Analysis of Bellona



Thou art moulded in marble impassive,
False goddess, fair statue of strife,
Yet standest on pedestal massive,
A symbol and token of life.
Thou art still, not with stillness of languor,
And calm, not with calm boding rest;
For thine is all wrath and all anger
That throbs far and near in the breast
Of man, by thy presence possess'd.

With the brow of a fallen archangel,
The lips of a beautiful fiend,
And locks that are snake-like to strangle,
And eyes from whose depths may be glean'd
The presence of passions, that tremble
Unbidden, yet shine as they may
Through features too proud to dissemble,
Too cold and too calm to betray
Their secrets to creatures of clay.

Thy breath stirreth faction and party,
Men rise, and no voice can avail
To stay them — rose-tinted Astarte
Herself at thy presence turns pale.
For deeper and richer the crimson
That gathers behind thee throws forth
A halo thy raiment and limbs on,
And leaves a red track in the path
That flows from thy wine-press of wrath.

For behind thee red rivulets trickle,
Men fall by thy hands swift and lithe,
As corn falleth down to the sickle,
As grass falleth down to the scythe,
Thine arm, strong and cruel, and shapely,
Lifts high the sharp, pitiless lance,
And rapine and ruin and rape lie
Around thee. The Furies advance,
And Ares awakes from his trance.

We, too, with our bodies thus weakly,
With hearts hard and dangerous, thus
We owe thee — the saints suffered meekly
Their wrongs — it is not so with us.
Some share of thy strength thou hast given

To mortals refusing in vain
Thine aid. We have suffered and striven
Till we have grown reckless of pain,
Though feeble of heart and of brain.

Fair spirit, alluring if wicked,
False deity, terribly real,
Our senses are trapp'd, our souls tricked
By thee and thy hollow ideal.
The soldier who falls in his harness,
And strikes his last stroke with slack hand,
On his dead face thy wrath and thy scorn is
Imprinted. Oh! seeks he a land
Where he shall escape thy command?

When the blood of thy victims lies red on
That stricken field, fiercest and last,
In the sunset that gilds Armageddon
With battle-drift still overcast —
When the smoke of thy hot conflagrations
O'ershadows the earth as with wings,
Where nations have fought against nations,
And kings have encounter'd with kings,
When cometh the end of all things —

Then those who have patiently waited,
And borne, unresisting, the pain
Of thy vengeance unglutted, unsated,
Shall they be rewarded again?
Then those who, enticed by thy laurels,
Or urged by thy promptings unblest,
Have striven and stricken in quarrels,
Shall they, too, find pardon and rest?
We know not, yet hope for the best.


Scheme ABABCDCDD EFEFEGECG HIDIJXKLL EXEXHMXMM HNHNJ OJOO PQXQNRXRR KSJSMTXTT PODXUDUDD
Poetic Form
Metre 111010010 1101111 11110010 01001011 111111011 0111111 111110110 11101001 11111001 101101010 01101001 011111110 01111111 010110110 111111 110111010 11011101 11011011 11110010 11011101 1111101 01111011 110010010 11001111 01011011 01011001 11111111 10111110 11111101 11111010 1111101 111010010 11011001 01010011 0110101 011111 1111010110 11101001 111011010 11111111 111111110 11001001 111110010 11111011 11011011 110010110 11001001 1010111011 11011001 010110110 01111111 1111110111 01011101 11101101 1011110111 11011001 00111010 1101110 1011111 101111 110110110 01101011 11001111 111110010 01101 111011 11101001 111011110 111111 110010010 11111001 11111101
Closest metre Iambic tetrameter
Characters 2,607
Words 476
Sentences 18
Stanzas 9
Stanza Lengths 9, 9, 9, 9, 5, 4, 9, 9, 9
Lines Amount 72
Letters per line (avg) 29
Words per line (avg) 7
Letters per stanza (avg) 233
Words per stanza (avg) 53
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Submitted on May 13, 2011

Modified on March 05, 2023

2:24 min read
116

Adam Lindsay Gordon

Adam Lindsay Gordon was an Australian poet, jockey and politician. more…

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