On A Lady With A Foul Breath

Thomas Parnell 1679 (Dublin) – 1718



Art thou alive? It cannot be,
There's so much Rottenness in Thee,
Corruption only is in Death;
And what's more Putrid than thy Breath?
Think not you Live, because you Speak,
For Graves such hollow Sounds can make;
And Respiration can't suffice,
For Vapours do from Caverns rise:
From Thee such noisom Stenches come,
Thy Mouth betrays thy Breast a Tomb.
Thy Body is a Corpse that goes,
By Magick rais'd from its Repose:
A Pestilence that walks by Day,
But falls at Night to Worms and Clay.
But I will to my Chloris run,
Who will not let me be undone:
The Sweets her Virgin-Breath contains,
Are fitted to remove my Pains;
There will I healing Nectar sip,
And to be sav'd, approach her Lip,
Tho' if I touch the matchless Dame,
I'm sure to burn with inward Flame.
Thus when I wou'd one Danger shun,
I'm strait upon another thrown:
I seek a Cure one Sore to ease,
Yet in that Cure's a New Disease.
But Love, tho' fatal, still can bless,
And greater Dangers hide the less;
I'll go where Passion bids me fly,
And chuse my Death, since I must Dye;
As Doves pursu'd by Birds of Prey,
Venture with milder Man to stay.

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Submitted on May 13, 2011

Modified on March 05, 2023

1:06 min read
30

Quick analysis:

Scheme AABBCDEFGHIIJJKKLLMMNNKOPPQQRRJJ
Closest metre Iambic tetrameter
Characters 1,085
Words 210
Stanzas 1
Stanza Lengths 32

Thomas Parnell

Thomas Parnell was an Anglo-Irish poet and clergyman who was a friend of both Alexander Pope and Jonathan Swift. He was the son of Thomas Parnell of Maryborough, Queen's County now Port Laoise, County Laoise}, a prosperous landowner who had been a loyal supporter of Cromwell during the English Civil War and moved to Ireland after the restoration of the monarchy. Thomas was educated at Trinity College, Dublin and collated archdeacon of Clogher in 1705. He however spent much of his time in London, where he participated with Pope, Swift and others in the Scriblerus Club, contributing to The Spectator and aiding Pope in his translation of The Iliad. He was also one of the so-called "Graveyard poets": his 'A Night-Piece on Death,' widely considered the first "Graveyard School" poem, was published posthumously in Poems on Several Occasions, collected and edited by Alexander Pope and is thought by some scholars to have been published in December of 1721 (although dated in 1722 on its title page, the year accepted by The Concise Oxford Chronology of English Literature; see 1721 in poetry, 1722 in poetry). It is said of his poetry 'it was in keeping with his character, easy and pleasing, ennunciating the common places with felicity and grace. more…

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