Analysis of A pastoral sung to the king



MONTANO, SILVIO, AND MIRTILLO, SHEPHERDS

MON.  Bad are the times.  SIL.  And worse than they are we.
MON.  Troth, bad are both; worse fruit, and ill the tree:
The feast of shepherds fail.  SIL.  None crowns the cup
Of wassail now, or sets the quintel up:
And he, who used to lead the country-round,
Youthful Mirtillo, here he comes, grief-drown'd.
AMBO.  Let's cheer him up.  SIL. Behold him weeping-ripe.
MIRT. Ah, Amarillis!  farewell mirth and pipe;
Since thou art gone, no more I mean to play
To these smooth lawns, my mirthful roundelay.
Dear Amarillis!  MON.  Hark!  SIL.  Mark!  MIRT.  This
earth grew sweet
Where, Amarillis, thou didst set thy feet.
AMBO  Poor pitied youth!  MIRT.  And here the breath
of kine
And sheep grew more sweet by that breath of thine.
This dock of wool, and this rich lock of hair,
This ball of cowslips, these she gave me here.
SIL.  Words sweet as love itself.  MON.  Hark!--
MIRT.  This way she came, and this way too she went;
How each thing smells divinely redolent!
Like to a field of beans, when newly blown,
Or like a meadow being lately mown.
MON.  A sweet sad passion----
MIRT.  In dewy mornings, when she came this way,
Sweet bents would bow, to give my Love the day;
And when at night she folded had her sheep,
Daisies would shut, and closing, sigh and weep.
Besides (Ai me!) since she went hence to dwell,
The Voice's Daughter ne'er spake syllable.
But she is gone.  SIL.  Mirtillo, tell us whither?
MIRT.  Where she and I shall never meet together.
MON.  Fore-fend it, Pan!  and Pales, do thou please
To give an end...  MIRT.  To what?  SIL.  Such griefs
as these.
MIRT.  Never, O never!  Still I may endure
The wound I suffer, never find a cure.
MON.  Love, for thy sake, will bring her to these hills
And dales again.  MIRT.  No, I will languish still;
And all the while my part shall be to weep;
And with my sighs call home my bleating sheep;
And in the rind of every comely tree
I'll carve thy name, and in that name kiss thee.
MON.  Set with the sun, thy woes!  SIL.  The day
grows old;
And time it is our full-fed flocks to fold.
CHOR.  The shades grow great; but greater grows
our sorrow:--
But let's go steep
Our eyes in sleep;
And meet to weep
To-morrow.


Scheme A BBCCDDEEFFXGGXHHXXXXXHHHFFIIXXJJKAKLLXXIIBBFMMXNIIIN
Poetic Form
Metre 101000110 111011011111 11111110101 01110111101 11111011 0111110101 10111111 111111011101 1111101 1111111111 1111111 11111111 111 1111111 111110101 11 0111111111 1111011111 111111111 111110111 11111011111 1111010100 1101111101 110110101 101110 10101011111 1111111101 0111110101 1011010101 0111111111 0101011100 1111111110 111011101010 1111101111 1111111111 11 11011011101 0111010101 11111110111 01011111101 0101111111 011111111 00011100101 1111001111 1110111101 11 01111011111 101111101 1010 1111 10101 0111 110
Closest metre Iambic pentameter
Characters 2,168
Words 409
Sentences 64
Stanzas 2
Stanza Lengths 1, 52
Lines Amount 53
Letters per line (avg) 31
Words per line (avg) 8
Letters per stanza (avg) 815
Words per stanza (avg) 223
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Submitted on May 13, 2011

Modified on March 05, 2023

2:04 min read
48

Robert Herrick

Robert Herrick was born in London, England, in 1591. He was apprenticed to a goldsmith (his uncle, Sir William), but went to Cambridge, at St John's, in 1613. He was ordained at Peterborough in 1623 and became chaplain to the Duke of Buckingham a few years later. "Hesperides" - a collection of 1200 lyrical poems - was published in 1648 and it remained his magnum opus. Herrick died in 1674, aged 83. more…

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