A Lonely Man



When I'm out among the fellows, with the work to hold my mind,
Then there's heaps of joy in livin' an' the world seems awful kind
Awful kind an' awful jolly, with no trace of melancholy,
An' I tell myself the bloke that don't enjoy it must be blind
When I'm out among the fellows; but, when I am sittin' here,
Dreamin' by my lonely fireside, then the world gets kind of queer.

I suppose it's how you take it: what they call the point of view;
An' a man don't look for dreamin' when there's work for him to do.
  But he can't be ever toilin', an' at times he gets to spoilin'
All the joy the day has brought him - when he lets the black thoughts through.
It suppose it's livin' lonely, as a fellow never should;
For a lonely man gets broodin', and the broodin' isn't good.

It's never good, the sayin' is, for man to live alone.
But 'tain't because I like it that I'm batchin' on my own,
For a bloke must take what's goin', an' my life ain't all been growin'
Daffodils and hummin' dance tunes just to give my soul a tone.
It's muscle I've had to grow since days when I was small,
An' all the muscle that I've made is with the axe an' maul.

When folks are poor an' toil is hard an' times are harder still
A boy soon learns the use of time if he would eat his fill.
Long before I'd finished schoolin' I had put aside my foolin'.
Till now, at thirty an' a bit, I'm workin' at a mill.
It isn't much; then then my folks knew that my chance was dim,
Or they might have named me Reginald instead of just plain Jim.

Just Jim the Hatter, Lonely Jim, the bloke that don't say much.
I've heard how people talk of me: the gossipers an' such.
An' they say I'm slow at givin'; but I've got my way of livin',
An' I've got my bit of farm-land an' a house that ain't a hutch.
An' tho it hurts if this man sneers or that misunderstands,
I'm proud to know that all I've got was earned with my two hands.

Suppose I don't go gay at times an' throw around the cash:
It's knowin' want that frightened me from gettin' over rash.
I know I'm keen on savin'; but the pinchin' and the slavin'
An' the starvin' in the old days keeps a man from bein' flash.
I never treated neighbours mean or grudged a man a pound;
But I ain't out to buy loud cheers by throwin' it around.

An' after all - well, I don't know - it sums up much the same;
No matter how a man has lived, no matter what his aim
If it's savin', if it's spendin' - all his life is just a blendin'
Of the gay days an' the grey days: an' he's got to play the game.
So where's the use of grumblin' if the game don't suit your bent?
I tells myself this all night - an' yet I ain't content.

There's days that sometimes come to me when toilin's simple bliss,
An' every little job becomes a joy I wouldn't miss:
When the labour seems like playin', an' I catch myself a-sayin',
'Why, it's grand to think a man gets paid for doin' things like this!'
But, after, came the lonely night, when I've looked back an' said,
'To think I have to slave like that to earn a bit of bread!'

When I'm out among the fellows, oh, the world's a place to prize;
But here, beside my lonely fire, the glamour of it dies.
Sittin' here I take to gettin' gloomy views of things, an' frettin'
Till my dog looks up, and wonders, with a question in his eyes.
He's been my mate for years an' years, an' things that folks don't see
Both good an' bad has been thrashed out by my old dog an' me.

Well he knows he's safe for sharin' while I've got a bite an' sup.
When I'm fit, he's full of frolic, laughin' like a silly pup
Out for fun.  But when I'm feelin' sad at night, he just comes stealin'
To the fire an' stretches out there with his brown eyes lookin' up,
Lit with such a queer soft sadness that I feel it isn't fair
My own private little worries spoils the evenin' for the pair.

Here, to-night, I've sat an' told him - while his tail flopped on the floor
Of particular conditions that have got me feelin' sore.
An' my present little worry is the matter of Ben Murray
An' his sudden-like attentions to the widow at the store.
I ain't nothin' to the widow, as Ben Murray ought to see;
But I hear he's taken fight lately, with some reference to me.

I ain't nothin' to the widow - not as yet, at any rate;
Tho' a bloke can't be dead certain what is like to be his fate.
But I own that I've been thinkin', an' there ain't no use in blinkin'
At the fact a man must settle down before it gets too late.
I ain't nothing to the widow - don't know that I ever will.
Seems to me it's awful reckless takin' lifelong chances - still...

Me an' my old dog's been talkin' quite a l
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Submitted on May 13, 2011

Modified on March 05, 2023

4:53 min read
86

Quick analysis:

Scheme AABAXX CCDCEE DDDDFF GGDGHH IIDIJJ KKDKLL MMDMNN OODOPP QQDQBB RRDRSS TTBTBB UUDUGG X
Closest metre Iambic octameter
Characters 4,496
Words 912
Stanzas 13
Stanza Lengths 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 1

Clarence Michael James Stanislaus Dennis

Clarence Michael James Stanislaus Dennis, better known as C. J. Dennis, was an Australian poet known for his humorous poems, especially "The Songs of a Sentimental Bloke", published in the early 20th century. Though Dennis's work is less well known today, his 1915 publication of The Sentimental Bloke sold 65,000 copies in its first year, and by 1917 he was the most prosperous poet in Australian history. Together with Banjo Paterson and Henry Lawson, both of whom he had collaborated with, he is often considered among Australia's three most famous poets. While attributed to Lawson by 1911, Dennis later claimed he himself was the 'laureate of the larrikin'. When he died at the age of 61, the Prime Minister of Australia Joseph Lyons suggested he was destined to be remembered as the 'Australian Robert Burns'. more…

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