Solomon on the Vanity of the World, A Poem. In Three Books. - Pleasure. Book II.



The Argument

Solomon, again seeking happiness, inquires if wealth and greatness can produce it: begins with the magnificence of gardens and buildings; the luxury of music and feasting; and proceeds to the hopes and desires of love. In two episodes are shown the follies and troubles of that passion. Solomon, still disappointed, falls under the temptations of libertinism and idolatry; recovers his thought; reasons aright; and concludes that, as to the pursuit of pleasure and sensual delight, All Is Vanity and Vexation of Spirit.

Try then, O man, the moments to deceive
That from the womb attend thee to the grave:
For wearied Nature find some apter scheme;
Health be thy hope, and pleasure be thy theme;
From the perplexing and unequal ways
Where Study brings thee from the endless maze
Which Doubt persuades o run, forewarn'd, recede
To the gay field, and flowery path, that lead
To jocund mirth, soft joy, and careless ease:
Forsake what my instruct for what may please:
Essay amusing art and proud expense,
And make thy reason subject to thy sense.

I communed thus: the power of wealth I tried,
And all the various luxe of costly pride;
Artists and plans relieved my solemn hours:
I founded palaces and planted bowers,
Birds, fishes, beasts, of exotic kind
I to the limits of my court confined,
To trees transferr'd I gave a second birth,
And bade a foreign shade grace Judah's earth.
Fish-ponds were made where former forests grew
And hills were levell'd to extend the view.
Rivers, diverted from their native course,
And bound with chains of artificial force,
From large cascades in pleasing tumult roll'd,
Or rose through figured stone or breathing gold.
From furthest Africa's tormented womb
The marble brought, erects the spacious dome,
Or forms the pillars' long-extended rows,
On which the planted grove and pensile garden grows.

The workmen here obey the master's call,
To gild the turret and to paint the wall;
To mark the pavement there with various stone,
And on the jasper steps to rear the throne:
The spreading cedar, that an age had stood,
Supreme of trees, and mistress of the wood,
Cut down and carved, my shining roof adorns,
And Lebanon his ruin'd honour mourns.

A thousand artists show their cunning powers
To raise the wonders of the ivory towers:
A thousand maidens ply the purple loom
To weave the bed and deck the regal room;
Till Tyre confesses her exhausted store,
That on her coast the murex is no more;
Till from the Paian isle and Liby's coast
The mountains grieve their hopes of marble lost
And India's woods return their just complaint,
Their brood decay'd, and want of elephant.

My full design with vast expense achieved,
I came, beheld, admired, reflected, grieved:
I chid the folly of my thoughtless haste,
For, the work perfected, the joy was past.

To my new courts sad Thought did still repair,
And round my gilded roofs hung hovering Care.
In vain on silken beds I sought repose,
And Restless oft from purple couches rose;
Vexatious Thought still found my flying mind,
Nor bound by limits nor to place confined:
Haunted my nights, and terrified my days,
Stalk'd through my gardens, and pursued my ways,
Nor shut from artful bower, nor lost in winding maze.

Yet take thy bent, my soul; another sense
Indulge: add music to magnificence:
Essay if harmony may grief control,
Or power of sound prevail upon the soul.
Often our seers and poets have confess'd
That music's force can tame the furious beast;
Can make the wolf or foaming boar restrain
His rage, the lion drop his crested main,
Attentive to the song; the lynx forget
His wrath to man, and lick the minstrel's feet.
Are we, alas! less savage yet than these?
Else music sure may human cares appease.

I spake my purpose, and the cheerful choir
Parted their shares of harmony: the lyre
Soften'd the timbrel's noise; the trumpet's sound
Provoked the Dorian flute, (both sweeter found
When mix'd) the fife the viol's notes refined,
And every strength with every grace was join'd:
Each morn they waked me with a sprightly lay;
Each evening their repeated skill express'd
Scenes of repose and images of rest;
Yet still in vain; for music gather'd thought;
But how unequal the effects it brought?
The soft ideas of the cheerful note,
Lightly received, were easily forgot;
The solemn violence of the graver sound
Knew to strike deep, and leave a lasting wound.

And now reflecting, I with grief descry
The sickly lust of the fantastic eye;
How the weak organ is with seein
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Submitted on May 13, 2011

Modified on March 14, 2023

3:57 min read
93

Quick analysis:

Scheme X XXAABBXXCCDD EEFFGGHHIIJJKKLXMM NNOOPPQQ FFLLRRXXXX SSXX TTMMGGBBB DBUUVXWWXXCC XXXXGXXVVYYXXXX IXO
Closest metre Iambic hexameter
Characters 4,376
Words 767
Stanzas 10
Stanza Lengths 1, 12, 18, 8, 10, 4, 9, 12, 15, 3

Matthew Prior

Matthew Prior was an English poet and diplomat. more…

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