Analysis of New Year's Eve



It's cruel cold on the water-front, silent and dark and drear;
    Only the black tide weltering, only the hissing snow;
And I, alone, like a storm-tossed wreck, on this night of the glad New Year,
    Shuffling along in the icy wind, ghastly and gaunt and slow.

They're playing a tune in McGuffy's saloon, and it's cheery and bright in there
    (God! but I'm weak -- since the bitter dawn, and never a bite of food);
I'll just go over and slip inside -- I mustn't give way to despair --
    Perhaps I can bum a little booze if the boys are feeling good.

They'll jeer at me, and they'll sneer at me, and they'll call me a whiskey soak;
    ("Have a drink? Well, thankee kindly, sir, I don't mind if I do.")
A drivelling, dirty, gin-joint fiend, the butt of the bar-room joke;
    Sunk and sodden and hopeless -- "Another? Well, here's to you!"

McGuffy is showing a bunch of the boys how Bob Fitzsimmons hit;
    The barman is talking of Tammany Hall, and why the ward boss got fired.
I'll just sneak into a corner and they'll let me alone a bit;
    The room is reeling round and round . . .O God! but I'm tired, I'm tired. . . .

* * * * *

Roses she wore on her breast that night. Oh, but their scent was sweet!
    Alone we sat on the balcony, and the fan-palms arched above;
The witching strain of a waltz by Strauss came up to our cool retreat,
    And I prisoned her little hand in mine, and I whispered my plea of love.

Then sudden the laughter died on her lips, and lowly she bent her head;
    And oh, there came in the deep, dark eyes a look that was heaven to see;
And the moments went, and I waited there, and never a word was said,
    And she plucked from her bosom a rose of red and shyly gave it to me.

Then the music swelled to a crash of joy, and the lights blazed up like day,
    And I held her fast to my throbbing heart, and I kissed her bonny brow.
"She is mine, she is mine for evermore!" the violins seemed to say,
    And the bells were ringing the New Year in -- O God! I can hear them now.

Don't you remember that long, last waltz, with its sobbing, sad refrain?
    Don't you remember that last good-by, and the dear eyes dim with tears?
Don't you remember that golden dream, with never a hint of pain,
    Of lives that would blend like an angel-song in the bliss of the coming years?

Oh, what have I lost! What have I lost! Ethel, forgive, forgive!
    The red, red rose is faded now, and it's fifty years ago.
'Twere better to die a thousand deaths than live each day as I live!
    I have sinned, I have sunk to the lowest depths -- but oh, I have suffered so!

Hark! Oh, hark! I can hear the bells! . . . Look! I can see her there,
    Fair as a dream . . . but it fades . . . And now -- I can hear the dreadful hum
Of the crowded court . . . See! the Judge looks down . . .
    NOT GUILTY, my Lord, I swear . . .
The bells -- I can hear the bells again! . . . Ethel, I come, I come! . . .

* * * * *

"Rouse up, old man, it's twelve o'clock. You can't sleep here, you know.
    Say! ain't you got no sentiment? Lift up your muddled head;
Have a drink to the glad New Year, a drop before you go --
    You darned old dirty hobo . . . My God! Here, boys! He's DEAD!"


Scheme ABAB AXAX CDCD EFEF GHGH IJIJ KAKX LXLX XBXB AMXAM BIBI
Poetic Form
Metre 110110101100101 100111100101 01011011111110111 100100101100101 11001010101100101 1111101010100111 11110010111011101 0111101011011101 11110111101110101 10111101111111 01101110110111 10100100101111 111001101110101 0101101100101011110 1110101001110101 01110101111110110 1 101110111111111 0111101000011101 01011011111110101 011001010101101111 11001011010101101 01110011101111011 00101011010100111 011101001110101111 10101101110011111 01101111010110101 1111111100001111 00101001101111111 1101011111110101 1101011110011111 1101011011100111 111111110100110101 111111111100101 011111010110101 1101101011111111 111111101011111101 11111101111101 1101111011110101 1010110111 1101111 011110101101111 1 11111101111111 11111100111101 10110111010111 1111010111111
Closest metre Iambic octameter
Characters 3,181
Words 613
Sentences 75
Stanzas 13
Stanza Lengths 4, 4, 4, 4, 1, 4, 4, 4, 4, 4, 5, 1, 4
Lines Amount 47
Letters per line (avg) 48
Words per line (avg) 14
Letters per stanza (avg) 173
Words per stanza (avg) 49
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Submitted on May 13, 2011

Modified on March 05, 2023

3:10 min read
74

Robert William Service

Robert William Service was a poet and writer sometimes referred to as the Bard of the Yukon He is best-known for his writings on the Canadian North including the poems The Shooting of Dan McGrew The Law of the Yukon and The Cremation of Sam McGee His writing was so expressive that his readers took him for a hard-bitten old Klondike prospector not the later-arriving bank clerk he actually was Robert William Service was born 16 January 1874 in Preston England but also lived in Scotland before emigrating to Canada in 1894 Service went to the Yukon Territory in 1904 as a bank clerk and became famous for his poems about this region which are mostly in his first two books of poetry He wrote quite a bit of prose as well and worked as a reporter for some time but those writings are not nearly as well known as his poems He travelled around the world quite a bit and narrowly escaped from France at the beginning of the Second World War during which time he lived in Hollywood California He died 11 September 1958 in France Incidentally he played himself in a movie called The Spoilers starring John Wayne and Marlene Dietrich more…

All Robert William Service poems | Robert William Service Books

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