Analysis of Among The Timothy

Archibald Lampman 1861 (Upper Canada) – 1899 (Ottawa, Canada)



Long hours ago, while yet the morn was blithe,
Nor sharp athirst had drunk the beaded dew,
A reaper came, and swung his cradled scythe
Around this stump, and, shearing slowly, drew
Far round among the clover, ripe for hay,
A circle clean and grey;
And here among the scented swathes that gleam,
Mixed with dead daisies, it is sweet to lie
And watch the grass and the few-clouded sky,
Nor think but only dream.

For when the noon was turning, and the heat
Fell down most heavily on field and wood,
I too came hither, borne on restless feet,
Seeking some comfort for an echoing mood.
Ah, I was weary of the drifting hours,
The echoing city towers,
The blind grey streets, the jingle of the throng,
Weary of hope that like a shape of stone,
Sat near at hand without a smile or moan,
And weary most of song.

And those high moods of mine that someone made
My heart a heaven, opening like a flower,
A sweeter world where I in wonder strayed,
Begirt with shapes of beauty and the power
Of dreams that moved through that enchanted clime
With changing breaths of rhyme,
Were all gone lifeless now like those white leaves.
That hang all winter, shivering dead and blind
Among the sinewy beeches in the wind,
That vainly calls and grieves.

Ah! I will set no more mine overtasked brain
To barren search and toil that beareth nought,
Forever following with sorefooted pain
The crossing pathways of unbourned thought;
But let it go, as one that hath no skill,
To take what shape it will,
An ant slow-burrowing in the earthy gloom,
A spider bathing in the dew at morn,
Or a brown bee in wayward fancy borne
From hidden bloom to bloom.

Hither and thither o'er the rocking grass
The little breezes, blithe as they are blind,
Teasing the slender blossoms pass and pass,
Soft-footed children of the gipsy wind,
To taste of every purple-fringed head
Before the bloom is dead;
And scarcely heed the daisies that, endowed
With stems so short they cannot see, up-bear
Their innocent sweet eyes distressed, and stare
Like children in a crowd.

Not far to fieldward in the central heat,
Shadowing the clover, a pale poplar stands
With glimmering leaves that, when the wind comes, beat
Together like innumerable small hands,
And with the calm, as in vague dreams astray,
Hang wan and silver-grey;
Like sleepy maenads, who in pale surprise,
Half-wakened by a prowling beast, have crept
Out of the hidden covert, where they slept,
At noon with languid eyes.

The crickets creak, and through the noonday glow,
That crazy fiddler of the hot mid-year,
The dry cicada plies his wiry bow
In long-spun cadence, thin and dusty sere:
From the green grass the small grasshoppers' din
Spreads soft and silvery thin:
And ever and anon a murmur steals
Into mine ears of toil that moves alway,
The crackling rustle of the pitch-forked hay
And lazy jerk of wheels.

As so I lie and feel the soft hours a wane,
To wind and sun and peaceful sound laid bare,
That aching dim discomfort of the brain
Fades off unseen, and shadowy-footed care
Into some hidden corner creeps at last
To slumber deep and fast;
And gliding on, quite fashioned to forget,
From dream to dream I bid my spirit pass
Out into the pale green ever-swaying grass
To brood, but no more fret.

And hour by hour among all shapes that grow
Of purple mints and daisies gemmed with gold
In sweet unrest my visions come and go;
I feel and hear and with quiet eyes behold;
And hour by hour, the ever-journeying sun,
In gold and shadow spun,
Into mine eyes and blood, and through the dim
Green glimmering forest of the grass shines down,
Till flower and blade, and every cranny brown,
And I are soaked with him.


Scheme XAXABBCDDC EXEXFFGHHG IJIJCXKLLK MAMXNNOPPO QLQLRRSTTS EUEUBBVWWV XYXYZZ1 XB1 MTMT2 2 3 QQ3 X4 X4 5 5 6 7 7 6
Poetic Form
Metre 11001110111 111110101 010101111 0111010101 1101010111 010101 0101010111 1111011111 0101001101 111101 1101110001 1111001101 1111011101 10110111001 11110101010 01001010 0111010101 1011110111 1111010111 010111 011111111 110101001010 0101110101 1111100010 1111110101 110111 0111011111 11110100101 0101001001 110101 111111111 110101111 010100111 0101111 1111111111 111111 11110000101 0101000111 1011010101 110111 1001100101 0101011111 1001010101 110101011 1111001011 010111 0101010101 1111110111 1100110101 110001 111100101 10001001101 11001110111 01010100011 0101101101 110101 110110101 111010111 1101010111 111101 010101011 11010010111 0101011101 0111010101 101101101 1101001 010010101 011111111 0101010111 010111 111101011001 1101010111 1101010101 11010100101 0111010111 110101 0101110101 1111111101 10101110101 111111 010110011111 1101010111 0101110101 11010110101 0101100101001 01011 0111010101 11001010111 110010100101 011111
Closest metre Iambic pentameter
Characters 3,541
Words 655
Sentences 13
Stanzas 9
Stanza Lengths 10, 10, 10, 10, 10, 10, 10, 10, 10
Lines Amount 90
Letters per line (avg) 32
Words per line (avg) 7
Letters per stanza (avg) 318
Words per stanza (avg) 73
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Submitted on May 13, 2011

Modified on April 03, 2023

3:16 min read
111

Archibald Lampman

Archibald Lampman FRSC was a Canadian poet. "He has been described as 'the Canadian Keats;' and he is perhaps the most outstanding exponent of the Canadian school of nature poets." The Canadian Encyclopedia says that he is "generally considered the finest of Canada's late 19th-century poets in English." Lampman is classed as one of Canada's Confederation Poets, a group which also includes Charles G.D. Roberts, Bliss Carman, and Duncan Campbell Scott. more…

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