Analysis of The Halt Before Rome--September 1867



Is it so, that the sword is broken,
  Our sword, that was halfway drawn?
Is it so, that the light was a spark,
That the bird we hailed as the lark
Sang in her sleep in the dark,
And the song we took for a token
  Bore false witness of dawn?

Spread in the sight of the lion,
  Surely, we said, is the net
Spread but in vain, and the snare
Vain; for the light is aware,
And the common, the chainless air,
Of his coming whom all we cry on;
  Surely in vain is it set.

Surely the day is on our side,
  And heaven, and the sacred sun;
Surely the stars, and the bright
Immemorial inscrutable night:
Yea, the darkness, because of our light,
Is no darkness, but blooms as a bower-side
  When the winter is over and done;

Blooms underfoot with young grasses
  Green, and with leaves overhead,
Windflowers white, and the low
New-dropped blossoms of snow;
And or ever the May winds blow,
And or ever the March wind passes,
  Flames with anemones red.

We are here in the world's bower-garden,
  We that have watched out the snow.
Surely the fruitfuller showers,
The splendider sunbeams are ours;
Shall winter return on the flowers,
And the frost after April harden,
  And the fountains in May not flow?

We have in our hands the shining
  And the fire in our hearts of a star.
Who are we that our tongues should palter,
Hearts bow down, hands falter,
Who are clothed as with flame from the altar,
That the kings of the earth, repining,
  Far off, watch from afar?

Woe is ours if we doubt or dissemble,
  Woe, if our hearts not abide.
Are our chiefs not among us, we said,
Great chiefs, living and dead,
To lead us glad to be led?
For whose sake, if a man of us tremble,
  He shall not be on our side.

What matter if these lands tarry,
  That tarried (we said) not of old?
France, made drunken by fate,
England, that bore up the weight
Once of men's freedom, a freight
Holy, but heavy to carry
  For hands overflowing with gold.

Though this be lame, and the other
  Fleet, but blind from the sun,
And the race be no more to these,
Alas! nor the palm to seize,
Who are weary and hungry of ease,
Yet, O Freedom, we said, O our mother,
  Is there not left to thee one?

Is there not left of thy daughters,
  Is there not one to thine hand?
Fairer than these, and of fame
Higher from of old by her name;
Washed in her tears, and in flame
Bathed as in baptism of waters,
  Unto all men a chosen land.

Her hope in her heart was broken,
  Fire was upon her, and clomb,
Hiding her, high as her head;
And the world went past her, and said
(We heard it say) she was dead;
And now, behold, she bath spoken,
  She that was dead, saying, "Rome."

O mother of all men's nations,
  Thou knowest if the deaf world heard!
Heard not now to her lowest
Depths, where the strong blood slowest
Beats at her bosom, thou knowest,
In her toils, in her dim tribulations,
  Rejoiced not, hearing the word.

The sorrowful, bound unto sorrow,
  The woe-worn people, and all
That of old were discomforted,
And men that famish for bread,
And men that mourn for their dead,
She bade them be glad on the morrow,
  Who endured in the day of her thrall.

The blind, and the people in prison,
  Souls without hope, without home,
How glad were they all that heard!
When the winged white flame of the word
Passed over men's dust, and stirred
Death; for Italia was risen,
  And risen her light upon Rome.

The light of her sword in the gateway
  Shone, an unquenchable flame,
Bloodless, a sword to release,
A light from the eyes of peace,
To bid grief utterly cease,
And the wrong of the old world straightway
  Pass from the face of her fame:

Hers, whom we turn to and cry on,
  Italy, mother of men:
From the light of the face of her glory,
At the sound of the storm of her story,
That the sanguine shadows and hoary
Should flee from the foot of the lion,
  Lion-like, forth of his den.

As the answering of thunder to thunder
  Is the storm-beaten sound of her past;
As the calling of sea unto sea
Is the noise of her years yet to be;
For this ye knew not is she,
Whose bonds are broken in sunder;
  This is she at the last.

So spake we aloud, high-minded,
  Full of our will; and behold,
The speech that was halfway spoken
Breaks, as a pledge that is broken,
As a king's pledge, leaving in token
Grief only for high hopes b


Scheme ABCCCAB ADEEEFD GAHHHGA IJKKKIJ AKLLLAK XMENNCM OGJJJOG PQRRRPQ NASSSNA LTUUULT AUJJJAV WXYYDWX KZDJJKZ AVXXXAV 1 U2 2 2 1 U F3 PPPA3 N4 PPPN4 XQAAAP
Poetic Form
Metre 111101110 10111111 111101101 10111101 1001001 001111010 111011 10011010 1011101 1101001 1101101 0010011 111011111 1001111 100111101 01000101 1001001 010001001 1010011101 11101110101 101011001 1011110 1011101 11001 111011 01100111 011001110 1111 1110011010 1111101 100110 011110 110011010 001101010 00100111 110101010 00100101101 111110111 111110 1111111010 1011011 111101 11101111010 11101101 1101101111 111001 1111111 1111011110 11111101 11011110 1111111 111011 1011101 1111001 10110110 1110011 11110010 111101 00111111 0110111 111001011 11101111010 1111111 11111110 1111111 1011011 10111101 1001001 110100110 10110101 01001110 10101001 1001101 00111001 1111111 01011110 1111101 11011110 1110111 1111010 1101110 1101011 001001010 0111001 010011010 0111001 11101 011111 0111111 111111010 101001101 010010010 1011011 1101111 10111101 1101101 110100110 01001011 01101001 1111 1001101 0110111 1111001 00110111 1101101 01111011 1001011 1011011010 1011011010 10101010 111011010 1011111 10100110110 101101101 101011101 101101111 1111111 11110010 111101 11101110 11101001 01111110 11011110 101110010 1101111
Closest metre Iambic tetrameter
Characters 4,144
Words 812
Sentences 26
Stanzas 18
Stanza Lengths 7, 7, 7, 7, 7, 7, 7, 7, 7, 7, 7, 7, 7, 7, 7, 7, 7, 6
Lines Amount 125
Letters per line (avg) 26
Words per line (avg) 6
Letters per stanza (avg) 179
Words per stanza (avg) 45
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Submitted on May 13, 2011

Modified on March 05, 2023

4:05 min read
121

Algernon Charles Swinburne

Algernon Charles Swinburne was an English poet, playwright, novelist, and critic. He wrote several novels and collections of poetry such as Poems and Ballads, and contributed to the famous Eleventh Edition of the Encyclopædia Britannica. Swinburne wrote about many taboo topics, such as lesbianism, cannibalism, sado-masochism, and anti-theism. His poems have many common motifs, such as the ocean, time, and death. Several historical people are featured in his poems, such as Sappho ("Sapphics"), Anactoria ("Anactoria"), Jesus ("Hymn to Proserpine": Galilaee, La. "Galilean") and Catullus ("To Catullus"). more…

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