Analysis of The Poor Man's Lamb



NOW spent the alter'd King, in am'rous Cares,
The Hours of sacred Hymns and solemn Pray'rs:
In vain the Alter waits his slow returns,
Where unattended Incense faintly burns:
In vain the whisp'ring Priests their Fears express,
And of the Change a thousand Causes guess.
Heedless of all their Censures He retires,
And in his Palace feeds his secret Fires;
Impatient, till from Rabbah Tydings tell,
That near those Walls the poor Uriah fell,
Led to the Onset by a Chosen Few,
Who at the treacherous Signal, soon withdrew;
Nor to his Rescue e'er return'd again,
Till by fierce Ammon's Sword they saw the Victim slain.
'Tis pass'd, 'tis done! the holy Marriage-Knot,
Too strong to be unty'd, at last is cut.
And now to Bathsheba the King declares,
That with his Heart, the Kingdom too is hers;
That Israel's Throne, and longing Monarch's Arms
Are to be fill'd but with her widow'd Charms.
Nor must the Days of formal Tears exceed,
To cross the Living, and abuse the Dead.
This she denies; and signs of Grief are worn;
But mourns no more than may her Face adorn,
Give to those Eyes, which Love and Empire fir'd,
A melting Softness more to be desir'd;
Till the fixt Time, tho' hard to be endur'd,
Was pass'd, and a sad Consort's Name procur'd:
When, with the Pomp that suits a Prince's Thought,
By Passion sway'd, and glorious Woman taught,
A Queen she's made, than Michal seated higher,
Whilst light unusual Airs prophane the hallow'd Lyre.

Where art thou Nathan? where's that Spirit now,
Giv'n to brave Vice, tho' on a Prince's Brow?
In what low Cave, or on what Desert Coast,
Now Virtue wants it, is thy Presence lost?

But lo! he comes, the Rev'rend Bard appears,
Defil'd with Dust his awful silver Hairs,
And his rough Garment, wet with falling Tears.
The King this mark'd, and conscious wou'd have fled,
The healing Balm which for his Wounds was shed:
Till the more wary Priest the Serpents Art,
Join'd to the Dove-like Temper of his Heart,
And thus retards the Prince just ready now to part.

Hear me, the Cause betwixt two Neighbors hear,
Thou, who for Justice dost the Sceptre bear:
Help the Opprest, nor let me weep alone
For him, that calls for Succour from the Throne.
Good Princes for Protection are Ador'd,
And Greater by the Shield, than by the Sword.
This clears the Doubt, and now no more he fears
The Cause his Own, and therefore stays and hears:
When thus the Prophet: –
                  –In a flow'ry Plain
A King-like Man does in full Plenty reign;
Casts round his Eyes, in vain, to reach the Bound,
Which Jordan's Flood sets to his fertile Ground:
Countless his Flocks, whilst Lebanon contains
A Herd as large, kept by his numerous Swains,
That fill with morning Bellowings the cool Air,
And to the Cedar's shade at scorching Noon repair.
Near to this Wood a lowly Cottage stands,
Built by the humble Owner's painful Hands;
Fenc'd by a Stubble-roof, from Rain and Heat,
Secur'd without, within all Plain and Neat.
A Field of small Extent surrounds the Place,
In which One single Ewe did sport and graze:
This his whole Stock, till in full time there came,
To bless his utmost Hopes, a snowy Lamb;
Which, lest the Season yet too Cold might prove,
And Northern Blasts annoy it from the Grove,
Or tow'ring Fowl on the weak Prey might sieze,
(For with his Store his Fears must too increase)
He brings it Home, and lays it by his Side,
At once his Wealth, his Pleasure and his Pride;
Still bars the Door, by Labour call'd away,
And, when returning at the Close of Day,
With One small Mess himself, and that sustains,
And half his Dish it shares, and half his slender Gains.
When to the great Man's table now there comes
A Lord as great, follow'd by hungry Grooms:

For these must be provided sundry Meats,
The best for Some, for Others coarser Cates.
One Servant, diligent above the rest
To help his Master to contrive the Feast,
Extols the Lamb was nourished with such Care,
So fed, so lodg'd, it must be Princely Fare;
And having this, my Lord his own may spare.
In haste he sends, led by no Law, but Will,
Not to entreat, or purchase, but to Kill.
The Messenger's arriv'd: the harmless Spoil,
Unus'd to fly, runs Bleating to the Toil:
Whilst for the Innocent the Owner fear'd,
And, sure wou'd move, cou'd Poverty be heard.
Oh spare (he cries) the Product of my Cares,
My Stock's Encrease, the Blessing on my Pray'rs;
My growing Hope, and Treasure of my Life!
More was h


Scheme AABBCCXDEEFFXGXHADIIXJKKLLMMNNXX OOXX PAAJJQQQ XRSSTTPXHGGUUVARRWWXXXXXXXXAXYYZZVVXX XXXXRRR1 1 2 2 XLAAXX
Poetic Form
Metre 110101011 01011010101 0101011101 1001001101 010111101 0101010101 11111101 00110111010 010111101 11110111 110110101 11010010101 11110100101 11111110101 1111010101 111111111 0110100101 1111010110 110101011 1111110101 1101110101 1101000101 1101011111 1111110101 111111010010 01010111010 1011111101 110011101 1101110101 11010100101 01111101010 11010110101 1111011101 1111110101 0111111101 1101111101 111101101 111110101 0111011101 0111010111 0101111111 1011010101 1101110111 010101110111 1101011101 1111010101 101111101 111111101 1101010101 0101011101 1101011111 011101101 11010 0011 0111101101 1111011101 1101111101 1011110001 01111111001 111101011 01011110101 1111010101 1101010101 1101011101 0101011101 0111010101 0111011101 1111101111 111110101 1101011111 0101011101 1111101111 1111111101 1111011111 1111110011 110111101 0101010111 1111010101 011111011101 1101110111 0111101101 1111010101 0111110101 1101000101 1111010101 0101110111 1111111101 0101111111 0111111111 111110111 01010101 011111101 1101000101 0111110011 1111010111 111010111 1101010111 111
Closest metre Iambic pentameter
Characters 4,386
Words 789
Sentences 24
Stanzas 5
Stanza Lengths 32, 4, 8, 37, 17
Lines Amount 98
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 672
Words per stanza (avg) 158
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Submitted on May 13, 2011

Modified on March 05, 2023

4:12 min read
87

Anne Kingsmill Finch

Anne Finch, Countess of Winchilsea (née Kingsmill), was an English poet and courtier. Finch's works often express a desire for respect as a female poet, lamenting her difficult position as a woman in the literary establishment and the court, while writing of "political ideology, religious orientation, and aesthetic sensibility". Her works also allude to other female authors of the time, such as Aphra Behn and Katherine Phillips. Through her commentary on the mental and spiritual equality of the genders and the importance of women fulfilling their potential as a moral duty to themselves and to society, she is regarded as one of the integral female poets of the Restoration Era. Finch died in Westminster in 1720 and was buried at her home at Eastwell, Kent.  more…

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