The Troubadour. Canto 3 A (Lord Amirald)



LAND of the olive and the vine,
The saint and soldier, sword and shrine!
How glorious to young RAYMOND'S eye
Swell'd thy bold heights, spread thy clear sky,
When first he paused upon the height
Where, gather'd, lay the Christian might.
Amid a chesnut wood were raised
Their white tents, and the red cross blazed
Meteor-like, with its crimson shine,
O'er many a standard's scutcheon'd line.

On the hill opposite there stood
The warriors of the Moorish blood,--
With their silver crescents gleaming,
And their horse-tail pennons streaming;
With cymbals and the clanging gong,
The muezzin's unchanging song,
The turbans that like rainbows shone,
The coursers' gay caparison,
As if another world had been
Where that small rivulet ran between.

And there was desperate strife next day:
The little vale below that lay
Was like a slaughter-pit, of green
Could not one single trace be seen;
The Moslem warrior stretch'd beside
The Christian chief by whom he died;
And by the broken falchion blade
The crooked scymeter was laid.

And gallantly had RAYMOND borne
The red cross through the field that morn,
When suddenly he saw a knight
Oppress'd by numbers in the fight:
Instant his ready spear was flung,
Instant amid the band he sprung;--
They fight, fly, fall,--and from the fray
He leads the wounded knight away!
Gently he gain'd his tent, and there
He left him to the leech's care;
Then sought the field of death anew,--
Little was there for knight to do.

That field was strewn with dead and dying;
And mark'd he there DE VALENCE lying
Upon the turbann'd heap, which told
How dearly had his life been sold.
And yet on his curl'd lip was worn
The impress of a soldier's scorn;
And yet his dark and glazed eye
Glared its defiance stern and high:
His head was on his shield, his hand
Held to the last his own red brand.
Felt RAYMOND all too proud for grief
In gazing on the gallant chief:
So, thought he, should a warrior fall,
A victor dying last of all.

But sadness moved him when he gave
DE VALENCE to his lowly grave,--
The grave where the wild flowers were sleeping,
And one pale olive-tree was weeping,--
And placed the rude stone cross to show
A Christian hero lay below.

With the next morning's dawning light
Was RAYMOND by the wounded knight.
He heard strange tales,--none knew his name,
And none might say from whence he came;
He wore no cognizance, his steed
Was raven black, and black his weed.
All owned his fame, but yet they deem'd
More desperate than brave he seem'd;
Or as he only dared the field
For the swift death that it might yield.

Leaning beside the curtain, where
Came o'er his brow the morning air,
He found the stranger chief; his tone,
Surely 'twas one RAYMOND had known!
He knew him not, what chord could be
Thus waken'd on his memory?

At first the knight was cold and stern,
As that his spirit shunn'd to learn
Aught of affection; as it brought
To him some shaft of venom'd thought:
When one eve RAYMOND chanced to name
Durance's castle, whence he came;
And speak of EVA , and her fate,
So young and yet so desolate,
So beautiful! Then heard he all
Her father's wrongs, her mother's fall:
For AMIRALD was the knight whose life
RAYMOND had saved amid the strife;
And now he seem'd to find relief
In pouring forth his hidden grief,
Which had for years been as the stream
Cave-lock'd from either air or beam.

LORD AMIRALD'S HISTORY.

I LOVED her! ay, I would have given
A death-bed certainty of heaven
If I had thought it could confer
The least of happiness on her!
How proudly did I wait the hour
When hid no more in lowly bower,
She should shine, loveliest of all,
The lady of my heart and hall;--
And soon I deem'd the time would be,
For many a chief stood leagued with me.

It was one evening we had sate
In my tower's secret council late,
Our bands were number'd, and we said
That the pale moon's declining head
Should shed her next full light o'er bands
With banners raised, and sheathless brands.
We parted; I to seek the shade
Where my heart's choicest gem was laid;
I flung me on my fleetest steed,
I urged it to its utmost speed,--
On I went, like the hurrying wind,
Hill, dale, and plain were left behind,
And yet I thought my courser slow--
Even when the forest lay below.
As my wont, in a secret nook
I left my horse,--I may not tell
With what delight my way I took
Till I had reach'd the oak-hid dell.
    The trees which hitherto had made
    A more than night, with lighten'd shade
    Now let the stars and sky shine through,
    Rejoicing, calm, and bright, and blue.

        There did not move a leaf that night
    That I cannot remember now,
        Nor yet a single star whose light
    Was on the royal midnight's brow:
    Wander'd no cloud, sigh'd not a flower,
    That is not present at this hour.
    No marvel memory thus should press
    Round its last light of happiness!
    I paused one moment where I stood,
    In all a very miser's mood,
    As if that thinking of its store
    Could make my bosom's treasure more.
    I saw the guiding lamp which shone
    From the wreath'd lattice, pale and lone;
    Another moment I was there,
    To pause, and look—upon despair.
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Submitted on May 13, 2011

Modified on March 05, 2023

4:51 min read
88

Quick analysis:

Scheme Text too long
Closest metre Iambic tetrameter
Characters 4,984
Words 930
Stanzas 13
Stanza Lengths 10, 10, 8, 12, 14, 6, 10, 6, 16, 1, 10, 22, 16

Letitia Elizabeth Landon

Letitia Elizabeth Landon was an English poet. Born 14th August 1802 at 25 Hans Place, Chelsea, she lived through the most productive period of her life nearby, at No.22. A precocious child with a natural gift for poetry, she was driven by the financial needs of her family to become a professional writer and thus a target for malicious gossip (although her three children by William Jerdan were successfully hidden from the public). In 1838, she married George Maclean, governor of Cape Coast Castle on the Gold Coast, whence she travelled, only to die a few months later (15th October) of a fatal heart condition. Behind her post-Romantic style of sentimentality lie preoccupations with art, decay and loss that give her poetry its characteristic intensity and in this vein she attempted to reinterpret some of the great male texts from a woman’s perspective. Her originality rapidly led to her being one of the most read authors of her day and her influence, commencing with Tennyson in England and Poe in America, was long-lasting. However, Victorian attitudes led to her poetry being misrepresented and she became excluded from the canon of English literature, where she belongs. more…

All Letitia Elizabeth Landon poems | Letitia Elizabeth Landon Books

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1 Comment
  • Peter Bolton
    Peter Bolton
    Lord Amirald, who is Eva's father, is preparing to acknowledge her mother as his wife. The mystery surrounding his wife's origin is not to be resolved; in fact Landon never names her, even though she is clearly a very significant aspect of this story. 
    LikeReply 17 years ago

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