An Elegy, To an Old Beauty



In vain, poor Nymph, to please our youthful sight
You sleep in cream and frontlets all the night,
Your face with patches soil, with paint repair,
Dress with gay gowns, and shade with foreign hair.
If truth in spight of manners must be told,
Why, really fifty-five is something old.

Once you were young; or one, whose life's so long
She might have born my mother, tells me wrong.
And once (since Envy's dead before you die,)
The women own, you play'd a sparkling eye,
Taught the light foot a modish little trip,
And pouted with the prettiest purple lip --

To some new charmer are the roses fled,
Which blew, to damask all thy cheek with red;
Youth calls the Graces there to fix their reign,
And airs by thousands fill their easy train.
So parting Summer bids her flow'ry prime
Attend the sun to dress some foreign clime,
While with'ring seasons in succession, here,
Strip the gay gardens, and deform the year.

But thou (since Nature bids) the world resign,
'Tis now thy daughter's daughter's time to shine.
With more address, (or such as pleases more)
She runs her female exercises o'er,
Unfurls or closes, raps or turns the Fan,
And smiles, or blushes at the creature Man.
With quicker life, as guilded coaches pass,
In sideling courtesy she drops the glass.

With better strength, on visit-days she bears
To mount her fifty flights of ample stairs.
Her mein, her shape, her temper, eyes and tongue
Are sure to conquer. -- for the rogue is young;
And all that's madly wild, or oddly gay,
We call it only pretty Fanny's way.

Let time that makes you homely, make you sage,
The sphere of wisdom is the sphere of age.
'Tis true, when beauty dawns with early fire,
And hears the flatt'ring tongues of soft desire,
If not from virtue, from its gravest ways
The soul with pleasing avocation strays.
But beauty gone, 'tis easier to be wise;
As harper better, by the loss of eyes.

Henceforth retire, reduce your roving airs,
Haunt less the plays, and more the publick pray'rs,
Reject the Mechlin Head, and gold brocade,
Go pray, in sober Norwich Crape array'd.
Thy pendent diamonds let thy Fanny take,
(Their trembling lustre shows how much you shake;)
Or bid her wear thy necklace row'd with pearl,
You'll find your Fanny an obedient girl.

So for the rest, with less incumbrance hung,
You walk thro' life, unmingled with the young;
And view the shade and substance as you pass
With joint endeavour trifling at the glass,
Or Folly drest, and rambling all her days,
To meet her counterpart, and grow by praise:
Yet still sedate your self, and gravely plain,
You neither fret, nor envy at the vain.

'Twas thus (if Man with Woman we compare)
The wise Athenian crost a glittering fair,
Unmov'd by tongues and sights, he walk'd the place,
Thro' tape, toys, tinsel, gimp, perfume, and lace;
Then bends from Mars's Hill his awful eyes,
And "What a world I never want?" he cries;
But cries unheard: For Folly will be free.
So parts the buzzing gaudy crowd, and he:
As careless he for them, as they for him;
He wrapt in wisdom, and they whirl'd by whim.

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Submitted on May 13, 2011

Modified on April 01, 2023

2:50 min read
91

Quick analysis:

Scheme AABBCC DDEEFF GGHHIIXX JJXKLLMM NNOOPP QQKKRRSS NMTTUUVV OOMMRRHH BBWWSSXXYY
Closest metre Iambic pentameter
Characters 3,042
Words 549
Stanzas 9
Stanza Lengths 6, 6, 8, 8, 6, 8, 8, 8, 10

Thomas Parnell

Thomas Parnell was an Anglo-Irish poet and clergyman who was a friend of both Alexander Pope and Jonathan Swift. He was the son of Thomas Parnell of Maryborough, Queen's County now Port Laoise, County Laoise}, a prosperous landowner who had been a loyal supporter of Cromwell during the English Civil War and moved to Ireland after the restoration of the monarchy. Thomas was educated at Trinity College, Dublin and collated archdeacon of Clogher in 1705. He however spent much of his time in London, where he participated with Pope, Swift and others in the Scriblerus Club, contributing to The Spectator and aiding Pope in his translation of The Iliad. He was also one of the so-called "Graveyard poets": his 'A Night-Piece on Death,' widely considered the first "Graveyard School" poem, was published posthumously in Poems on Several Occasions, collected and edited by Alexander Pope and is thought by some scholars to have been published in December of 1721 (although dated in 1722 on its title page, the year accepted by The Concise Oxford Chronology of English Literature; see 1721 in poetry, 1722 in poetry). It is said of his poetry 'it was in keeping with his character, easy and pleasing, ennunciating the common places with felicity and grace. more…

All Thomas Parnell poems | Thomas Parnell Books

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