The Retirement Of Mars

Leon Gellert 1892 (Australia) – 1977



He pauses on his way, and gazing back
across the desert ways of splintered steel
recalls the noon, and sees his weary track,
and sees the bloody imprint of his heel.
A Mars long tired he stands-a noble Mars!
Stiff with the staggering day, and fields hard won.
His bruised helm is glittering with scars
that gleam afar and spy the setting sun.
With red plumes doffed and foe-revering face
he moves adroop, to seek the sea, the waves,
to seek the sighing winds, the shades of space,
and rest his heart within Twilight Caves.
The dazzling axe is deep, its lord abed.
The dead are lying with the friendly dead!

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Submitted on May 13, 2011

Modified on March 05, 2023

33 sec read
71

Quick analysis:

Scheme ABABCDCDEFEFGG
Closest metre Iambic pentameter
Characters 601
Words 113
Stanzas 1
Stanza Lengths 14

Leon Gellert

Leon Maxwell Gellert was an Australian poet. He was born in Walkerville, a suburb of Adelaide, South Australia. He was subjected to bullying by his father, a Methodist of Hungarian extraction, to which he reacted by learning self-defence at the YMCA. After an education at Adelaide High School, he embarked on a teaching career; first as a student-teacher at Unley High School then at the University of Adelaide's Teacher Training College. He enlisted with the Australian Imperial Forces 10th Battalion within weeks of the outbreak of the Great War and sailed for Cairo on 22 October 1914. He landed at Ari Burnu Beach, Gallipoli on 25 April 1915, was wounded and repatriated as medically unfit in June 1916. He attempted to re-enlist but was soon found out. He returned to teaching at Norwood Public School. During periods of inactivity he had been indulging his appetite for writing poetry. Songs of a Campaign was his first published book of verse, and was favourably reviewed by The Bulletin. Angus & Robertson soon published a new edition, illustrated by Norman Lindsay. His second, The Isle of San, also illustrated by Lindsay, was not so well received however. more…

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