Analysis of The Truce of Piscataqua



Raze these long blocks of brick and stone,
These huge mill-monsters overgrown;
Blot out the humbler piles as well,
Where, moved like living shuttles, dwell
The weaving genii of the bell;
Tear from the wild Cocheco's track
The dams that hold its torrents back;
And let the loud-rejoicing fall
Plunge, roaring, down its rocky wall;
And let the Indian's paddle play
On the unbridged Piscataqua!
Wide over hill and valley spread
Once more the forest, dusk and dread,
With here and there a clearing cut
From the walled shadows round it shut;
Each with its farm-house builded rude,
By English yeoman squared and hewed,
And the grim, flankered block-house bound
With bristling palisades around.
So, haply shall before thine eyes
The dusty veil of centuries rise,
The old, strange scenery overlay
The tamer pictures of to-day,
While, like the actors in a play,
Pass in their ancient guise along
The figures of my border song
What time beside Cocheco's flood
The white man and the red man stood,
With words of peace and brotherhood;
When passed the sacred calumet
From lip to lip with fire-draught wet,
And, puffed in scorn, the peace-pipe's smoke
Through the gray beard of Waldron broke,
And Squando's voice, in suppliant plea
For mercy, struck the haughty key
Of one who held, in any fate,
His native pride inviolate!

'Let your ears be opened wide!
He who speaks has never lied.
Waldron of Piscataqua,
Hear what Squando has to say!

'Squando shuts his eyes and sees,
Far off, Saco's hemlock-trees.
In his wigwam, still as stone,
Sits a woman all alone,

'Wampum beads and birchen strands
Dropping from her careless hands,
Listening ever for the fleet
Patter of a dead child's feet!

'When the moon a year ago
Told the flowers the time to blow,
In that lonely wigwam smiled
Menewee, our little child.

'Ere that moon grew thin and old,
He was lying still and cold;
Sent before us, weak and small,
When the Master did not call!

'On his little grave I lay;
Three times went and came the day,
Thrice above me blazed the noon,
Thrice upon me wept the moon.

'In the third night-watch I heard,
Far and low, a spirit-bird;
Very mournful, very wild,
Sang the totem of my child.

''Menewee, poor Menewee,
Walks a path he cannot see
Let the white man's wigwam light
With its blaze his steps aright.

''All-uncalled, he dares not show
Empty hands to Manito
Better gifts he cannot bear
Than the scalps his slayers wear.'

'All the while the totem sang,
Lightning blazed and thunder rang;
And a black cloud, reaching high,
Pulled the white moon from the sky.

'I, the medicine-man, whose ear
All that spirits bear can hear,-
I, whose eyes are wide to see
All the things that are to be,-

'Well I knew the dreadful signs
In the whispers of the pines,
In the river roaring loud,
In the mutter of the cloud.

'At the breaking of the day,
From the grave I passed away;
Flowers bloomed round me, birds sang glad,
But my heart was hot and mad.

'There is rust on Squando's knife,
From the warm, red springs of life;
On the funeral hemlock-trees
Many a scalp the totem sees.

'Blood for blood! But evermore
Squando's heart is sad and sore;
And his poor squaw waits at home
For the feet that never come!

'Waldron of Cocheco, hear!
Squando speaks, who laughs at fear;
Take the captives he has ta'en;
Let the land have peace again!'

As the words died on his tongue,
Wide apart his warriors swung;
Parted, at the sign he gave,
Right and left, like Egypt's wave.

And, like Israel passing free
Through the prophet-charmed sea,
Captive mother, wife, and child
Through the dusky terror filed.

One alone, a little maid,
Middleway her steps delayed,
Glancing, with quick, troubled sight,
Round about from red to white.

Then his hand the Indian laid
On the little maiden's head,
Lightly from her forehead fair
Smoothing back her yellow hair.

'Gift or favor ask I none;
What I have is all my own
Never yet the birds have sung,
Squando hath a beggar's tongue.'

'Yet for her who waits at home,
For the dead who cannot come,
Let the little Gold-hair be
In the place of Menewee!

'Mishanock, my little star!
Come to Saco's pines afar;
Where the sad one waits at home,
Wequashim, my moonlight, come!'

'What!' quoth Waldron, 'leave a child
Christian-born to heathen


Scheme Text too long
Poetic Form
Metre 11111101 1111001 110100111 11110101 0101101 110111 01111101 01010101 11011101 010100101 1011 11010101 11010101 11010101 1011111 1111111 11010101 0011111 11000101 1110111 010111001 01110010 01010111 11010001 10110101 01011101 110111 01100111 1111010 1101001 111111011 01010111 10111101 011011 11010101 11110101 11010100 1111101 1111101 1011 111111 111101 11111 0110111 1010101 101011 1010101 10010101 1010111 1010101 10100111 0110101 110101 1111101 1110101 1011101 1010111 1110111 1110101 1011101 1011101 0011111 1010101 1010101 1010111 111 1011101 1011101 111111 1011111 10111 1011101 101111 1010101 1010101 0011101 1011101 10100111 1110111 1111111 1011111 1110101 0010101 0010101 0010101 1010101 1011101 10111111 1111101 111111 1011111 1010011 10010101 111110 111101 0111111 1011101 10111 111111 10101111 1011101 1011111 10111001 1010111 1011101 01100101 101011 1010101 101101 1010101 10101 1011101 1011111 11101001 101011 1010101 1010101 1110111 1111111 1010111 11011 1101111 1011101 1010111 00111 11101 111101 1011111 1111 1110101 101110
Closest metre Iambic tetrameter
Characters 4,076
Words 754
Sentences 32
Stanzas 25
Stanza Lengths 37, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 2
Lines Amount 131
Letters per line (avg) 25
Words per line (avg) 6
Letters per stanza (avg) 131
Words per stanza (avg) 30
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Submitted on May 13, 2011

Modified on March 05, 2023

3:49 min read
44

John Greenleaf Whittier

John Greenleaf Whittier was an influential American Quaker poet and ardent advocate of the abolition of slavery in the United States. more…

All John Greenleaf Whittier poems | John Greenleaf Whittier Books

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