April

Remy Belleau 1528 (Nogent-le-Rotrou) – 1577 (Paris)



April, pride of woodland ways,
Of glad days,
April, bringing hope of prime,
To the young flowers that beneath
Their bud sheath
Are guarded in their tender time;

April, pride of fields that be
Green and free,
That in fashion glad and gay,
Stud with flowers red and blue,
Every hue,
Their jewelled spring array;

April, pride of murmuring
Winds of spring,
That beneath the winnowed air,
Trap with subtle nets and sweet
Flora’s feet,
Flora’s feet, the fleet and fair;

April, by thy hand caressed,
From her breast
Nature scatters everywhere
Handfuls of all sweet perfumes,
Buds and blooms,
Making faint the earth and air.

April, joy of the green hours,
Clothes with flowers
Over all her locks of gold
My sweet Lady; and her breast
With the blest
Birds of summer manifold.

April, with thy gracious wiles,
Like the smiles,
Smiles of Venus; and thy breath
Like her breath, the Gods’ delight,
(From their height
They take the happy air beneath)

It is thou that, of thy grace,
From their place
In the far-oft isles dost bring
Swallows over earth and sea,
Glad to be
Messengers of thee, and Spring.

Daffodil and eglantine,
And woodbine,
Lily, violet, and rose
Plentiful in April fair,
To the air,
Their pretty petals do unclose.

Nightingales ye now may hear,
Piercing clear,
Singing in the deepest shade;
Many and many a babbled note
Chime and float,
Woodland music through the glade.

April, all to welcome thee,
Spring sets free
Ancient flames, and with low breath
Wakes the ashes grey and old
That the cold
Chilled within our hearts to death.

Thou beholdest in the warm
Hours, the swarm
Of the thievish bees, that flies
Evermore from bloom to bloom
For perfume,
Hid away in tiny thighs.

Her cool shadows May can boast,
Fruits almost
Ripe, and gifts of fertile dew,
Manna-sweet and honey-sweet,
That complete
Her flower garland fresh and new.

Nay, but I will give my praise,
To these days,
Named with the glad name of Her
That from out the foam o’ the sea
Came to be
Sudden light on earth and air.

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Submitted on May 13, 2011

Modified on April 12, 2023

1:46 min read
223

Quick analysis:

Scheme AABCCB DDEFFE GGHIIH JJHKKH LLMJJM NNOPPC QQGDDG RRXHHA XXSTTS DDOMMO UUVWWV XXFIIF AAXDDH
Closest metre Iambic trimeter
Characters 2,003
Words 355
Stanzas 13
Stanza Lengths 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6

Remy Belleau

Remy Belleau was a poet of the French Renaissance. He is most known for his paradoxical poems of praise for simple things and his poems about precious stones. Remy was born in Nogent-le-Rotrou. A nobleman, he did his studies under Marc Antoine Muret and George Buchanan. As a student, he became friends with the young poets Jean de La Péruse, Étienne Jodelle, Jean de La Taille and Pierre de Ronsard and the latter incorporated Remy into the "La Pléiade", a group of revolutionary young poets. Belleau's first published poems were odes, les Petites Inventions, inspired by the ancient lyric Greek collection attributed to Anacreon and featuring poems of praise for such things as butterflies, oysters, cherries, coral, shadows, turtles. In the 1560s, Belleau tried his hand at a mixed verse and prose form modeled on the Italian pastoral Arcadia by Jacopo Sannazaro: this became La Bergerie, in which narration is interspersed with poems on love and the countryside. His last work, les Amours et nouveaux Eschanges des Pierres precieuses, is a poetic description of gems and their properties inspired by medieval and renaissance lapidary catalogues. He died in Paris. more…

All Remy Belleau poems | Remy Belleau Books

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