The Troubadour. Canto 3 D (Captivity)



AND AMIRALD from that hour sought
A refuge from each mournful thought
In RAYMOND'S sad but soothing smile;
And listening what might well beguile
The spirit from its last recess
Of dark and silent wretchedness.
He spoke of EVA, and he tried
To rouse her father into pride
Of her fair beauty; rather strove
To waken hope yet more than love.

    He saw how deeply AMIRALD fear'd
To touch a wound not heal'd but sear'd:
His gentle care was not in vain,
And AMIRALD learn'd to think again
Of hope, if not of happiness;
And soon his bosom pined to press
The child whom he so long had left
An orphan doubly thus bereft.
He mark'd with what enamour'd tongue
RAYMOND on EVA'S mention hung,—
The softened tone, the downward gaze,
All that so well the heart betrays;
And a reviving future stole
Like dew and sunlight on his soul.

    Soon the Crusaders would be met
Where winter's rest from war was set;
And then farewell to arms and Spain;—
Then for their own fair France again.

    One morn there swell'd the trumpet's blast,
Calling to battle, but the last;
And AMIRALD watch'd the youthful knight
Spur his proud courser to the fight:
Tall as the young pine yet unbent
By strife with its mountain element,—
His vizor was up, and his full dark eye
Flash'd as its flashing were victory;
And hope and pride sate on his brow
As his earlier war-dreams were on him now.
Well might he be proud, for where was there one
Who had won the honour that he had won?
And first of the line it was his to lead
His band to many a daring deed.

    But rose on the breath of the evening gale,
Not the trumpet's salute, but a mournful tale
Of treachery, that had betray'd the flower
Of the Christian force to the Infidel's power.
One came who told he saw RAYMOND fall,
Left in the battle the last of all;
His helm was gone, and his wearied hand
Held a red but a broken brand.—
What could a warrior do alone?
And AMIRALD felt all hope was gone.
Alas for the young! alas for the brave!
For the morning's hope, and the evening's grave!
And gush'd for him hot briny tears,
Such as AMIRALD had not shed for years;—
With heavy step and alter'd heart,
Again he turn'd him to depart.
He sought his child, but half her bloom
Was withering in RAYMOND'S tomb.

    Albeit not with those who fled,
Yet was not RAYMOND with the dead.
There is a lofty castle stands
On the verge of Grenada's lands;
It has a dungeon, and a chain,
And there the young knight must remain.
Day after day,—or rather night,—
Can morning come without its light?
Pass'd on without a sound or sight.
The only thing that he could feel,
Was the same weight of fettering steel,—
The only sound that he could hear
Was when his own voice mock'd his ear,—
His only sight was the drear lamp
That faintly show'd the dungeon's damp,
When by his side the jailor stood,
And brought his loathed and scanty food.

    What is the toil, or care, or pain,
The human heart cannot sustain?
Enough if struggling can create
A change or colour in our fate;
But where's the spirit that can cope
With listless suffering, when hope,
The last of misery's allies,
Sickens of its sweet self, and dies.

    He thought on EVA :—tell not me
Of happiness in memory!
Oh! what is memory but a gift
Within a ruin'd temple left,
Recalling what its beauties were,
And then presenting what they are.
And many hours pass'd by,—each one
Sad counterpart of others gone;
Till even to his dreams was brought
The sameness of his waking thought;
And in his sleep he felt again
The dungeon, darkness, damp, and chain.
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Submitted by Madeleine Quinn on June 27, 2016

Modified on March 05, 2023

3:26 min read
125

Quick analysis:

Scheme AABBCCDDXX EEFGXCHHIIJJKK LLFG MMNNAXXOPPQQRX SSTTUUVVXWXXXXYYZZ RR1 1 FFNNN2 2 3 3 4 4 XX FF5 5 6 6 7 7 OOXHTXQWAAGF
Closest metre Iambic tetrameter
Characters 3,429
Words 658
Stanzas 8
Stanza Lengths 10, 14, 4, 14, 18, 17, 8, 12

Letitia Elizabeth Landon

Letitia Elizabeth Landon was an English poet. Born 14th August 1802 at 25 Hans Place, Chelsea, she lived through the most productive period of her life nearby, at No.22. A precocious child with a natural gift for poetry, she was driven by the financial needs of her family to become a professional writer and thus a target for malicious gossip (although her three children by William Jerdan were successfully hidden from the public). In 1838, she married George Maclean, governor of Cape Coast Castle on the Gold Coast, whence she travelled, only to die a few months later (15th October) of a fatal heart condition. Behind her post-Romantic style of sentimentality lie preoccupations with art, decay and loss that give her poetry its characteristic intensity and in this vein she attempted to reinterpret some of the great male texts from a woman’s perspective. Her originality rapidly led to her being one of the most read authors of her day and her influence, commencing with Tennyson in England and Poe in America, was long-lasting. However, Victorian attitudes led to her poetry being misrepresented and she became excluded from the canon of English literature, where she belongs. more…

All Letitia Elizabeth Landon poems | Letitia Elizabeth Landon Books

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