Analysis of From Perugia

John Greenleaf Whittier 1807 (Haverhill) – 1892 (Hampton Falls)



HARRIET BEECHER STOWE'S Letters from Italy.
THE tall, sallow guardsmen their horsetails have spread,
Flaming out in their violet, yellow, and red;
And behind go the lackeys in crimson and buff,
And the chamberlains gorgeous in velvet and ruff;
Next, in red-legged pomp, come the cardinals forth,
Each a lord of the church and a prince of the earth.
What's this squeak of the fife, and this batter of drum?
Lo! the Swiss of the Church from Perugia come;
The militant angels, whose sabres drive home
To the hearts of the malcontents, cursed and abhorred,
The good Father's missives, and 'Thus saith the Lord!'
And lend to his logic the point of the sword!
O maids of Etruria, gazing forlorn
O'er dark Thrasymenus, dishevelled and torn!
O fathers, who pluck at your gray beards for shame!
O mothers, struck dumb by a woe without name!
Well ye know how the Holy Church hireling behaves,
And his tender compassion of prisons and graves!
There they stand, the hired stabbers, the bloodstains yet fresh,
That splashed like red wine from the vintage of flesh;
Grim instruments, careless as pincers and rack
How the joints tear apart, and the strained sinews crack;
But the hate that glares on them is sharp as their swords,
And the sneer and the scowl print the air with fierce words!
Off with hats, down with knees, shout your vivas like mad!
Here's the Pope in his holiday righteousness clad,
From shorn crown to toe-nail, kiss-worn to the quick,
Of sainthood in purple the pattern and pick,
Who the rôle of the priest and the soldier unites,
And, praying like Aaron, like Joshua fights!
Is this Pio Nono the gracious, for whom
We sang our hosannas and lighted all Rome;
With whose advent we dreamed the new era began
When the priest should be human, the monk be a man?
Ah, the wolf's with the sheep, and the fox with the fowl,
When freedom we trust to the crosier and cowl!
Stand aside, men of Rome! Here's a hangman-faced Swiss —
(A blessing for him surely can't go amiss) —
Would kneel down the sanctified slipper to kiss.
Short shrift will suffice him, —he's blest beyond doubt;
But there's blood on his hands which would scarcely wash out,
Though Peter himself held the baptismal spout!
Make way for the next! Here's another sweet son!
What's this mastiff-jawed rascal in epaulets done?
He did, whispers rumor, (its truth God forbid!)
At Perugia what Herod at Bethlehem did.
And the mothers? Don't name them! these humors of war
They who keep him in service must pardon him for.
Hist! here's the arch-knave in a cardinal's hat,
With the heart of a wolf, and the stealth of a cat
(As if Judas and Herod together were rolled),
Who keeps, all as one, the Pope's conscience and gold,
Mounts guard on the altar, and pilfers from thence,
And flatters St. Peter while stealing his pence!
Who doubts Antonelli? Have miracles ceased
When robbers say mass, and Barabbas is priest?
When the Church eats and drinks, at its mystical board,
The true flesh and blood carved and shed by its sword,
When its martyr, unsinged, claps the crown on his head,
And roasts, as his proxy, his neighbor instead!
There! the bells jow and jangle the same blessed way
That they did when they rang for Bartholomew's day.
Hark! the tallow-faced monsters, nor women nor boys,
Vex the air with a shrill, sexless horror of noise.
Te Deum laudamus! All round without stint
The incense-pot swings with a taint of blood in't!
And now for the blessing! Of little account,
You know, is the old one they heard on the Mount.
Its giver was landless, His raiment was poor,
No jewelled tiara His fishermen wore;
No incense, no lackeys, no riches, no home,
No Swiss guards! We order things better at Rome.
So bless us the strong hand, and curse us the weak;
Let Austria's vulture have food for her beak;
Let the wolf-whelp of Naples play Bomba again,
With his death-cap of silence, and halter, and chain;
Put reason, and justice, and truth under ban;
For the sin unforgiven is freedom for man!


Scheme Text too long
Poetic Form
Metre 100101101100 011101111 101011001001 001101001001 0011001001 101101101001 101101001101 111101011011 101101101001 01001011011 10110011001 0110101101 01111001101 11111001 1011101 11011111111 11011101011 11110101101 011001011001 11101010111 11111101011 11001011001 10110100111 101111111111 001001101111 111111111011 10101101001 11111111101 1101001001 1010101001001 01011011001 1110101011 1110101011 11111011001 101111001101 101101001101 1101110101 101111101011 01011101101 111011011 11101111011 111111111011 11001100101 11101101011 1110110011 11101011101 101001101101 00101111111 111101011011 11011001001 101101001101 111001001001 11111011001 11101001011 0111011011 11001011001 110110111 101101111001 01101101111 11101101111 01111011001 10110100111 111111111 101011011011 101101101011 11111011 001111011101 01101011001 11101111101 1101101111 1101011001 10111011011 11111011011 11101101101 11001011101 101111011001 111111001001 11001001101 10101011011
Closest metre Iambic hexameter
Characters 3,884
Words 705
Sentences 44
Stanzas 1
Stanza Lengths 79
Lines Amount 79
Letters per line (avg) 39
Words per line (avg) 9
Letters per stanza (avg) 3,074
Words per stanza (avg) 701
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Submitted on May 13, 2011

Modified on March 05, 2023

3:37 min read
59

John Greenleaf Whittier

John Greenleaf Whittier was an influential American Quaker poet and ardent advocate of the abolition of slavery in the United States. more…

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