Analysis of The Men Who Come Behind

Henry Lawson 1867 (Grenfell) – 1922 (Sydney)



There's a class of men (and women) who are always on their guard—
Cunning, treacherous, suspicious—feeling softly—grasping hard—
Brainy, yet without the courage to forsake the beaten track—
Cautiously they feel their way behind a bolder spirit’s back.
If you save a bit of money, and you start a little store—
Say, an oyster-shop, for instance, where there wasn’t one before—
When the shop begins to pay you, and the rent is off your mind,
You will see another started by a chap that comes behind.

So it is, and so it might have been, my friend, with me and you—
When a friend of both and neither interferes between the two;
They will fight like fiends, forgetting in their passion mad and blind,
That the row is mostly started by the folk who come behind.

They will stick to you like sin will, while your money comes and goes,
But they’ll leave you when you haven’t got a shilling in your clothes.
You may get some help above you, but you’ll nearly always find
That you cannot get assistance from the men who come behind.

There are many, far too many, in the world of prose and rhyme,
Always looking for another’s ‘footsteps on the sands of time.’
Journalistic imitators are the meanest of mankind;
And the grandest themes are hackneyed by the pens that come behind.

If you strike a novel subject, write it up, and do not fail,
They will rhyme and prose about it till your very own is stale,
As they raved about the region that the wattle-boughs perfume
Till the reader cursed the bushman and the stink of wattle-bloom.

They will follow in your footsteps while you’re groping for the light ;
But they’ll run to get before you when they see you’re going right;
And they’ll trip you up and baulk you in their blind and greedy heat,
Like a stupid pup that hasn’t learned to trail behind your feet.

Take your loads of sin and sorrow on more energetic backs!
Go and strike across the country where there are not any tracks!
And—we fancy that the subject could be further treated here,
But we’ll leave it to be hackneyed by the fellows in the rear.


Scheme AABBCCDD EEDD XXDD FFDD GGHH IIJJ KKXX
Poetic Form
Metre 10111010111111 101000101010101 101010101010101 100111101010101 111011100110101 11101110111101 101011110011111 111010101011101 111011111111101 10111010010101 111110100110101 101110101011101 111111111110101 11111111010011 11111011111011 111010101011101 111011100011101 11011110111 0101001010111 001011101011101 111010011110111 111010111110111 111010101010101 101010100011101 11100111110101 111110111111101 011110110110101 10101111110111 11111010110101 101010101111101 011010011110101 111111101010001
Closest metre Iambic octameter
Characters 2,073
Words 375
Sentences 13
Stanzas 7
Stanza Lengths 8, 4, 4, 4, 4, 4, 4
Lines Amount 32
Letters per line (avg) 50
Words per line (avg) 12
Letters per stanza (avg) 229
Words per stanza (avg) 53
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Submitted on May 13, 2011

Modified on March 30, 2023

1:52 min read
147

Henry Lawson

Henry Lawson 17 June 1867 - 2 September 1922 was an Australian writer and poet Along with his contemporary Banjo Paterson Lawson is among the best-known Australian poets and fiction writers of the colonial period more…

All Henry Lawson poems | Henry Lawson Books

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