Analysis of Fridolin (The Walk To The Iron Factory)

Friedrich Schiller 1759 (Marbach am Neckar) – 1805 (Weimar)



A gentle was Fridolin,
 And he his mistress dear,
Savern's fair Countess, honored in
 All truth and godly fear.
She was so meek, and, ah! so good!
Yet each wish of her wayward mood,
He would have studied to fulfil,
To please his God, with earnest will.

From the first hour when daylight shone
 Till rang the vesper-chime,
He lived but for her will alone,
 And deemed e'en that scarce time.
And if she said, "Less anxious be!"
His eye then glistened tearfully.
Thinking that he in duty failed,
And so before no toil he quailed.

And so, before her serving train,
 The Countess loved to raise him;
While her fair mouth, in endless strain,
 Was ever wont to praise him.
She never held him as her slave,
Her heart a child's rights to him gave;
Her clear eye hung in fond delight
Upon his well-formed features bright.

Soon in the huntsman Robert's breast
 Was poisonous anger fired;
His black soul, long by lust possessed,
 With malice was inspired;
He sought the Count, whom, quick in deed,
A traitor might with ease mislead,
As once from hunting home they rode,
And in his heart suspicion sowed.

"Happy art thou, great Count, in truth,"
 Thus cunningly he spoke;
"For ne'er mistrust's envenomed tooth
 Thy golden slumbers broke;
A noble wife thy love rewards,
And modesty her person guards.
The tempter will be able ne'er
Her true fidelity to snare."

A gloomy scowl the Count's eye filled:
 "What's this thou say'st to me?
Shall I on woman's virtue build,
 Inconstant as the sea?
The flatterer's mouth with ease may lure;
My trust is placed on ground more sure.
No one, methinks, dare ever burn
To tempt the wife of Count Savern."

The other spoke: "Thou sayest it well,
 The fool deserves thy scorn
Who ventures on such thoughts to dwell,
 A mere retainer born,--
Who to the lady he obeys
Fears not his wishes' lust to raise."--
"What!" tremblingly the Count began,
"Dost speak, then, of a living man?"--

"Is, then, the thing, to all revealed,
 Hid from my master's view?
Yet, since with care from thee concealed,
 I'd fain conceal it too"--
"Speak quickly, villain! speak or die!"
Exclaimed the other fearfully.
"Who dares to look on Cunigond?"
"'Tis the fair page that is so fond."

"He's not ill-shaped in form, I wot,"
 He craftily went on;
The Count meanwhile felt cold and hot,
 By turns in every bone.
"Is't possible thou seest not, sir,
How he has eyes for none but her?
At table ne'er attends to thee,
But sighs behind her ceaselessly?"

"Behold the rhymes that from him came
 His passion to confess"--
"Confess!"--"And for an answering flame,--
 The impious knave!--to press.
My gracious lady, soft and meek,
Through pity, doubtless, feared to speak;
That it has 'scaped me, sore I rue;
What, lord, canst thou to help it do?"

Into the neighboring wood then rode
 The Count, inflamed with wrath,
Where, in his iron foundry, glowed
 The ore, and bubbled forth.
The workmen here, with busy hand,
The fire both late and early fanned.
The sparks fly out, the bellows ply,
As if the rock to liquefy.

The fire and water's might twofold
 Are here united found;
The mill-wheel, by the flood seized hold,
 Is whirling round and round;
The works are clattering night and day,
With measured stroke the hammers play,
And, yielding to the mighty blows,
The very iron plastic grows.

Then to two workmen beckons he,
 And speaks thus in his ire;
"The first who's hither sent by me
 Thus of ye to inquire
'Have ye obeyed my lord's word well?'
Him cast ye into yonder hell,
That into ashes he may fly,
And ne'er again torment mine eye!"

The inhuman pair were overjoyed,
 With devilish glee possessed
For as the iron, feeling void,
 Their heart was in their breast,
And brisker with the bellows' blast,
The foundry's womb now heat they fast,
And with a murderous mind prepare
To offer up the victim there.

Then Robert to his comrade spake,
 With false hypocrisy:
"Up, comrade, up! no tarrying make!
 Our lord has need of thee."
The lord to Fridolin then said:
"The pathway toward the foundry tread,
And of the workmen there inquire,
If they have done their lord's desire."

The other answered, "Be it so!"
 But o'er him ca


Scheme ABABCXDD AEAEFDXC AGAGHHII JKJKLLMX NONOXXPP QFQFRRAA DADASSAA TUTUVDCX CAXAWWFD XYXYZZUU MXMX1 1 DV 2 3 2 3 XD4 4 F5 F5 DDDV 6 J6 J7 7 PP 8 F8 F9 9 5 W XX
Poetic Form
Metre 01011 011101 1110100 110101 11110111 11110101 1111011 11111101 10110111 110101 11110101 0111111 01111101 11110100 10110101 01011111 01010101 0101111 10110101 1101111 11011101 01011111 01110101 01111101 10010101 11001010 11111101 1101010 11011101 01011101 11110111 00110101 10111101 1111 11111 11011 01011101 01000101 0111101 01010011 01010111 1111111 11110101 1101 0111111 11111111 1111101 1101111 01011111 010111 11011111 010101 11010101 11110111 110101 11110101 11011101 111101 11111101 110111 11010111 010101 111111 10111111 11110111 1111 0111101 1101001 111001111 11111110 11010111 11010100 01011111 110101 010111001 0010111 11010101 11010111 11111111 11111111 010100111 010111 10110101 010101 01011101 010110101 01110101 1101110 010010111 110101 01110111 110101 011100101 11010101 01010101 01010101 11110101 011011 01110111 111101 11011111 11101101 10110111 0101111 00101001 110101 11010101 111011 01010101 0111111 010100101 11010101 1101111 110100 111111 1011111 011111 01010101 01010101 111111010 01010111 11011
Closest metre Iambic tetrameter
Characters 3,984
Words 748
Sentences 46
Stanzas 16
Stanza Lengths 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 2
Lines Amount 122
Letters per line (avg) 25
Words per line (avg) 6
Letters per stanza (avg) 194
Words per stanza (avg) 45
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Submitted on May 13, 2011

Modified on March 05, 2023

3:47 min read
125

Friedrich Schiller

Johann Christoph Friedrich von Schiller was a German poet philosopher historian and playwright During the last seventeen years of his life Schiller struck up a productive if complicated friendship with already famous and influential Johann Wolfgang Goethe with whom he frequently discussed issues concerning aesthetics and encouraged Goethe to finish works he left merely as sketches this relationship and these discussions led to a period now referred to as Weimar Classicism They also worked together on Die Xenien The Xenies a collection of short but harshly satirical poems in which both Schiller and Goethe verbally attacked those persons they perceived to be enemies of their aesthetic agenda. more…

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