Parisina

George Gordon Lord Byron 1788 (London) – 1824 (Missolonghi, Aetolia)



It is the hour when from the boughs
The nightingale's high note is heard;
It is the hour when lovers' vows
Seem sweet in every whisper'd word:
And gentle winds, and waters near,
Make music to the lonely ear.
Each flower the dews have lightly wet,
And in the sky, the stars are met,
And on the wave is deeper blue,
And on the leaf a browner hue.
And in the heaven that clear obscure,
So softly dark, and darkly pure,
Which follows the decline of day,
As twilight melts beneath the moon away.

II.
But it is not to list to the waterfall
That Parisina leaves her hall,
And it is not to gaze on the heavenly light
That the lady walks in the shadow of night;
And if she sits in Este's bower,
'Tis not for the sake of its full-blown flower--
She listens--but not for the nightingale--
Though her ear expects as soft a tale.
There glides a step through the foliage thick,
And her cheek grows pale — and her heart beats quick.
There whispers a voice through the rustling leaves,
And her blush returns, and her bosom heaves!
A moment more--and they shall meet--
'Tis past--her lover's at her feet.

III.
And what unto them is the world beside,
With all its change of time and tide?
Its living things--its earth and sky--
Are nothing to their mind and eye.
And heedless as the dead are they
Of aught around, above, beneath;
As if all else had pass'd away,
They only for each other breathe;
Their very sighs are full of joy
So deep, that did it not decay,
That happy madness would destroy
The hearts which feel its fiery sway:
Of guilt, of peril, do they deem
In that tumultuous tender dream?
Who that have felt that passion's power,
Or paused, or fear'd, in such an hour?
Or thought how brief such moments last?
But yet--they are already past!
Alas! we must awake before
We know such vision comes no more.

IV.
With many a lingering look they leave
The spot of guilty gladness past;
And though they hope, and vow, they grieve,
As if that parting were the last,
The frequent sigh--the long embrace--
The lip that there would cling for ever,
While gleams on Parisina's face
The Heaven she fears will not forgive her,
As if each calmly conscious star
Beheld her frailty from afar--
The frequent sigh, the long embrace,
Yet binds them to their trysting-place,
But it must come, and they must part
In fearful heaviness of heart,
With all the deep and shuddering chill
Which follows fast the deeds of ill.

V.
And Hugo is gone to his lone bed,
To covet there another's bride;
But she must lay her conscious head
A husband's trusting heart beside.
But fever'd in her sleep she seems,
And red her cheek with troubled dreams,
And mutters she in her unrest
A name she dare not breathe by day,
And clasps her lord unto the breast
Which pants for one away:
And he to that embrace awakes,
And, happy in the thought, mistakes
That dreaming sigh, and warm caress,
For such as he was wont to bless;
And could in very fondness weep
O'er her who loves him even in sleep.

VI.
He clasp'd her sleeping to his heart,
And listen'd to each broken word:
He hears — Why doth Prince Azo start,
As if the Archangel's voice he heard?
And well he may--a deeper doom
Could scarcely thunder o'er his tomb,
When he shall wake to sleep no more,
And stand the eternal throne before.
And well he may--his earthly peace
Upon that sound is doom'd to cease.
That sleeping whisper of a name
Bespeaks her guilt and Azo's shame.
And whose that name? that o'er his pillow
Sounds fearful as the breaking billow,
Which rolls the plank upon the shore,
And dashes on the pointed rock
The wretch who sinks to rise no more--
So came upon his soul the shock.
And whose that name?--'tis Hugo's--his--
In sooth he had not deem'd of this!--
'Tis Hugo's--he, the child of one
He loved--his own all-evil son--
The offspring of his wayward youth,
When he betray'd Bianca's truth,
The maid whose folly could confide
In him who made her not his bride.

VII.
He pluck'd his poniard in its sheath,
But sheathed it ere the point was bare--
Howe'er unworthy now to breathe,
He could not slay a thing so fair--
At least, not smiling--sleeping--there--
Nay more:--he did not wake her then,
But gazed upon her with a glance,
Which, had she roused her from her trance,
Had frozen her sense to sleep again--
And o'er his
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Submitted on May 13, 2011

Modified on March 05, 2023

4:04 min read
146

Quick analysis:

Scheme Text too long
Closest metre Iambic tetrameter
Characters 4,242
Words 787
Stanzas 7
Stanza Lengths 14, 15, 21, 17, 17, 27, 11

George Gordon Lord Byron

George Gordon Byron, 6th Baron Byron, known simply as Lord Byron, was an English poet, peer and politician who became a revolutionary in the Greek War of Independence, and is considered one of the leading figures of the Romantic movement. He is regarded as one of the greatest English poets and remains widely read and influential. Among his best-known works are the lengthy narrative poems Don Juan and Childe Harold's Pilgrimage; many of his shorter lyrics in Hebrew Melodies also became popular. He travelled extensively across Europe, especially in Italy, where he lived for seven years in the cities of Venice, Ravenna, and Pisa. During his stay in Italy he frequently visited his friend and fellow poet Percy Bysshe Shelley. Later in life Byron joined the Greek War of Independence fighting the Ottoman Empire and died of disease leading a campaign during that war, for which Greeks revere him as a national hero. He died in 1824 at the age of 36 from a fever contracted after the First and Second Siege of Missolonghi. His only legitimate child, Ada Lovelace, is regarded as a foundational figure in the field of computer programming based on her notes for Charles Babbage's Analytical Engine. Byron's illegitimate children include Allegra Byron, who died in childhood, and possibly Elizabeth Medora Leigh.  more…

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