The Troubadour. Canto 2 C (The Ladye Adeline)



Sudden a flood of lustre play'd
Over a lofty ballustrade,
Music and perfume swept the air,
Messengers sweet for the spring to prepare;
And like a sunny vision sent
For worship and astonishment,
Aside a radiant ladye flung
The veil that o'er her beauty hung.
With stately grace to those below,
She bent her gem encircled brow,
And bade them welcome in the name
Of her they saved, the castle's dame,
Who had not let another pay
Thanks, greeting to their brave array,—
But she had vow'd the battle night
To fasting, prayer, and holy rite.

    On the air the last tones of the music die,
The odour passes away like a sigh,
The torches flash a parting gleam,
And she vanishes as she came, like a dream.
But many an eye dwelt on the shade,
Till fancy again her form display'd,
And still again seem'd many an ear
The softness of her voice to hear.
And many a heart had a vision that night,
Which future years never banish'd quite.

    And sign and sound of festival
Are ringing through that castle hall;
Tapers, whose flame send a perfumed cloud,
Flash their light o'er a gorgeous crowd;
With a thousand colours the tapestry falls
Over the carved and gilded walls,
And, between, the polish'd oak pannels hear,
Like dark mirrors, the image of each one there.
At one end the piled up hearth is spread
With sparkling embers of glowing red:
Above the branching antlers have place,
Sign of many a hard won chase;
And beneath, in many a polish'd line,
The arms of the hunter and warrior shine;
And around the fire, like a laurell'd arch,
Raised for some victor's triumphal march,
The wood is fretted with tracery fair,
And green boughs and flowers are waving there.
Lamps, like faery planets shine,
O'er massive cups of the genial wine,
And shed a ray more soft and fair
Than the broad red gleam of the torch's glare;
And, flitting like a rainbow, plays
In beautiful and changing rays,
When from the pictured windows fall
The colour'd shadows o'er the hall;
As every pane some bright hue lent
To vary the lighted element.

    The ladye of the festive board
Was ward to the castle's absent lord;
The Ladye ADELINE ,—the same
Bright vision that with their greeting came
Maidens four stood behind her chair,
Each one was young, and each one fair;
Yet they were but as the stars at night
When the mood shines forth in her fullness of light
On the knot of her wreathed hair was set
A blood-red ruby coronet;
But among the midnight cloud of curls
That hung o'er her brow were eastern pearls,
As if to tell their wealth of snow,
How white her forehead could look below.
Around her floated a veil of white,
Like the silvery rack round the star of twilight;
And down to the ground her mantle's fold
Spread its length of purple and gold;
And sparkling gems were around her arm,
That shone like marble, only warm,
With the blue veins wandering tide,
And the hand with its crimson blush inside.
A zone of precious stones embraced
The graceful circle of her waist,
Sparkling as if they were proud
Of the clasp to them allow'd.
But yet there was 'mid this excess
Of soft and dazzling loveliness,
A something in the eye, and hand,
And forehead, speaking of command:
An eye whose dark flash seem'd allied
To even more than beauty's pride,—
A hand as only used to wave
Its sign to worshipper and slave,—
A forehead, but that was too fair
To read of aught but beauty there!

    And RAYMOND had the place of pride,
The place so envied by her side,—
The victor's seat,—and overhead
The banner he had won was spread.
His health was pledged!—he only heard
The murmur of one silver word;
The pageant seem'd to fade away,
Vanish'd the board and glad array,
The gorgeous hall around grew dim,
There shone one only light for him,
That radiant form, whose brightness fell
In power upon him like a spell,
Laid in its strength by Love to reign
Despotic over heart and brain.
Silent he stood amid the mirth,
Oh, love is timid in its birth!
Watching her lightest look or stir,
As he but look'd and breathed with her.
Gay words were passing, but he leant
In silence; yet, one quick glance sent,—
His secret is no more his own,
When has woman her power not known?

    The feast broke up:—that midnight shade
Heard many a gentle serenade
Beneath the ladye's lattice. One
Breathed after all the rest were gone.

SERENADE.
  
    SLEEP , ladye! for the moonlit hour,
    Like peace, is shining on thy bower;
    It is so late, the nightingale
    Has ended even his love tale.

    Sleep, ladye! 'neath thy turret grows,
    Cover'd with flowers, one pale white rose;
    I envy its sweet sighs, they steep
    The perfumed airs that lull thy sleep.

    Perchance, around thy chamber floats
    The music of my lone lute notes,—
    Oh, may they on thine eyelids fall,
    And make thy slumbers musical!

    Sleep, ladye! to thy rest be given
    The gleamings of thy native heaven,
    And thoughts of early paradise,
    The treasures of thy sleeping eyes.

                          ————

    I NEED not say whose was the song
The sighing night winds bore along.
RAYMOND had left the maiden's side
As one too dizzy with the tide
To breast the stream, or strive, or shrink,
Enough for him to feel, not think;
Enough for him the dim sweet fear,
The twilight of the heart, or ere
Awakening hope has named the name
Of love, or blown its spark to flame.
Restlessness, but as the winds range
    From leaf to leaf, from flower to flower;
Changefulness, but as rainbows change,
    From colour'd sky to sunlit hour.
Ay, well indeed may minstrel sing,—
What have the heart and year like spring?

    Her vow was done: the castle dame
Next day to join the revellers came;
And never had a dame more gay
O'er hall or festival held sway.
And youthful knight, and ladye fair,
And juggler quaint, and minstrel rare,
And mirth, and crowds, and music, all
Of pleasure gather'd at her call.

    And RAYMOND moved as in a dream
Of song and odour, bloom and beam,
As he dwelt in a magic bower,
Charm'd from all by fairy power.
—And ADELINE rode out that morn,
With hunting train, and hawk, and horn;
And broider'd rein, and curb of gold,
And housings with their purple fold
Decked the white steed o'er which she leant
Graceful as a young cypress, bent
By the first summer wind: she wore
A cap the heron plume waved o'er,
And round her wrist a golden band,
Which held the falcon on her hand.
The bird's full eye, so clear, so bright,
Match'd not her own's dark flashing light.
And RAYMOND , as he watch'd the dyes
Of her cheek rich with exercise,
Could almost deem her beauty's power
Was now in its most potent hour;
But when at night he saw her glance
The gayest of the meteor dance,
The jewels in her braided hair,
Her neck, her arms of ivory bare,
The silver veil, the broider'd vest,—
Look'd she not then her loveliest?
Ah, every change of beauty's face
And beauty's shape has its own grace!
That night his heart throbb'd when her hand
Met his touch in the saraband:
That night her smile first bade love live
On the sweet life that hope can give.—
Beautiful, but thrice wayward, wild,
Capricious as a petted child,
She was all chance, all change; but now
A smile is on her radiant brow,—
A moment and that smile is fled,
Coldness and scorn are there instead.

    Ended the dance, and ADELINE
Flung herself, like an eastern queen,
Upon the cushions which were laid
    Amid a niche of that gay hall,
Hid from the lamps; around it play'd
    The softness of the moonlight fall.
And there the gorgeous shapes past by
But like a distant pageantry,
In which you have yourself no share,
For all its pride, and pomp, and care.

    She pass'd her hand across the chords
Of a lute near, and with soft words
Answer'd; then said, "no, thou shalt sing
Some legend of the fair and brave."
To RAYMOND'S hand the lute she gave,
Whose very soul within him burn'd
When her dark eye on his was turn'd:
One moment's pause, it slept not long,—
His spirit pour'd itself in song.
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Submitted by Madeleine Quinn on June 18, 2016

Modified on April 16, 2023

7:27 min read
70

Quick analysis:

Scheme Text too long
Closest metre Iambic tetrameter
Characters 7,716
Words 1,436
Stanzas 15
Stanza Lengths 16, 10, 28, 36, 22, 4, 4, 4, 4, 4, 16, 8, 38, 10, 9

Letitia Elizabeth Landon

Letitia Elizabeth Landon was an English poet. Born 14th August 1802 at 25 Hans Place, Chelsea, she lived through the most productive period of her life nearby, at No.22. A precocious child with a natural gift for poetry, she was driven by the financial needs of her family to become a professional writer and thus a target for malicious gossip (although her three children by William Jerdan were successfully hidden from the public). In 1838, she married George Maclean, governor of Cape Coast Castle on the Gold Coast, whence she travelled, only to die a few months later (15th October) of a fatal heart condition. Behind her post-Romantic style of sentimentality lie preoccupations with art, decay and loss that give her poetry its characteristic intensity and in this vein she attempted to reinterpret some of the great male texts from a woman’s perspective. Her originality rapidly led to her being one of the most read authors of her day and her influence, commencing with Tennyson in England and Poe in America, was long-lasting. However, Victorian attitudes led to her poetry being misrepresented and she became excluded from the canon of English literature, where she belongs. more…

All Letitia Elizabeth Landon poems | Letitia Elizabeth Landon Books

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