To the Old Gods



O YE, who rode the gales of Sicily,
Sandalled with flame,
Spread on the pirate winds; o ye who broke
No wind-flower as ye came--
Though Pelion shivered when the thunder spoke
The gods' decree!--

Into the twilight of the ancient days
Have not ye flown!--
Ye, whom the happy Greeks inspired hand
Struck from the frenzied stone:
That, ye withdrawn, your images should stand
To take their praise.

Smeared into clay, and frozen into stone!
Ye, that do now
Face eyes unworshipful in plunder's halls,
Mutilate, with marred brow:
Broken and maimed: couched along alien walls
In lands unknown.

O gracious ones! No more, no more, shall ye
Spread wing above
Perilous Ossa! No more wring delight
From pool and golden grove:
No more beneath your fire-shod feet in flight
Shall hiss the sea.

The thuunder shall not groan between your breasts,
Nor lightning writhe
Barbed in your clutch; no worshippers shall trace
Your steps in grove and hithe.
No more 'thwart skies your golden stallions race
On mighty quests.

And yet what fane, what column, rises now
To save or shine:
What temple travails at such quickening feet,
What wing-tip seeds a shrine:
What god hath bid us build in wold or street,
Such breast and brow?

What have our wisdom and our worship done
To raise such gods?
To quench the ruined eyes of Parthenon
What newer beauty nods,
And shames the wreckless brow that stares upon
The amazèd sun?

Held up in arms of columns white as flowers,
You faced the sea,
With your great breasts for glory passioning,--
For mortal's victory;
Not 'neath occaisonal thin spires that spring
From streets of ours,

Hooding the dying god, whom men revile,--
Who bears their sin.
No great winds thunder over sun-splashed thrones,
Our dusty shrines within,
Where troubled feet make groan the weary stones,
In hollow isle.

I, only I, kneel at forsaken shrine:
The lamp I bring
Scarce throws a shade beneath your eyelids there:
Forlorn the song I sing
To ears august, and these wrung berries bear
A bitter wine.

Yet still I kneel, poor praise to offer up
To each great name!
And I shall feel upon my brow descend
A sudden edge of flame.
Your wings shall smear these words, even as ye bend
To this poor cup.

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Submitted on May 13, 2011

Modified on March 05, 2023

1:58 min read
52

Quick analysis:

Scheme ABCBCA DEFEFD EGHGHE AXIXIA JKLKLJ GMNMNG OPQPQO RACASR TUDUXT MSVSVM WBXBXW
Closest metre Iambic tetrameter
Characters 2,177
Words 391
Stanzas 11
Stanza Lengths 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6

Muriel Stuart

Muriel Stuart was The daughter of a Scottish barrister was a poet particularly concerned with the topic of sexual politics though she first wrote poems about World War I She later gave up poetry writing her last work was published in the 1930s She was born Muriel Stuart Irwin She was hailed by Hugh MacDiarmid as the best woman poet of the Scottish Renaissance although she was not Scottish but English Despite this his comment led to her inclusion in many Scottish anthologies Thomas Hardy described her poetry as Superlatively good Her most famous poem In the Orchard is entirely dialogs and in no kind of verse form which makes it innovative for its time She does use rhyme a mixture of half-rhyme and rhyming couplets abab form Other famous poems of hers are The Seed Shop The Fools and Man and his Makers Muriel also wrote a gardening book called Gardeners Nightcap 1938 which was later reprinted by Persephone Books more…

All Muriel Stuart poems | Muriel Stuart Books

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