Analysis of On a Fork of Byron's

James Brunton Stephens 1835 (Scotland) – 1902



Like any other fork.—No mark you meet with
To point some psychological conceit with.
An ordinary fork. A fork to eat with.

No individuality of fashion:
No stamp of frenzy fine, or poet-passion;
An article in no respect Parnassian.

No muse “with ivy never sere” hath decked it:
In fact, it would be foolish to expect it.
I question if the muses recollect it.

A plain straightforward fork; yet interesting,
As to the world in general attesting
That poetizing hinges on digesting.
A fork not standing on its merits merely,
But, being Byron's, testifying clearly
That verse and victuals are related nearly.

Quite genuine; crest and all; a fork to swear by;
Some poet-stories doubtless hanging thereby,—
Associations such as gold can ne'er buy.

For 'twixt the fork and the divine afflatus
The links are perfect; there is no hiatus;
Fork, stomach, brain, pen,—all one apparatus.

So when the food that on the fork ascended
Grew into verse as with the brain it blended,
The fork wrote just as truly as the pen did.

For though the fork the earlier resource is,
Between the two no violent divorce is,—
I hold them to be correlated forces.

Perchance the unsuspected ministration
Of this same fork first set in circulation
The coinage of his rich imagination.

Perchance this very fork could give the clue to
What many of the famous thoughts were due to,
That now are part of me, and part of you too.

And if its prongs administered the fuel
That working duly unto brain-renewal

Kindled the thoughts that even yet fire you all,—

This very fork—(unless I quite astray be,
And you of unimpressionable clay be)—
A factor in your moral product may be.

And musing thus, does not this fork begin to you
To seem as consanguineously akin to you
As if the bard himself had stuck it into you?

'Tis ever thus: what Genius consecrateth
The nearest with the most remote collateth,
Till meanest use on highest issue waiteth.

This salad, now, in which the fork I'm pressing,
Wherein are all sweet savours coalescing—
What subtle shoot of genius efflorescing
Flowered in the flavour of so rich a blessing?
Is it that Byron's fork, some charm possessing,
Transmutes the—stop a bit—Who did the dressing?


Scheme AAA BBB CCC DDDEEE FFF GGG HHX GGG BBB III JJ X EEE III AAA DDDDDD
Poetic Form
Metre 11010111111 1110100011 1100101111 1000100110 11110111010 110001011 11110101111 01111101011 1101010011 0111011100 11010100010 11101010 01110111010 1101010010 1101101010 110010101111 11010101011 0010111111 110100011 01101111010 1101111010 11011101010 10111101110 01111101011 11010100101 01011100011 1111110010 010010010 1111110100 0101110010 01110111011 11010101011 11111101111 01110100010 11010101010 100111011011 11010111011 011111 01001101011 010111110111 11110111 110101111011 11011101 010101011 1101110101 11010101110 011111010 11011101 10001111010 11110111010 1010111010
Closest metre Iambic hexameter
Characters 2,154
Words 384
Sentences 21
Stanzas 16
Stanza Lengths 3, 3, 3, 6, 3, 3, 3, 3, 3, 3, 2, 1, 3, 3, 3, 6
Lines Amount 51
Letters per line (avg) 34
Words per line (avg) 7
Letters per stanza (avg) 107
Words per stanza (avg) 24
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Submitted on May 13, 2011

Modified on March 05, 2023

1:56 min read
150

James Brunton Stephens

James Brunton Stephens was a Scottish-born Australian poet, author of Convict Once. more…

All James Brunton Stephens poems | James Brunton Stephens Books

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