The Angel In The House. Book I. Canto I.

Preludes.

I The Impossibility
Lo, Love's obey'd by all. 'Tis right
That all should know what they obey,
Lest erring conscience damp delight,
And folly laugh our joys away.
Thou Primal Love, who grantest wings
And voices to the woodland birds,
Grant me the power of saying things
Too simple and too sweet for words!

II Love's Reality
I walk, I trust, with open eyes;
I've travell'd half my worldly course;
And in the way behind me lies
Much vanity and some remorse;
I've lived to feel how pride may part
Spirits, tho' match'd like hand and glove;
I've blush'd for love's abode, the heart;
But have not disbelieved in love;
Nor unto love, sole mortal thing
Of worth immortal, done the wrong
To count it, with the rest that sing,
Unworthy of a serious song;
And love is my reward; for now,
When most of dead'ning time complain,
The myrtle blooms upon my brow,
Its odour quickens all my brain.

III The Poet's Confidence
The richest realm of all the earth
Is counted still a heathen land:
Lo, I, like Joshua, now go forth
To give it into Israel's hand.
I will not hearken blame or praise;
For so should I dishonour do
To that sweet Power by which these Lays
Alone are lovely, good, and true;
Nor credence to the world's cries give,
Which ever preach and still prevent
Pure passion's high prerogative
To make, not follow, precedent.
From love's abysmal ether rare
If I to men have here made known
New truths, they, like new stars, were there
Before, though not yet written down.
Moving but as the feelings move,
I run, or loiter with delight,
Or pause to mark where gentle Love
Persuades the soul from height to height,
Yet, know ye, though my words are gay
As David's dance, which Michal scorn'd,
If kindly you receive the Lay,
You shall be sweetly help'd and warn'd.

The Cathedral Close.

I
Once more I came to Sarum Close,
With joy half memory, half desire,
And breathed the sunny wind that rose
And blew the shadows o'er the Spire,
And toss'd the lilac's scented plumes,
And sway'd the chestnut's thousand cones,
And fill'd my nostrils with perfumes,
And shaped the clouds in waifs and zones,
And wafted down the serious strain
Of Sarum bells, when, true to time,
I reach'd the Dean's, with heart and brain
That trembled to the trembling chime.

II
'Twas half my home, six years ago.
The six years had not alter'd it:
Red-brick and ashlar, long and low,
With dormers and with oriels lit.
Geranium, lychnis, rose array'd
The windows, all wide open thrown;
And some one in the Study play'd
The Wedding-March of Mendelssohn.
And there it was I last took leave:
'Twas Christmas: I remember'd now
The cruel girls, who feign'd to grieve,
Took down the evergreens; and how
The holly into blazes woke
The fire, lighting the large, low room
A dim, rich lustre of old oak
And crimson velvet's glowing gloom.

III
No change had touch'd Dean Churchill: kind,
By widowhood more than winters bent,
And settled in a cheerful mind,
As still forecasting heaven's content.
Well might his thoughts be fix'd on high,
Now she was there! Within her face
Humility and dignity
Were met in a most sweet embrace.
She seem'd expressly sent below
To teach our erring minds to see
The rhythmic change of time's swift flow
As part of still eternity.
Her life, all honour, observed, with awe
Which cross experience could not mar,
The fiction of the Christian law
That all men honourable are;
And so her smile at once conferr'd
High flattery and benign reproof;
And I, a rude boy, strangely stirr'd,
Grew courtly in my own behoof.
The years, so far from doing her wrong,
Anointed her with gracious balm,
And made her brows more and more young
With wreaths of amaranth and palm.

IV
Was this her eldest, Honor; prude,
Who would not let me pull the swing;
Who, kiss'd at Christmas, call'd me rude,
And, sobbing low, refused to sing?
How changed! In shape no slender Grace,
But Venus; milder than the dove;
Her mother's air; her Norman face;
Her large sweet eyes, clear lakes of love.
Mary I knew. In former time
Ailing and pale, she thought that bliss
Was only for a better clime,
And, heavenly overmuch, scorn'd this.
I, rash with theories of the right,
Which stretch'd the tether of my Creed,
But did not break it, held delight
Half discipline. We disagreed.
She told the Dean I wanted grace.
Now she was kindest of the three,
And soft wi
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Coventry Patmore

Coventry Kersey Dighton Patmore was an English poet and critic best known for The Angel in the House, his narrative poem about an ideal happy marriage. more…

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"The Angel In The House. Book I. Canto I." Poetry.net. STANDS4 LLC, 2019. Web. 22 Aug. 2019. <https://www.poetry.net/poem/7355/the-angel-in-the-house.--book-i.--canto-i.>.

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