Analysis of The Philistine And The Bohemian



She was a Philistine spick and span,
He was a bold Bohemian.
She had the mode, and the last at that;
He had a cape and a brigand hat.
She was so riant and chic and trim;
He was so shaggy, unkempt and grim.
On the rue de la Paix she was wont to shine;
The rue de la Gaîté was more his line.
She doted on Barclay and Dell and Caine;
He quoted Mallarmé and Paul Verlaine.
She was a triumph at Tango teas;
At Vorticist's suppers he sought to please.
She thought that Franz Lehar was utterly great;
Of Strauss and Stravinsky he'd piously prate.
She loved elegance, he loved art;
They were as wide as the poles apart:
Yet -- Cupid and Caprice are hand and glove --
They met at a dinner, they fell in love.

Home he went to his garret bare,
Thrilling with rapture, hope, despair.
Swift he gazed in his looking-glass,
Made a grimace and murmured: "Ass!"
Seized his scissors and fiercely sheared,
Severed his buccaneering beard;
Grabbed his hair, and clip! clip! clip!
Off came a bunch with every snip.
Ran to a tailor's in startled state,
Suits a dozen commanded straight;
Coats and overcoats, pants in pairs,
Everything that a dandy wears;
Socks and collars, and shoes and ties,
Everything that a dandy buys.
Chums looked at him with wondering stare,
Fancied they'd seen him before somewhere;
A Brummell, a D'Orsay, a beau so fine,
A shining, immaculate Philistine.

Home she went in a raptured daze,
Looked in a mirror with startled gaze,
Didn't seem to be pleased at all;
Savagely muttered: "Insipid Doll!"
Clutched her hair and a pair of shears,
Cropped and bobbed it behind the ears;
Aimed at a wan and willowy-necked
Sort of a Holman Hunt effect;
Robed in subtile and sage-green tones,
Like the dames of Rossetti and E. Burne-Jones;
Girdled her garments billowing wide,
Moved with an undulating glide;
All her frivolous friends forsook,
Cultivated a soulful look;
Gushed in a voice with a creamy throb
Over some weirdly Futurist daub --
Did all, in short, that a woman can
To be a consummate Bohemian.

A year went past with its hopes and fears,
A year that seemed like a dozen years.
They met once more. . . . Oh, at last! At last!
They rushed together, they stopped aghast.
They looked at each other with blank dismay,
They simply hadn't a word to say.
He thought with a shiver: "Can this be she?"
She thought with a shudder: "This can't be he?"
This simpering dandy, so sleek and spruce;
This languorous lily in garments loose;
They sought to brace from the awful shock:
Taking a seat, they tried to talk.
She spoke of Bergson and Pater's prose,
He prattled of dances and ragtime shows;
She purred of pictures, Matisse, Cezanne,
His tastes to the girls of Kirchner ran;
She raved of Tchaikovsky and Caesar Franck,
He owned that he was a jazz-band crank!
They made no headway. Alas! alas!
He thought her a bore, she thought him an ass.
And so they arose and hurriedly fled;
Perish Illusion, Romance, you're dead.
He loved elegance, she loved art,
Better at once to part, to part.

And what is the moral of all this rot?
Don't try to be what you know you're not.
And if you're made on a muttonish plan,
Don't seek to seem a Bohemian;
And if to the goats your feet incline,
Don't try to pass for a Philistine.


Scheme ABCCDDEEXAFFGCHHII JJKKLLMMGGNNOOJJEP QQXXXRSSTTUUVVXXAB RRWWXXYYZZXX1 1 AA2 2 KK3 3 HH 4 4 ABEP
Poetic Form
Metre 11010101 11010100 110100111 11010011 11110101 111100101 10111111111 0111111111 11110101 1101011 110101101 11101111 1111111001 11001011001 11100111 101110101 1100011101 1110101101 11111101 10110101 11101101 10100101 11100101 10111 1110111 110111001 11010101 10100101 1010101 1010101 10100101 1010101 111111001 10111011 010010111 010010010 1110011 100101101 10111111 1001011 10100111 10110101 110101001 11010101 1010111 10110100111 10101001 1111001 10100101 1000101 100110101 101101001 110110101 1101000100 011111101 011110101 111111111 110101101 1111101101 110100111 1110101111 1110101111 11101101 11100101 111110101 10011111 1111011 110110011 11110101 111011101 111100101 111110111 11110101 1100111111 0110101001 100100111 11100111 10111111 0110101111 111111111 01111011 111100100 011011101 11111010
Closest metre Iambic pentameter
Characters 3,136
Words 591
Sentences 42
Stanzas 5
Stanza Lengths 18, 18, 18, 24, 6
Lines Amount 84
Letters per line (avg) 29
Words per line (avg) 7
Letters per stanza (avg) 493
Words per stanza (avg) 117
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Submitted on May 13, 2011

Modified on March 05, 2023

3:00 min read
58

Robert William Service

Robert William Service was a poet and writer sometimes referred to as the Bard of the Yukon He is best-known for his writings on the Canadian North including the poems The Shooting of Dan McGrew The Law of the Yukon and The Cremation of Sam McGee His writing was so expressive that his readers took him for a hard-bitten old Klondike prospector not the later-arriving bank clerk he actually was Robert William Service was born 16 January 1874 in Preston England but also lived in Scotland before emigrating to Canada in 1894 Service went to the Yukon Territory in 1904 as a bank clerk and became famous for his poems about this region which are mostly in his first two books of poetry He wrote quite a bit of prose as well and worked as a reporter for some time but those writings are not nearly as well known as his poems He travelled around the world quite a bit and narrowly escaped from France at the beginning of the Second World War during which time he lived in Hollywood California He died 11 September 1958 in France Incidentally he played himself in a movie called The Spoilers starring John Wayne and Marlene Dietrich more…

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