hood Books

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