The Troubadour. Canto 2 B (The battle)



AND waning stars, and brightening sky,
And on the clouds a crimson dye,
And fresher breeze, and opening flowers,
Tell the approach of morning hours.
Oh, how can breath, and light, and bloom,
Herald a day of death and doom!
With knightly pennons, which were spread
Like mirror's for the morning's red,
Gather the ranks, while shout and horn
Are o'er the distant mountains borne.

    'Twas a fair sight, that arm'd array
Winding through the deep vale their way,
Helmet and breast-plate gleaming in gold,
Banners waving their crimson fold,
Like clouds of the day-break: hark to the peal
Of the war-cry, answer'd by clanging steel!
The young chief strokes his courser's neck,
The ire himself had provoked to check,
Impatient for that battle plain
He may reach but never leave again;
And with flashing eye and sudden start,
    He hears the trumpet's stately tone,
Like the echo of his beating heart,
    And meant to rouse his ear alone.
And by his side the warrior grey,
With hair as white as the plumes that play
Over his head, yet spurs he as proud,
As keen as the youngest knight of the crowd:
And glad and glorious on they ride
In strength and beauty, power and pride.
And such the morning, but let day
Close on that gallant fair array,
The moon will see another sight
Than that which met the dawning light.—
Look on that field,—'tis the battle field!
Look on what harvest victory will yield!
There the steed and his rider o'erthrown,
Crouch together, their warfare is done:
The bolt is undrawn, the bow is unbent,
And the archer lies like his arrow spent.
Deep is the banner of crimson dyed,
But not with the red of its morning pride;
Torn and trampled with soil and stain,
When will it float on the breeze again;—
And over the ghastly plain are spread,
Pillow'd together, the dying and dead.

    There lay one with an unclosed eye
Set in bright, cold vacancy,
While on its fix'd gaze the moonbeam shone,
Light mocking the eye whose light was gone;
And by his side another lay,
The life-blood ebbing fast away,
But calm his cheek and calm his eye,
As if leant on his mother's bosom to die.
Too weak to move, he feebly eyed
A wolf and a vulture close to his side,
Watching and waiting, himself the prey,
While each one kept the other away.

    Little of this the young warrior deems
When, with heart and head all hopes and dreams,
He hastes for the battle:—The trumpet's call
Waken'd RAYMOND the first of all;
His the first step that to stirrup sprung,
His the first banner upwards flung;
And brow and cheek with his spirit glow'd,
When first at DE VALENCE'S side he rode.
    The quiet glen is left behind,
The dark wood lost in the blue sky;
    When other sounds come on the wind,
And other pennons float on high.
With snow-white plumes and glancing crest,
And standard raised, and spear in rest,
On a small river's farther banks
Wait their approach Sir HERBERT'S ranks.—
One silent gaze, as if each band
Could slaughter both with eye and hand.
Then peals the war-cry! then the dash
Amid the waters! and the crash
Of spears,—the falchion's iron ring,—
The arrow hissing from the string,
Tell they have met. Thus from the height
The torrent rushes in its might.
With the lightning's speed, the thunder's peal,
Flashes the lance, and strikes the steel.
Many a steed to the earth is borne,
Many a banner trampled and torn;
Or ever its brand could strike a blow,
Many a gallant arm lies low;—
Many a scarf, many a crest,
Float with the leaves on the river's breast;
And strange it is to see how around
Buds and flowers strew the ground,
For the banks were cover'd with wild rose trees,
Oh! what should they do amid scenes like these.

    In the blue stream, as it hovered o'er,
A hawk was mirror'd, and before
Its wings could reach yon pine, which stands
A bow-shot off from the struggling bands,
The stain of death was on the flood,
And the red waters roll'd dark with blood.—
RAYMOND'S spear was the first that flew,
He the first who dash'd the deep river through;
His step the first on the hostile strand,
And the first that fell was borne down by his hand.

    The fight is ended:—the same sun
Has seen the battle lost and won;
The field is cover'd with dying and dead,
With the valiant who stood, and the coward who fled.
And a gallant salute the trumpets sound,
As the warriors gather from victory around.

    On a hill that skirted the purple flood,
With his peers around, DE VALENCE stood,
And with bended knee, and forehead bare,
Save its cloud of raven hair,
And beautiful as some wild star
Come in its glory and light from afar,
With his dark eyes flashing stern and bright,
And his cheek o'erflooded with crimson light,
And the foeman's banner over his head,
His first field's trophy proudly spread,
Knelt RAYMOND down his boon to name,—
The knightly spurs he so well might claim:
And a softness stole to DE VALENCE'S eyes,
As he bade the new-made knight arise.—
From his own belt he took the brand,
And gave it into RAYMOND'S hand,
And said it might a memory yield
Of his father's friend, and his own first field.

    Pleasant through the darkening night
Shines from Clarin's towers the light.
Home from the battle the warriors ride,
In the soldiers' triumph, and soldiers' pride:
The drawbridge is lower'd, and in they pour,
Like the sudden rush of a summer shower,
While the red torch-light bursts through the gloom,
Over banner and breast-plate, helm and plume.
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Submitted by Madeleine Quinn on June 10, 2016

Modified on March 05, 2023

5:04 min read
155

Quick analysis:

Scheme Text too long
Closest metre Iambic tetrameter
Characters 5,267
Words 978
Stanzas 8
Stanza Lengths 10, 36, 12, 36, 10, 6, 18, 8

Letitia Elizabeth Landon

Letitia Elizabeth Landon was an English poet. Born 14th August 1802 at 25 Hans Place, Chelsea, she lived through the most productive period of her life nearby, at No.22. A precocious child with a natural gift for poetry, she was driven by the financial needs of her family to become a professional writer and thus a target for malicious gossip (although her three children by William Jerdan were successfully hidden from the public). In 1838, she married George Maclean, governor of Cape Coast Castle on the Gold Coast, whence she travelled, only to die a few months later (15th October) of a fatal heart condition. Behind her post-Romantic style of sentimentality lie preoccupations with art, decay and loss that give her poetry its characteristic intensity and in this vein she attempted to reinterpret some of the great male texts from a woman’s perspective. Her originality rapidly led to her being one of the most read authors of her day and her influence, commencing with Tennyson in England and Poe in America, was long-lasting. However, Victorian attitudes led to her poetry being misrepresented and she became excluded from the canon of English literature, where she belongs. more…

All Letitia Elizabeth Landon poems | Letitia Elizabeth Landon Books

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