Analysis of The Song Of The Mouth-Organ



(With apologies to the singer of the "Song of the Banjo".)

I'm a homely little bit of tin and bone;
        I'm beloved by the Legion of the Lost;
I haven't got a "vox humana" tone,
        And a dime or two will satisfy my cost.
I don't attempt your high-falutin' flights;
        I am more or less uncertain on the key;
But I tell you, boys, there's lots and lots of nights
        When you've taken mighty comfort out of me.

I weigh an ounce or two, and I'm so small
        You can pack me in the pocket of your vest;
And when at night so wearily you crawl
        Into your bunk and stretch your limbs to rest,
You take me out and play me soft and low,
        The simple songs that trouble your heartstrings;
The tunes you used to fancy long ago,
        Before you made a rotten mess of things.

Then a dreamy look will come into your eyes,
        And you break off in the middle of a note;
And then, with just the dreariest of sighs,
        You drop me in the pocket of your coat.
But somehow I have bucked you up a bit;
        And, as you turn around and face the wall,
You don't feel quite so spineless and unfit--
        You're not so bad a fellow after all.

Do you recollect the bitter Arctic night;
        Your camp beside the canyon on the trail;
Your tent a tiny square of orange light;
        The moon above consumptive-like and pale;
Your supper cooked, your little stove aglow;
        You tired, but snug and happy as a child?
Then 'twas "Turkey in the Straw" till your lips were nearly raw,
        And you hurled your bold defiance at the Wild.

Do you recollect the flashing, lashing pain;
        The gulf of humid blackness overhead;
The lightning making rapiers of the rain;
        The cattle-horns like candles of the dead
You sitting on your bronco there alone,
        In your slicker, saddle-sore and sick with cold?
Do you think the silent herd did not hear "The Mocking Bird",
        Or relish "Silver Threads among the Gold"?

Do you recollect the wild Magellan coast;
        The head-winds and the icy, roaring seas;
The nights you thought that everything was lost;
        The days you toiled in water to your knees;
The frozen ratlines shrieking in the gale;
        The hissing steeps and gulfs of livid foam:
When you cheered your messmates nine with "Ben Bolt" and "Clementine",
        And "Dixie Land" and "Seeing Nellie Home"?

Let the jammy banjo voice the Younger Son,
        Who waits for his remittance to arrive;
I represent the grimy, gritty one,
        Who sweats his bones to keep himself alive;
Who's up against the real thing from his birth;
        Whose heritage is hard and bitter toil;
I voice the weary, smeary ones of earth,
        The helots of the sea and of the soil.

I'm the Steinway of strange mischief and mischance;
        I'm the Stradivarius of blank defeat;
In the down-world, when the devil leads the dance,
        I am simply and symbolically meet;
I'm the irrepressive spirit of mankind;
        I'm the small boy playing knuckle down with Death;
At the end of all things known, where God's rubbish-heap is thrown,
        I shrill impudent triumph at a breath.

I'm a humble little bit of tin and horn;
        I'm a byword, I'm a plaything, I'm a jest;
The virtuoso looks on me with scorn;
        But there's times when I am better than the best.
Ask the stoker and the sailor of the sea;
        Ask the mucker and the hewer of the pine;
Ask the herder of the plain, ask the gleaner of the grain--
        There's a lowly, loving kingdom--and it's mine.


Scheme A BCBXDEDE FGFGADAX HIHIJFJF KLKLAMXM NONOBPXP XQCQLRSR TUTUVWVW DXXXXYBY ZGZGESNS
Poetic Form
Metre 101001010101101 10101011101 1011010101 1101010101 0011111011 11011111 11111010101 11111110111 11101010111 1111110111 11110010111 0111110011 0111011111 1111011101 010111011 0111110101 0111010111 10101110111 01110010101 01110111 1110010111 111111101 0111010101 1111110001 1111010101 1101010101 1101010101 1101011101 01011101 1101110101 11011010101 11100011110101 01111010101 1101010101 0111010101 010101101 0101110101 1101110101 01101010111 11101011110101 1101010101 1101010101 0110010101 011111011 0111010111 010110001 0101011101 111111111010 0101010101 101110101 1111010101 101010101 1111110101 1101011111 1100110101 110101111 0101010101 101111001 1001001101 00111010101 11100010001 10110111 10111010111 10111111110111 11110101 10101011101 101101101 0001011111 11111110101 10100010101 1010010101 1010101101101 10101010011
Closest metre Iambic pentameter
Characters 3,472
Words 609
Sentences 16
Stanzas 10
Stanza Lengths 1, 8, 8, 8, 8, 8, 8, 8, 8, 8
Lines Amount 73
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 250
Words per stanza (avg) 61
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Submitted on May 13, 2011

Modified on March 24, 2023

3:09 min read
75

Robert William Service

Robert William Service was a poet and writer sometimes referred to as the Bard of the Yukon He is best-known for his writings on the Canadian North including the poems The Shooting of Dan McGrew The Law of the Yukon and The Cremation of Sam McGee His writing was so expressive that his readers took him for a hard-bitten old Klondike prospector not the later-arriving bank clerk he actually was Robert William Service was born 16 January 1874 in Preston England but also lived in Scotland before emigrating to Canada in 1894 Service went to the Yukon Territory in 1904 as a bank clerk and became famous for his poems about this region which are mostly in his first two books of poetry He wrote quite a bit of prose as well and worked as a reporter for some time but those writings are not nearly as well known as his poems He travelled around the world quite a bit and narrowly escaped from France at the beginning of the Second World War during which time he lived in Hollywood California He died 11 September 1958 in France Incidentally he played himself in a movie called The Spoilers starring John Wayne and Marlene Dietrich more…

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