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Sad Country

Innokenty Fedorovich Annensky 1855 (Omsk) – 1909 (St Petersburg)

Sad and made of copper
The symbol we are wed,
Even our comedies
End a little sadly….
Our joyful neighbors
Wear their infernal
Hirsute fur coats….
And that only… banal
Are our mangy bears
With prey trembling
In blood-covered lips.

For what purpose, when dreams betray,
That words brim over with delusions?
For what purpose, on a forgotten grave,
Grass grows greener and emits a noise?

For what purpose these lunar heights,
If my garden is silent and dark?
And the tails of her plaits are untied,
And I hear their breath...  for what?

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Submitted on May 13, 2011

Modified on March 05, 2023

28 sec read
131

Quick analysis:

Scheme XXXXXXXXXXX XXXX XXXX
Closest metre Iambic trimeter
Characters 531
Words 96
Stanzas 3
Stanza Lengths 11, 4, 4
Full analysis for Sad Country »

Innokenty Fedorovich Annensky

Innokentiy Fyodorovich Annensky (Russian: Инноке́нтий Фёдорович А́нненский) was a poet, critic and translator, representative of the first wave of Russian Symbolism. Sometimes cited as a Slavic counterpart to the poètes maudits, Annensky managed to render into Russian the essential intonations of Baudelaire and Verlaine, while the subtle music, ominous allusions, arcane vocabulary, the spell of minutely changing colours and odours were all his own. His influence on the first post-Symbolist generation of poets (Akhmatova, Gumilyov, Mandelshtam) was paramount. more…

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