The Sad Day

Thomas Flatman 1635 (United Kingdom) – 1688



O THE sad day!
When friends shall shake their heads, and say
Of miserable me--
'Hark, how he groans!
Look, how he pants for breath!
See how he struggles with the pangs of death!'
When they shall say of these dear eyes--
'How hollow, O how dim they be!
Mark how his breast doth rise and swell
Against his potent enemy!'
When some old friend shall step to my bedside,
Touch my chill face, and thence shall gently slide.

But--when his next companions say
'How does he do? What hopes?'--shall turn away,
Answering only, with a lift-up hand--
'Who can his fate withstand?'

Then shall a gasp or two do more
Than e'er my rhetoric could before:
Persuade the world to trouble me no more!

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Submitted on May 13, 2011

Modified on March 05, 2023

38 sec read
35

Quick analysis:

Scheme AABXCCXBXBDD AAEE FFF
Closest metre Iambic tetrameter
Characters 686
Words 131
Stanzas 3
Stanza Lengths 12, 4, 3

Thomas Flatman

Thomas Flatman was an English poet and miniature painter. There were several editions of his Poems and Songs. One of his self-portraits is in the Victoria and Albert Museum. A portrait of Charles II is in the Wallace Collection, London. His miniatures are noted for their vitality. He was the son of a clerk in Chancery and was born in Aldersgate Street and educated at Winchester College. He went on to study at New College, Oxford. He was later called to the bar in 1662 although he seems never to have practiced as a lawyer. He was a staunch Royalist and one of his poems was to celebrate the return of Charles II in 1660 after the collapse of the Cromwellian Commonwealth. Among his earliest verses are lines prefixed to Graphice by Sir William Sanderson, a work containing a description of the art of miniature painting, based on Edward Norgate’s writings. Flatman divided his career between writing poetry and painting portraits in miniature. A versatile man, he was made a Fellow of the newly founded Royal Society in 1668. A number of his friends were leading clergymen, and many of his sitters were drawn from the Church and other intellectual circles. more…

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