The Resurrection



I thought I had forever lost,
Alas, though still so young,
The tender joys and sorrows all,
That unto youth belong;

The sufferings sweet, the impulses
Our inmost hearts that warm;
Whatever gives this life of ours
Its value and its charm.

What sore laments, what bitter tears
O'er my sad state I shed,
When first I felt from my cold heart
Its gentle pains had fled!

Its throbs I felt no more; my love
Within me seemed to die;
Nor from my frozen, senseless breast
Escaped a single sigh!

I wept o'er my sad, hapless lot;
The life of life seemed lost;
The earth an arid wilderness,
Locked in eternal frost;

The day how dreary, and the night
How dull, and dark, and lone!
The moon for me no brightness had,
No star in heaven shone.

And yet the old love was the cause
Of all the tears I shed;
Still in my inmost breast I felt
The heart was not yet dead.

My weary fancy still would crave
The images it loved,
And its capricious longings still
A source of sorrow proved.

But e'en that lingering spark of grief
Was soon within me spent,
And I the strength no longer had
To utter a lament.

And there I lay, stunned, stupefied,
Nor asked for comfort more;
My heart to hopeless, blank despair
Itself had given o'er.

How changed, alas, was I from him
Who once with passion thrilled,
Whose ardent soul was ever, once,
With sweet illusions filled!

The swallow to my window, still,
Would come, to greet the dawn;
But his sweet song no echo found
In my poor heart, forlorn.

Nor pleased me more, in autumn gray,
Upon the hill-side lone,
The cheerful vesper-bell, or light
Of the departing sun.

In vain the evening star I saw
Above the silent vale,
And vainly warbled in the grove
The plaintive nightingale.

And you, ye furtive glances, bright,
From gentle eyes that rove,
The sweet, the gracious messages
Of first immortal Love;

The soft, white hand, that tenderly
My own hand seemed to woo;
All, all your magic spells were vain,
My torpor to subdue.

Of every pleasure quite bereft,
Sad but of tranquil mien;
A state of perfect littleness,
Yet with a face serene;

Save for the lingering wish, indeed,
In death to sink to rest,
The force of all desire was spent
In my exhausted breast.

As some poor, feeble wanderer,
With age and sorrow bent,
The April of my years, alas,
Thus listlessly I spent;

Thus listlessly, thus wearily,
Didst thou consume, O heart,
Those golden days, ineffable,
So swiftly that depart.

_Who_, from this heavy, heedless rest
Awakens me again?
What new, what magic power is this,
I feel within me reign?

Ye motions sweet, ye images,
Ye throbs, illusions blest,
Ah, no,--ye are not then shut out
Forever from this breast?

The glorious light of golden days
Do ye again unfold?
The old affections that I lost,
Do I once more behold?

Now, as I gaze upon the sky,
Or on the verdant fields,
Each thing with sorrow me inspires,
And each a pleasure yields.

The mountain, forest, and the shore
Once more my heart rejoice;
The fountain speaks to me once more,
The sea hath found a voice.

Who, after all this apathy,
Restores to me my tears?
Each moment, as I look around,
How changed the world appears!

Hath hope, perchance, O my poor heart,
Beguiled thee of thy pain?
Ah, no, the gracious smile of hope
I ne'er shall see again.

Nature bestowed these impulses,
And these illusions blest;
Their inborn influence, in me,
By suffering was suppressed;

But not annulled, not overcome
By cruel blows of Fate;
Nor by the inauspicious frown
Of Truth, importunate!

I know she has no sympathy
For fond imaginings;
I know that Nature, too, is deaf,
Nor heeds our sufferings;

That for our _good_ she nothing cares,
Our _being_, only heeds;
And with the sight of our distress
Her wild caprices feeds.

I know the poor man pleads in vain,
For others' sympathy;
That scornfully, or heedlessly,
All from his presence flee;

That both for genius and for worth,
This age has no respect;
That all who cherish lofty aims
Are left to cold neglect.

And you, ye eyes so tremulous
With lustre all divine,
I know how false your splendors are,
Where no true love doth shine.

No love mysterious and profound
Illumes you with its glow;
Nor gl
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Submitted on May 13, 2011

Modified on March 05, 2023

3:45 min read
49

Quick analysis:

Scheme AXBX CXXX DEFE GHIH XAJA KLML XEXE XXNX XOMO APXQ XRXR NXSX XLKX XTUT KUVG WXYX XZCZ XIOI QOXO WFXF I1 XY VIXI X2 A2 H3 X3 P4 P4 WDSX FYX1 CIWI XXXA WCXX D5 X5 YWBW X6 X6 J7 X7 SXB
Closest metre Iambic tetrameter
Characters 3,968
Words 747
Stanzas 35
Stanza Lengths 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 3

Count Giacomo Leopardi

Giacomo Taldegardo Francesco di Sales Saverio Pietro Leopardi was an Italian philosopher, poet, essayist, and philologist. He is considered the greatest Italian poet of the nineteenth century and one of the most important figures in the literature of the world, as well as one of the principals of literary romanticism; his constant reflection on existence and on the human condition—of sensuous and materialist inspiration—has also earned him a reputation as a deep philosopher. He is widely seen as one of the most radical and challenging thinkers of the 19th century but routinely compared by Italian critics to his older contemporary Alessandro Manzoni despite expressing "diametrically opposite positions." Although he lived in a secluded town in the conservative Papal States, he came into contact with the main ideas of the Enlightenment, and through his own literary evolution, created a remarkable and renowned poetic work, related to the Romantic era. The strongly lyrical quality of his poetry made him a central figure on the European and international literary and cultural landscape. more…

All Count Giacomo Leopardi poems | Count Giacomo Leopardi Books

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