The White Rose o' June

Carolina Oliphant 1766 (Perthshire ) – 1845 (Scotland)



Air - 'Voice of Spring.'

Now the bricht sun, and the soft simmer showers,
Deck a' the woods and the gardens wi' flowers;
But bonny and sweet though the hale o' them be,
There's ane aboon a' that is dearest to me;
An' oh, that's the white rose, the white rose o' June,
An' may
he
that should wear it come back again sune!

It's no on my breast, nor yet in my hair,
That emblem dear I venture to wear;
But it blooms in my heart, and its white leaves I weet,
When alane in the gloamin' I wander to greet,
O'er the white rose, the white rose, the white rose o' June,
An' may
he
that should wear it come back again sune!

Mair fragrant and rich the red rose may be,
But there is nae spell to bind it to me;
But dear to my heart and to fond memorie,
Tho' scathed and tho' blighted the white rose may be.
O the white rose, the white rose, the white rose o' June,
O may
he
that should wear it come back again sune!

An' oh! may the true hearts thy perils who share,
Remember'd wi' tears, and remember'd in prayer,
Whom misfortune's rude blast has sent far awa',
Fair breezes bring back sune to cottage and ha';-
Then, O sing the white rose, the white rose o' June,
An' may
he
that should wear it wear Scotland's auld croun!

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Submitted on May 13, 2011

Modified on March 05, 2023

1:15 min read
80

Quick analysis:

Scheme x aabbcDBC eeffcDBC bbebcdBC eexxcDBc
Closest metre Iambic tetrameter
Characters 1,192
Words 246
Stanzas 5
Stanza Lengths 1, 8, 8, 8, 8

Carolina Oliphant

Carolina Oliphant, Lady Nairne (16 August 1766 – 26 October 1845) – also known as Carolina Baroness Nairn in the peerage of Scotland and Baroness Keith in that of the United Kingdom – was a Scottish songwriter. Many of her songs, such as, "Will ye no' come back again?", "Charlie is my Darling" and "The Rowan Tree" remain popular today, almost two hundred years after they were written. She usually set her words to traditional Scottish folk melodies, but sometimes contributed her own music. Carolina Nairne and her contemporary Robert Burns were influenced by the Jacobite heritage in their establishment of a distinct Scottish identity, through what they both called national song. Perhaps in the belief that her work would not be taken seriously if it were known that she was a woman, Nairne went to considerable lengths to conceal her identity (even from her husband) when submitting her work for publication. Early on she called herself Mrs Bogan of Bogan, but feeling that gave too much away she often attributed her songs to the gender-neutral B. B., S. M., or "Unknown". Although both working in the same genre of what might today be called traditional Scottish folksongs, Nairne and Burns display rather different attitudes in their compositions. Nairne tends to focus on an earlier romanticised version of the Scottish way of life, tinged with sadness for what is gone forever, whereas Burns displays an optimism about a better future to come.  more…

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