The House Delirious



Come in and tread thou quietly
Within the duskiness.
This twilight thou dost see
Is but the moment passing. Make no guess
Upon these ragged tapestries
Horrid with time
And stained with memories.
The undisturbed grime
Of cryptic years
Conceals those happenings,
Unbrushed by recollection and unwashed by tears.
The music moans, It is the past that sings!

These corridors! These corridors and halls!
This change of light and gathered mystery:
These whisperings; this silent dust that palls
The buried gone are mine-a solemn property.

Here with padded feet
Within the night
I move with muffled beat;
Head-bowed in shame at some foul sight;
Forever raking in some dim recess,
Peering at deeds and thoughts;
Grey things and dead;- a dreadfulness:
An ignorance; a bittered passage fraught
With dampness and sin
From some vile soakage, All alone
I pause at tombs where none must enter in,
And see my name deep-carved upon the stone.
Come in! Come in! If thou hast half a will
To stay and learn
This wilderness, bestill
Thine asking tongue and follow me, nor turn
Upon thy track.
My rooms! My rooms!
My darling, hated rooms, so still, so sad!
How in my dreams the tall wall looms
And rises in threat! Mad! Mad!
Bestir thy limbs, and follow noiselessly,
This way! This way!
I hear the murmur of the outside sea,
And the coming of the day.

The yonder arches with their feeble strength
Have been my pride;
And when the length
Of this main hall has died
Within forgetfulness, will yet live long;
And those ambitious stairs in ruined disarray
May still be worthy of a song
At Judgement Day.
These avenues of searching youth
Wind on, and wind again.
They brought no treasure-just a truth,-
A knowing,-and with knowledge, pain.

Come though with me!
Look not on here, and here!
But loiter now on this, my fondest memory,
My sweetest tear.
My ferns! My fountains! And my singing birds!
And this? Aye, this was love.
Oh, what a place! Here rang those ardent words
Of youth to the wild sky above.
No roof impeded
The calling of her name.
No roof was needed
No indiscretion here, no shame.
Often, often in the summer-still
Of night, I creep within the star-domed space,
And stand upon these stone until
She comes,-she always comes,-a smile upon
her face.
A smile-and yet-and yet-
I sometimes wish the soothing dust
Would sprinkle here, and I forget,
And all theses golden railings mould in rust.
But still the playing waters rise and purl
A plaintive song, - singing to stars.
And all because a girl
Has come within the bars
Of an existence, painting all therein
With coloured melodies;
And quieting that sordid din
With witcheries.
These perfumed flowers here may never fade;
This passioned orchid, and that rose’s folds;
Yon nodding violet within the shade;-
All bear eternal blossoming that memory holds.
Pass on, though pleasant youth, thou canst not
linger long.
The tune has passed with time, and left an
echoed song.

But now away, and keep apace with me!
Within this sorry vault, in slow decay.,
My earthly store of learning lies all rottingly-
Disused and dusty-dustier every day.
This chest-unloose the lid-contains
The robes of life, the masks of mind,
Veneers and cloaks, asmear with wanton stains
That Vice has left behind.
Uplift that shirt of mail that saved the soul
And guarded well the tender bud that grew,
And kept unsoiled the under-roll
Of white from crime it never knew.
I wore it constantly awhile;
But in a youthful rashness put it by,
And wore this undervest, and with a smile
Of doubtful bravery, stood naked to the sky.
Uphold the garment, once so white, that failed
To ‘fend me from those evil things
That tore these holes with claws long-nailed,
And left it yellow with imaginings.
Gaze on the purple garment of conceit
Adorned with tattered trappings of a cheap
Display!
‘Tis meet! ‘Tis meet!
The folly still outlives the fool’s decay!

These rooms I know not! They are full of sleep,
And haunting shapes of dreams
That flicker silently, and creep
Within the darkness from the beams
Of our perception; time long-lost;
Dreams long-dreamed and never known;
Deeds of unthought cost;
Seeds, long sown;
Rooms of cloud and mistiness
Where lurking shadows wait;
Rooms of sorrowed shiftiness
Breathing opiate.

And so the structure stands, time-built of brain-
wrought stone,
Where I have wandered, and will wande
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Submitted on May 13, 2011

Modified on March 05, 2023

3:45 min read
32

Quick analysis:

Scheme ABABBCBCBBBB BABA DEDEBBBXFGFGHIAIXBJBJAKAK LMLMNKNKOXOP AXAXBQBQXRXRHBHXBSTSTABXBFBFBUBUBXNXN AKAKBVBVWXWXYZYZ1 B1 BD2 KDK 2 B2 BXGXGBXBX PGD
Closest metre Iambic tetrameter
Characters 4,194
Words 750
Stanzas 8
Stanza Lengths 12, 4, 25, 12, 37, 25, 12, 3

Leon Gellert

Leon Maxwell Gellert was an Australian poet. He was born in Walkerville, a suburb of Adelaide, South Australia. He was subjected to bullying by his father, a Methodist of Hungarian extraction, to which he reacted by learning self-defence at the YMCA. After an education at Adelaide High School, he embarked on a teaching career; first as a student-teacher at Unley High School then at the University of Adelaide's Teacher Training College. He enlisted with the Australian Imperial Forces 10th Battalion within weeks of the outbreak of the Great War and sailed for Cairo on 22 October 1914. He landed at Ari Burnu Beach, Gallipoli on 25 April 1915, was wounded and repatriated as medically unfit in June 1916. He attempted to re-enlist but was soon found out. He returned to teaching at Norwood Public School. During periods of inactivity he had been indulging his appetite for writing poetry. Songs of a Campaign was his first published book of verse, and was favourably reviewed by The Bulletin. Angus & Robertson soon published a new edition, illustrated by Norman Lindsay. His second, The Isle of San, also illustrated by Lindsay, was not so well received however. more…

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