Sephina

Walter de la Mare 1873 (Charlton, London) – 1956 (Twickenham)



Black lacqueys at the wide-flung door
Stand mute as men of wood.
Gleams like a pool the ballroom floor —
A burnished solitude.
A hundred waxen tapers shine
From silver sconces; softly pine
'Cello, fiddle, mandoline,
To music deftly wooed
And dancers in cambric, satin, silk,
With glancing hair and cheeks like milk,
Wreathe, curtsey, intertwine.

The drowse of roses lulls the air
Wafted up the marble stair.
Like warbling water clucks the talk.
From room to room in splendour walk
Guests, smiling in the æry sheen;
Carmine and azure, white and green,
They stoop and languish, pace and preen
Bare shoulder, painted fan,
Gemmed wrist and finger, neck of swan;
And still the pluckt strings warble on;
Still from the snow-bowered, link-lit street
The muffled hooves of horses beat;
And harness rings; and foam-fleckt bit
Clanks as the slim heads toss and stare
From deep, dark eyes. Smiling, at ease,
Mount to the porch the pomped grandees
In lonely state, by twos, and threes,
Exchanging languid courtesies,
While torches fume and flare.

And now the banquet calls. A blare
Of squalling trumpets clots the air.
And, flocking out, streams up the rout;
And lilies nod to velvet's swish;
And peacocks prim on gilded dish,
Vast pies thick-glazed, and gaping fish,
Towering confections crisp as ice,
Jellies aglare like cockatrice,
With thousand savours tongues entice.
Fruits of all hues barbaric gloom —
Pomegranate, quince and peach and plum,
Mandarine, grape, and cherry clear
Englobe each glassy chandelier,
Where nectarous flowers their sweets distil
Jessamine, tuberose, chamomill,
Wild-eye narcissus, anemone,
Tendril of ivy and vinery.

Now odorous wines the goblets fill;
Gold-cradled meats the menials bear
From gilded chair to gilded chair:
Now roars the talk like crashing seas,
Foams upward to the painted frieze,
Echoes and ebbs. Still surges in,
To yelp of hautboy and violin,
Plumed and bedazzling, rosed and rare,
Dance-bemused, with cheek aglow,
Stooping the green-twined portal through,
Sighing with laughter, debonair,
That concourse of the proud and fair —
And lo! 'La, la!
Mamma ... Mamma!'
Falls a small cry in the dark and calls
'I see you standing there!'

Fie, fie, Sephina! not in bed!
Crouched on the staircase overhead,
Like ghost she gloats, her lean hand laid
On alabaster balustrade,
And gazes on and on
Down on that wondrous to and fro
Till finger and foot are cold as snow,
And half the night is gone;
And dazzled eyes are sore bestead;
Nods drowsily the sleek-locked head;
And, vague and far, spins, fading out,
That rainbow-coloured, reeling rout,
And, with faint sighs, her spirit flies
Into deep sleep....

Come, Stranger, peep!
Was ever cheek so wan?

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Submitted on May 13, 2011

Modified on March 05, 2023

2:14 min read
56

Quick analysis:

Scheme ABACDDDCEED FFGGHHHXIIJJXFKKKKF FFLMMMNKNXXOOPPXA PFFKKQQFRXFFXXXF SSXBIRRXBSLLXT TI
Closest metre Iambic tetrameter
Characters 2,627
Words 448
Stanzas 6
Stanza Lengths 11, 19, 17, 16, 14, 2

Walter de la Mare

Walter John de la Mare was an English poet short story writer and novelist best remembered for his works for children and The Listeners He was born in Kent and was educated at St Pauls Cathedral School His first book Songs of Childhood was published under the name Walter Ramal His 1921 novel Memoirs of a Midget won the James Tait Black Memorial Prize for fiction more…

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    What animal did Robert Burns call "Wee, sleekit, cowrin, tim’rous beastie"?
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