The Hindoo Mother



She leaves it to the sacred stream,
    She leaves it to the tide,
Her little child—her darling one,
    And she has none beside.

She used to sit beneath the palm,
    Her boy upon her knee;
And dreaming of the future years,
    That were his own to be:

She saw him with a stately steed,
    The sabre in his hand;
His pistols gleaming at his waist,
    The foremost of his band:

She saw him with his father’s smile,
    Beside some maiden dear;
She smiled to hear familiar words!
    Alas! and is he here?

The light has vanished from her day,
    The hope gone from her heart;
The young, the bright, and the beloved,
    Oh! how could he depart?

No more his sunny smile will make
    Her own, her household light;
No more will her sweet voice be heard,
    Above his sleep at night.

Her heart and home are desolate,
    But for one dearest tie;
But for the father of her child,
    She would lay down and die.

The tide rolls on beneath the moon,
    Down to the mighty main;
To-morrow may the mother seek,
    And seek her child in vain.

Of the custom represented in the engraving, Mrs. Belnos gives the following interesting description:—"Hindoos of high caste burn their dead; but if unable to do so from poverty, are forced to throw them into the Ganges, after having performed the ceremony of burning the mouth with a wisp of straw. The expenses attending the burning of the dead are too great for any but the rich. When the infant of a poor Hindoo dies, the wretched mother takes it up in her arms, and carries it to the river, on the bank of which she lays it for some time on a piece of mat, or on the sands; she stands weeping over the body a little while, then retires a few paces back, where she sits down watching for the turn of the tide to wash away the body, and to prevent the birds of prey and Pariah dogs from approaching it; at intervals she breaks forth in loud lamentations (something resembling a chant, which is often heard at a great distance) in the following words:—"Oh! my child! who has taken thee, my child! I nourished thee and reared thee, and now where art thou gone! take me with thee, Oh! my child, my child! thou play'dst around me like a gold top, my child! the like of thy face I have never seen, my child! let fire devour the eyes of men, my child. The infant continually called me mah, mah, (mother, mother;) the infant used to say mah, let me sit upon thy lap! my child his father never stayed at home since he was born, my child! my child! but bore him continually in his arms for men to admire. What has become now of that admiration! Evil befall the eyes of men! Oh! my life, say mah again, my child, my child! My arms and my lap feel empty, who will fill them again? Oh! my sweet burden, my eye-sight has become darkened, now that thou hast vanished from before it!"
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Submitted by Madeleine Quinn on February 15, 2020

Modified on March 05, 2023

2:39 min read
22

Quick analysis:

Scheme XAXA XBXB XCXC XXXX XDXD XEXE XFXF XGXG X
Characters 2,821
Words 531
Stanzas 9
Stanza Lengths 4, 4, 4, 4, 4, 4, 4, 4, 1

Letitia Elizabeth Landon

Letitia Elizabeth Landon was an English poet. Born 14th August 1802 at 25 Hans Place, Chelsea, she lived through the most productive period of her life nearby, at No.22. A precocious child with a natural gift for poetry, she was driven by the financial needs of her family to become a professional writer and thus a target for malicious gossip (although her three children by William Jerdan were successfully hidden from the public). In 1838, she married George Maclean, governor of Cape Coast Castle on the Gold Coast, whence she travelled, only to die a few months later (15th October) of a fatal heart condition. Behind her post-Romantic style of sentimentality lie preoccupations with art, decay and loss that give her poetry its characteristic intensity and in this vein she attempted to reinterpret some of the great male texts from a woman’s perspective. Her originality rapidly led to her being one of the most read authors of her day and her influence, commencing with Tennyson in England and Poe in America, was long-lasting. However, Victorian attitudes led to her poetry being misrepresented and she became excluded from the canon of English literature, where she belongs. more…

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