Prop: 2, L: 11 E: Quicunque &c

Thomas Parnell 1679 (Dublin) – 1718



Vast was his soul some favorite above
Whose bolder pencil made a boy of love
A boy he thought him lovers less then boyes
Who barter all things for a crop of toyes
He wisely too his roving pow'r bestowd—
& in unconstant feathers drest the God
for now we love anon we hate ye same
Fantastick passion varyes all extreams
Justly he drew him for his play things darts
The little wanton sports with bleeding hearts
Justly he drew them to my cost Ive found
Unseen they fly & still secure to wound
his arms & younger follys fill my heart
But he has lost or hid his better part
His wings no more their heav'nly burthen bear
He sitts an everlasting trouble here
My bloud he fires torments my wretched breast
Drains all my bones & robs my soul of rest
Cease cruell master fly to fuller veines
Your slave is wasted with incessant pains
Imploy your force on something I alas
Am but the shadow of the man I was
Why shoud I dy who live but for your use
& to your part debauch the virgin muse
Who write of nought but arrows flames & eyes
& sing your brightest servants to the skyes.

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Submitted on May 13, 2011

Modified on March 05, 2023

1:03 min read
65

Quick analysis:

Scheme AABBCCDBEECCCCFGCCBHIJKLMB
Closest metre Iambic pentameter
Characters 1,051
Words 210
Stanzas 1
Stanza Lengths 26

Thomas Parnell

Thomas Parnell was an Anglo-Irish poet and clergyman who was a friend of both Alexander Pope and Jonathan Swift. He was the son of Thomas Parnell of Maryborough, Queen's County now Port Laoise, County Laoise}, a prosperous landowner who had been a loyal supporter of Cromwell during the English Civil War and moved to Ireland after the restoration of the monarchy. Thomas was educated at Trinity College, Dublin and collated archdeacon of Clogher in 1705. He however spent much of his time in London, where he participated with Pope, Swift and others in the Scriblerus Club, contributing to The Spectator and aiding Pope in his translation of The Iliad. He was also one of the so-called "Graveyard poets": his 'A Night-Piece on Death,' widely considered the first "Graveyard School" poem, was published posthumously in Poems on Several Occasions, collected and edited by Alexander Pope and is thought by some scholars to have been published in December of 1721 (although dated in 1722 on its title page, the year accepted by The Concise Oxford Chronology of English Literature; see 1721 in poetry, 1722 in poetry). It is said of his poetry 'it was in keeping with his character, easy and pleasing, ennunciating the common places with felicity and grace. more…

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