Analysis of The Masque Of Pandora



THE WORKSHOP OF HEPHAESTUS

HEPHAESTUS (standing before the statue of Pandora.)
Not fashioned out of gold, like Hera's throne,
Nor forged of iron like the thunderbolts
Of Zeus omnipotent, or other works
Wrought by my hands at Lemnos or Olympus,
But moulded in soft clay, that unresisting
Yields itself to the touch, this lovely form
Before me stands, perfect in every part.
Not Aphrodite's self appeared more fair,
When first upwafted by caressing winds
She came to high Olympus, and the gods
Paid homage to her beauty. Thus her hair
Was cinctured; thus her floating drapery
Was like a cloud about her, and her face
Was radiant with the sunshine and the sea.

THE VOICE OF ZEUS.
Is thy work done, Hephaestus?

HEPHAESTUS.
It is finished!

THE VOICE.
Not finished till I breathe the breath of life
Into her nostrils, and she moves and speaks.

HEPHAESTUS.
Will she become immortal like ourselves?

THE VOICE.
The form that thou hast fashioned out of clay
Is of the earth and mortal; but the spirit,
The life, the exhalation of my breath,
Is of diviner essence and immortal.
The gods shall shower on her their benefactions,
She shall possess all gifts: the gift of song,
The gift of eloquence, the gift of beauty,
The fascination and the nameless charm
That shall lead all men captive.

HEPHAESTUS.
Wherefore? wherefore?

(A wind shakes the house.)

I hear the rushing of a mighty wind
Through all the halls and chambers of my house!
Her parted lips inhale it, and her bosom
Heaves with the inspiration. As a reed
Beside a river in the rippling current
Bends to and fro, she bows or lifts her head.
She gazes round about as if amazed;
She is alive; she breathes, but yet she speaks not!

(PANDORA descends from the pedestal.)

CHORUS OF THE GRACES

AGLAIA.
In the workshop of Hephaestus
What is this I see?
Have the Gods to four increased us
Who were only three?
Beautiful in form and feature,
Lovely as the day,
Can there be so fair a creature
Formed of common clay?

THALIA.
O sweet, pale face! O lovely eyes of azure,
Clear as the waters of a brook that run
Limpid and laughing in the summer sun!
O golden hair that like a miser's treasure
In its abundance overflows the measure!
O graceful form, that cloudlike floatest on
With the soft, undulating gait of one
Who moveth as if motion were a pleasure!
By what name shall I call thee? Nymph or Muse,
Callirrhoe or Urania? Some sweet name
Whose every syllable is a caress
Would best befit thee; but I cannot choose,
Nor do I care to choose; for still the same,
Nameless or named, will be thy loveliness.

EUPHROSYNE.
Dowered with all celestial gifts,
Skilled in every art
That ennobles and uplifts
And delights the heart,
Fair on earth shall be thy fame
As thy face is fair,
And Pandora be the name
Thou henceforth shalt bear.

HERMES (putting on his sandals.)
Much must he toil who serves the Immortal Gods,
And I, who am their herald, most of all.
No rest have I, nor respite. I no sooner
Unclasp the winged sandals from my feet,
Than I again must clasp them, and depart
Upon some foolish errand. But to-day
The errand is not foolish. Never yet
With greater joy did I obey the summons
That sends me earthward. I will fly so swiftly
That my caduceus in the whistling air
Shall make a sound like the Pandaean pipes,
Cheating the shepherds; for to-day I go,
Commissioned by high-thundering Zeus, to lead
A maiden to Prometheus, in his tower,
And by my cunning arguments persuade him
To marry her. What mischief lies concealed
In this design I know not; but I know
Who thinks of marrying hath already taken
One step upon the road to penitence.
Such embassies delight me. Forth I launch
On the sustaining air, nor fear to fall
Like Icarus, nor swerve aside like him
Who drove amiss Hyperion's fiery steeds.
I sink, I fly! The yielding element
Folds itself round about me like an arm,
And holds me as a mother holds her child.

TOWER OF PROMETHEUS ON MOUNT CAUCASUS

PROMETHEUS.
I hear the trumpet of Alectryon
Proclaim the dawn. The stars begin to fade,
And all the heavens are full of prophecies
And evil auguries. Blood-red last night
I saw great Kronos rise; the crescent moon
Sank through the mist, as if it were the scythe


Scheme a bcaaadxefaafgaa aa Ax Axa Aa Ahxxiadgjx Ab a xaxxklxx i a haaagmhmh bmnnmmxnmaoaaoa caeaeofof aapmxehxagfadlmqxxnaxpqakjx a acxaxxx
Poetic Form
Metre 0111 11001011010 110111111 11110101 1101001101 1111111010 1101111 1011011101 01110101001 101010111 11110101 1111010001 1101010101 111010100 1101010001 1100101001 0111 11111 1 1110 01 1101110111 0101001101 1 11010101001 01 0111110111 11010101010 010010111 111100010 011101011 1101110111 01110001110 001000101 1111110 1 11 01101 1101010101 1101010111 01010110010 110010101 010100010010 1101111101 1101011101 11011111111 0100110100 101010 1 00111 11111 10111011 10101 10001010 10101 11111010 11101 10 11111101110 1101010111 101000101 1101110110 0101010010 11011111 101100111 1111100010 1111111111 111111 11001001001 1101111101 1111111101 10111111 1 1110101 101001 101001 00101 1111111 11111 0010101 11111 10101110 11111100101 0111110111 11111101110 10110111 1101111001 0111010111 0101110101 11011101010 1111111110 11100101 11011011 1001011111 01011100111 010110110 01110100011 1100110101 0101111111 111100101010 11010111 1100011111 1001011111 110110111 110111001 1111010100 1011011111 0111010101 101111100 1 1101011 0101010111 01010111100 01011111 1111010101 1101111001
Closest metre Iambic pentameter
Characters 4,172
Words 756
Sentences 56
Stanzas 18
Stanza Lengths 1, 15, 2, 2, 3, 2, 10, 2, 1, 8, 1, 1, 9, 15, 9, 27, 1, 7
Lines Amount 116
Letters per line (avg) 28
Words per line (avg) 6
Letters per stanza (avg) 182
Words per stanza (avg) 42
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Submitted on May 13, 2011

Modified on April 18, 2023

3:48 min read
371

Henry Wadsworth Longfellow

Henry Wadsworth Longfellow was an American poet and educator whose works include "Paul Revere's Ride", The Song of Hiawatha, and Evangeline. more…

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    The repetition of vowel sounds is an example of _______.
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