Choosing

Augusta Davies Webster 1837 (Poole, Dorset) – 1894



The thrush that, yet alone, pipes for his mate
Knows she will come in time to build the nest,
Knows she'll be she his tiny soul loves best;
'Tis love-time at the hawthorn blossom's date:
And the new flower-cups bare their hearts and wait
While careless breezes bring them love for guest;
And Youth laughs ready for the glad unrest;
But Love that chooses lingers desolate.

And I, who seek, and yearn for love to stir,
And I, who seek, and cannot love but one
And have not known her being, nor can find,
I take my homeless way for sake of her;
And love-time's here, and love-time will be done:
Birds end all singing in the autumn wind.

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Submitted on May 13, 2011

Modified on March 05, 2023

37 sec read
119

Quick analysis:

Scheme ABBAABBX CDECDE
Closest metre Iambic pentameter
Characters 640
Words 121
Stanzas 2
Stanza Lengths 8, 6

Augusta Davies Webster

Augusta Webster born in Poole, Dorset as Julia Augusta Davies, was an English poet, dramatist, essayist, and translator. The daughter of Vice-admiral George Davies and Julia Hume, she spent her younger years on board the ship he was stationed, the Griper. She studied Greek at home, taking a particular interest in Greek drama, and went on to study at the Cambridge School of Art. She published her first volume of poetry in 1860 under the pen name Cecil Homes. In 1863, she married Thomas Webster, a fellow at Trinity College, Cambridge. They had a daughter, Augusta Georgiana, who married Reverend George Theobald Bourke, a younger son of the Joseph Bourke, 3rd Earl of Mayo. Much of Webster's writing explored the condition of women, and she was a strong advocate of women's right to vote, working for the London branch of the National Committee for Women's Suffrage. She was the first female writer to hold elective office, having been elected to the London School Board in 1879 and 1885. In 1885 she travelled to Italy in an attempt to improve her failing health. She died on 5 September 1894, aged 57. During her lifetime her writing was acclaimed and she was considered by some the successor to Elizabeth Barrett Browning. After her death, however, her reputation quickly declined. Since the mid-1990s she has gained increasing critical attention from scholars such as Isobel Armstrong, Angela Leighton, and Christine Sutphin. Her best-known poems include three long dramatic monologues spoken by women: A Castaway, Circe, and The Happiest Girl In The World, as well as a posthumously published sonnet-sequence, "Mother and Daughter". more…

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