Analysis of On the Paroo

Henry Kendall 1839 (Australia) – 1882 (Sydney)



AS WHEN the strong stream of a wintering sea
Rolls round our coast, with bodeful breaks of storm,
And swift salt rain, and bitter wind that saith
Wild things and woeful of the White South Land
Alone with God and silence in the cold—
As when this cometh, men from dripping doors
Look forth, and shudder for the mariners
Abroad, so we for absent brothers looked
In days of drought, and when the flying floods
Swept boundless; roaring down the bald, black plains
Beyond the farthest spur of western hills.

For where the Barwon cuts a rotten land,
Or lies unshaken, like a great blind creek,
Between hot mouldering banks, it came to this,
All in a time of short and thirsty sighs,
That thirty rainless months had left the pools
And grass as dry as ashes: then it was
Our kinsmen started for the lone Paroo,
From point to point, with patient strivings, sheer
Across the horrors of the windless downs,
Blue gleaming like a sea of molten steel.

But never drought had broke them: never flood
Had quenched them: they with mighty youth and health,
And thews and sinews knotted like the trees—
They, like the children of the native woods,
Could stem the strenuous waters, or outlive
The crimson days and dull, dead nights of thirst
Like camels: yet of what avail was strength
Alone to them—though it was like the rocks
On stormy mountains—in the bloody time
When fierce sleep caught them in the camps at rest,
And violent darkness gripped the life in them
And whelmed them, as an eagle unawares
Is whelmed and slaughtered in a sudden snare.

All murdered by the blacks; smit while they lay
In silver dreams, and with the far, faint fall
Of many waters breaking on their sleep!
Yea, in the tracts unknown of any man
Save savages—the dim-discovered ways
Of footless silence or unhappy winds—
The wild men came upon them, like a fire
Of desert thunder; and the fine, firm lips
That touched a mother’s lips a year before,
And hands that knew a dearer hand than life,
Were hewn—a sacrifice before the stars,
And left with hooting owls and blowing clouds,
And falling leaves and solitary wings!

Aye, you may see their graves—you who have toiled
And tripped and thirsted, like these men of ours;
For, verily, I say that not so deep
Their bones are that the scattered drift and dust
Of gusty days will never leave them bare.
O dear, dead, bleaching bones! I know of those
Who have the wild, strong will to go and sit
Outside all things with you, and keep the ways
Aloof from bats, and snakes, and trampling feet
That smite your peace and theirs—who have the heart,
Without the lusty limbs, to face the fire
And moonless midnights, and to be, indeed,
For very sorrow, like a moaning wind
In wintry forests with perpetual rain.

Because of this—because of sisters left
With desperate purpose and dishevelled hair,
And broken breath, and sweetness quenched in tears—
Because of swifter silver for the head,
And furrows for the face—because of these
That should have come with age, that come with pain—
O Master! Father! sitting where our eyes
Are tired of looking, say for once are we—
Are we to set our lips with weary smiles
Before the bitterness of Life and Death,
And call it honey, while we bear away
A taste like wormwood?

Turn thyself, and sing—
Sing, Son of Sorrow! Is there any gain
For breaking of the loins, for melting eyes,
And knees as weak as water?—any peace,
Or hope for casual breath and labouring lips,
For clapping of the palms, and sharper sighs
Than frost; or any light to come for those
Who stand and mumble in the alien streets
With heads as grey as Winter?—any balm
For pleading women, and the love that knows
Of nothing left to love?

They sleep a sleep
Unknown of dreams, these darling friends of ours.
And we who taste the core of many tales
Of tribulation—we whose lives are salt
With tears indeed—we therefore hide our eyes
And weep in secret, lest our grief should risk
The rest that hath no hurt from daily racks
Of fiery clouds and immemorial rains.


Scheme AXBCXXDXXEX CXXFXXGGXX XBHXXXBXXXXIG JXKXLXGMGXXXX XDKXGNXLXXGXXO XGIXHOFAXBJX XOFXMFNXXNX KDXXFXXE
Poetic Form
Metre 110111011 1110111111 0111010111 1101010111 0111010001 1111011101 1101010100 0111110101 0111010101 1101010111 0101011101 110110101 1101010111 011111111 1001110101 110111101 0111110111 101101011 1111110101 010101011 1101011101 1101111101 1111110101 010110101 1101010101 1101001011 0101011111 1101110111 0111111101 1101000101 1111100111 01001010101 011111001 1101000101 1101011111 0101010111 1101010111 1001011101 1100010101 111010101 01110111010 1101000111 1101010101 0111010111 010100101 011110101 010101001 1111111111 0101111110 11111111 1111010101 1101110111 1111011111 1101111101 1111110101 0111010101 1111011101 01010111010 01101101 1101010101 01010101001 0111011101 11010011 0101010101 0111010101 011010111 1111111111 11010101101 11011011111 11111011101 0101001101 0111011101 0111 1101 1111011101 1101011101 0111110101 1111001011 1101010101 1111011111 11010001001 1111110101 1101000111 110111 1101 01111101110 0111011101 101011111 1101111101 01010110111 0111111101 11001001001
Closest metre Iambic pentameter
Characters 3,914
Words 717
Sentences 18
Stanzas 8
Stanza Lengths 11, 10, 13, 13, 14, 12, 11, 8
Lines Amount 92
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 391
Words per stanza (avg) 89
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Submitted on May 13, 2011

Modified on March 05, 2023

3:35 min read
101

Henry Kendall

Thomas Henry Kendall was a nineteenth-century Australian author and bush poet, who was particularly known for his poems and tales set in a natural environment setting. more…

All Henry Kendall poems | Henry Kendall Books

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