Analysis of The Ballad of Mabel Clare



Ye children of the Land of Gold,
I sing a song to you,
And if the jokes are somewhat old,
The main idea is new.
So be it sung, by hut and tent,
Where tall the native grows;
And understand, the song is meant
For singing through the nose.
There dwelt a hard old cockatoo
On western hills far out,
Where everything is green and blue,
Except, of course, in drought;
A crimson Anarchist was he—
Held other men in scorn—
Yet preached that ev’ry man was free,
And also ‘ekal born.’

He lived in his ancestral hut—
His missus wasn’t there—
And there was no one with him but
His daughter, Mabel Clare.
Her eyes and hair were like the sun;
Her foot was like a mat;
Her cheeks a trifle overdone;
She was a democrat.

A manly independence, born
Among the trees, she had,
She treated womankind with scorn,
And often cursed her dad.
She hated swells and shining lights,
For she had seen a few,
And she believed in ‘women’s rights’
(She mostly got’em, too).

A stranger at the neighb’ring run
Sojourned, the squatter’s guest,
He was unknown to anyone,
But like a swell was dress’d;
He had an eyeglass to his eye,
A collar to his ears,
His feet were made to tread the sky,
His mouth was formed for sneers.

He wore the latest toggery,
The loudest thing in ties—
’Twas generally reckoned he
Was something in disguise.
But who he was, or whence he came,
Was long unknown, except
Unto the squatter, who the name
And noble secret kept.

And strolling in the noontide heat,
Beneath the blinding glare,
This noble stranger chanced to meet
The radiant Mabel Clare.
She saw at once he was a swell—
According to her lights—
But, ah! ’tis very sad to tell,
She met him oft of nights.

And, strolling through a moonlit gorge,
She chatted all the while
Of Ingersoll, and Henry George,
And Bradlaugh and Carlyle:
In short, he learned to love the girl,
And things went on like this,
Until he said he was an Earl,
And asked her to be his.

‘Oh, say no more, Lord Kawlinee,
‘Oh, say no more!’ she said;
‘Oh, say no more, Lord Kawlinee,
‘I wish that I was dead:
‘My head is in a hawful whirl,
‘The truth I dare not tell—
‘I am a democratic girl,
‘And cannot wed a swell!’

‘Oh love!’ he cried, ‘but you forget
‘That you are most unjust;
‘’Twas not my fault that I was set
‘Within the upper crust.
‘Heed not the yarns the poets tell—
‘Oh, darling, do not doubt
‘A simple lord can love as well
‘As any rouseabout!

‘For you I’ll give my fortune up—
‘I’d go to work for you!
‘I’ll put the money in the cup
‘And drop the title, too.
‘Oh, fly with me! Oh, fly with me
‘Across the mountains blue!
‘Hoh, fly with me! Hoh, fly with me!—’
That very night she flew.

They took the train and journeyed down—
Across the range they sped—
Until they came to Sydney town,
Where shortly they were wed.
And still upon the western wild
Admiring teamsters tell
How Mabel’s father cursed his child
For clearing with a swell.

‘What ails my bird this bridal night,’
Exclaimed Lord Kawlinee;
‘What ails my own this bridal night—
‘O love, confide in me!’
‘Oh now,’ she said, ‘that I am yaws
‘You’ll let me weep—I must—
‘I did desert the people’s cause
‘To join the upper crust.’

O proudly smiled his lordship then—
His chimney-pot he floor’d—
‘Look up, my love, and smile again,
‘For I am not a lord!’
His eye-glass from his eye he tore,
The dickey from his breast,
And turned and stood his bride before
A rouseabout—confess’d!

‘Unknown I’ve loved you long,’ he said,
‘And I have loved you true—
‘A-shearing in your guv’ner’s shed
‘I learned to worship you.
‘I do not care for place or pelf,
‘For now, my love, I’m sure
‘That you will love me for myself
‘And not because I’m poor.

‘To prove your love I spent my cheque
‘To buy this swell rig-out;
‘So fling your arms about my neck
‘For I’m a rouseabout!’
At first she gave a startled cry,
Then, safe from care’s alarms,
She sigh’d a soul-subduing sigh
And sank into his arms.

He pawned the togs, and home he took
His bride in all her charms;
The proud old cockatoo received
The pair with open arms.
And long they lived, the faithful bride,
The noble rouseabout—
And if she wasn’t satisfied
She never let it out.


Scheme Text too long
Poetic Form
Metre 11010111 110111 01011111 0101011 11111101 110101 0010111 110101 1101110 110111 1101101 011101 01010011 110101 1111111 01011 11010101 11011 01111111 110101 01010101 011101 01010101 11010 0100101 010111 110111 010101 11010101 111101 0101011 11011 0101011 10101 1101110 110111 1111111 010111 11011101 111111 110101 010101 11000101 110001 11111111 110101 10010101 010101 0100011 010101 11010111 0100101 11111101 010101 11110111 111111 0101011 110101 11000101 0101 01111101 011111 01111111 010111 111111 111111 111111 111111 1110011 011111 1100101 010101 11111101 111101 11111111 010101 11010101 110111 01011111 1101 11111101 111111 11010001 010101 11111111 010101 11111111 110111 11010101 010111 01111101 110101 01010101 010101 1110111 110101 11111101 0111 11111101 110101 11111111 111111 11100101 110101 1101111 110111 11110101 111101 11111111 010111 01011101 011 01111111 011111 0100111 111101 11111111 111111 1111111 010111 11111111 111111 11110111 1101 11110101 111101 11010101 010111 11010111 110101 0111001 011101 01110101 0101 011110 110111
Closest metre Iambic tetrameter
Characters 4,201
Words 786
Sentences 39
Stanzas 16
Stanza Lengths 16, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8
Lines Amount 136
Letters per line (avg) 23
Words per line (avg) 6
Letters per stanza (avg) 192
Words per stanza (avg) 48
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Submitted on May 13, 2011

Modified on March 05, 2023

3:56 min read
121

Henry Lawson

Henry Lawson 17 June 1867 - 2 September 1922 was an Australian writer and poet Along with his contemporary Banjo Paterson Lawson is among the best-known Australian poets and fiction writers of the colonial period more…

All Henry Lawson poems | Henry Lawson Books

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