Analysis of The Cathedral Of Rheims

Emile Verhaeren 1855 (Sint-Amands) – 1916 (Rouen)



He who walks through the meadows of Champagne
At noon in Fall, when leaves like gold appear,
Sees it draw near
Like some great mountain set upon the plain,
From radiant dawn until the close of day,
Nearer it grows
To him who goes
Across the country. When tall towers lay
Their shadowy pall
Upon his way,
He enters, where
The solid stone is hollowed deep by all
Its centuries of beauty and of prayer.

Ancient French temple! thou whose hundred kings
Watch over thee, emblazoned on thy walls,
Tell me, within thy memory-hallowed halls
What chant of triumph, or what war-song rings?
Thou hast known Clovis and his Frankish train,
Whose mighty hand Saint Remy's hand did keep
And in thy spacious vault perhaps may sleep
An echo of the voice of Charlemagne.
For God thou has known fear, when from His side
Men wandered, seeking alien shrines and new,
But still the sky was bountiful and blue
And thou wast crowned with France's love and pride.
Sacred thou art, from pinnacle to base;
And in thy panes of gold and scarlet glass
The setting sun sees thousandfold his face;
Sorrow and joy, in stately silence pass
Across thy walls, the shadow and the light;
Around thy lofty pillars, tapers white
Illuminate, with delicate sharp flames,
The brows of saints with venerable names,
And in the night erect a fiery wall.
A great but silent fervour burns in all
Those simple folk who kneel, pathetic, dumb,
And know that down below, beside the Rhine -
Cannon, horses, soldiers, flags in line -
With blare of trumpets, mighty armies come.

Suddenly, each knows fear;
Swift rumours pass, that every one must hear,
The hostile banners blaze against the sky
And by the embassies mobs rage and cry.
Now war has come, and peace is at an end.
On Paris town the German troops descend.
They are turned back, and driven to Champagne.
And now, as to so many weary men,
The glorious temple gives them welcome, when
It meets them at the bottom of the plain.

At once, they set their cannon in its way.
There is no gable now, nor wall
That does not suffer, night and day,
As shot and shell in crushing torrents fall.
The stricken tocsin quivers through the tower;
The triple nave, the apse, the lonely choir
Are circled, hour by hour,
With thundering bands of fire
And Death is scattered broadcast among men.

And then
That which was splendid with baptismal grace;
The stately arches soaring into space,
The transepts, columns, windows gray and gold,
The organ, in whose tones the ocean rolled,
The crypts, of mighty shades the dwelling places,
The Virgin's gentle hands, the Saints' pure faces,
All, even the pardoning hands of Christ the Lord
Were struck and broken by the wanton sword
Of sacrilegious lust.

O beauty slain, O glory in the dust!
Strong walls of faith, most basely overthrown!
The crawling flames, like adders glistening
Ate the white fabric of this lovely thing.
Now from its soul arose a piteous moan,
The soul that always loved the just and fair.
Granite and marble loud their woe confessed,
The silver monstrances that Popes had blessed,
The chalices and lamps and crosiers rare
Were seared and twisted by a flaming breath;
The horror everywhere did range and swell,
The guardian Saints into this furnace fell,
Their bitter tears and screams were stilled in death.

Around the flames armed hosts are skirmishing,
The burning sun reflects the lurid scene;
The German army, fighting for its life,
Rallies its torn and terrified left wing;
And, as they near this place
The imperial eagles see
Before them in their flight,
Here, in the solemn night,
The old cathedral, to the years to be
Showing, with wounded arms, their own disgrace.


Scheme ABBACDDCXCEFE GHHGAIIAJKKJLMLMNNOOFFPQQP BXRRSSATTA CFCFUUUUT TLLVVWWXXY YZ1 1 ZE2 2 E3 4 4 3 1 XX1 L5 NN5 L
Poetic Form
Metre 111101101 1101111101 1111 1111010101 11001010111 1011 1111 0101011101 11001 0111 1101 0101110111 1100110011 1011011101 1101010111 11011100101 1111011111 1111001101 110111111 0011010111 110101110 1111111111 11010100101 1101110001 0111110101 1011110011 0011110101 01011111 1001010101 011101001 0111010101 0100110011 0111110001 00010101001 011101101 1101110101 0111010101 101010101 1111010101 100111 1011100111 0101010101 0101001101 1111011111 1101010101 1111010101 0111110101 01001011101 1111010101 1111110011 11110111 11110101 1101010101 010111010 01010101010 11010110 11001110 011101011 01 1111010101 0101010011 011010101 0100110101 01110101010 01010101110 110010011101 0101010101 10101 1101110001 11111101 010111100 1011011101 111101011 011110101 1001011101 01011111 0101011 0101010101 010101101 01001011101 1101010101 0101111100 0101010101 0101010111 101101011 011111 00100101 011011 100101 0101010111 1011011101
Closest metre Iambic pentameter
Characters 3,627
Words 638
Sentences 24
Stanzas 7
Stanza Lengths 13, 26, 10, 9, 10, 13, 10
Lines Amount 91
Letters per line (avg) 32
Words per line (avg) 7
Letters per stanza (avg) 410
Words per stanza (avg) 91
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Submitted on May 13, 2011

Modified on March 05, 2023

3:12 min read
40

Emile Verhaeren

Emile Verhaeren was a Belgian poet who wrote in the French language, and one of the chief founders of the school of Symbolism. more…

All Emile Verhaeren poems | Emile Verhaeren Books

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