The Eleusinian Festival

Friedrich Schiller 1759 (Marbach am Neckar) – 1805 (Weimar)



Wreathe in a garland the corn's golden ear!
 With it, the Cyane [31] blue intertwine
Rapture must render each glance bright and clear,
 For the great queen is approaching her shrine,--
She who compels lawless passions to cease,
 Who to link man with his fellow has come,
And into firm habitations of peace
 Changed the rude tents' ever-wandering home.

Shyly in the mountain-cleft
 Was the Troglodyte concealed;
And the roving Nomad left,
 Desert lying, each broad field.
With the javelin, with the bow,
 Strode the hunter through the land;
To the hapless stranger woe,
 Billow-cast on that wild strand!

When, in her sad wanderings lost,
 Seeking traces of her child,
Ceres hailed the dreary coast,
 Ah, no verdant plain then smiled!
That she here with trust may stay,
 None vouchsafes a sheltering roof;
Not a temple's columns gay
 Give of godlike worship proof.

Fruit of no propitious ear
 Bids her to the pure feast fly;
On the ghastly altars here
 Human bones alone e'er dry.
Far as she might onward rove,
 Misery found she still in all,
And within her soul of love,
 Sorrowed she o'er man's deep fall.

"Is it thus I find the man
 To whom we our image lend,
Whose fair limbs of noble span
 Upward towards the heavens ascend?
Laid we not before his feet
 Earth's unbounded godlike womb?
Yet upon his kingly seat
 Wanders he without a home?"

"Does no god compassion feel?
 Will none of the blissful race,
With an arm of miracle,
 Raise him from his deep disgrace?
In the heights where rapture reigns
 Pangs of others ne'er can move;
Yet man's anguish and man's pains
 My tormented heart must prove."

"So that a man a man may be,
 Let him make an endless bond
With the kind earth trustingly,
 Who is ever good and fond
To revere the law of time,
 And the moon's melodious song
Who, with silent step sublime,
 Move their sacred course along."

And she softly parts the cloud
 That conceals her from the sight;
Sudden, in the savage crowd,
 Stands she, as a goddess bright.
There she finds the concourse rude
 In their glad feast revelling,
And the chalice filled with blood
 As a sacrifice they bring.

But she turns her face away,
 Horror-struck, and speaks the while
"Bloody tiger-feasts ne'er may
 Of a god the lips defile,
He needs victims free from stain,
 Fruits matured by autumn's sun;
With the pure gifts of the plain
 Honored is the Holy One!"

And she takes the heavy shaft
 From the hunter's cruel hand;
With the murderous weapon's haft
 Furrowing the light-strown sand,--
Takes from out her garland's crown,
 Filled with life, one single grain,
Sinks it in the furrow down,
 And the germ soon swells amain.

And the green stalks gracefully
 Shoot, ere long, the ground above,
And, as far as eye can see,
 Waves it like a golden grove.
With her smile the earth she cheers,
 Binds the earliest sheaves so fair,
As her hearth the landmark rears,--
 And the goddess breathes this prayer:

"Father Zeus, who reign'st o'er all
 That in ether's mansions dwell,
Let a sign from thee now fall
 That thou lov'st this offering well!
And from the unhappy crowd
 That, as yet, has ne'er known thee,
Take away the eye's dark cloud,
 Showing them their deity!"

Zeus, upon his lofty throne,
 Harkens to his sister's prayer;
From the blue heights thundering down,
 Hurls his forked lightning there,
Crackling, it begins to blaze,
 From the altar whirling bounds,--
And his swift-winged eagle plays
 High above in circling rounds.

Soon at the feet of their mistress are kneeling,
 Filled with emotion, the rapturous throng;
Into humanity's earliest feeling
 Melt their rude spirits, untutored and strong.
Each bloody weapon behind them they leave,
 Rays on their senses beclouded soon shine,
And from the mouth of the queen they receive,
 Gladly and meekly, instruction divine.

All the deities advance
 Downward from their heavenly seats;
Themis' self 'tis leads the dance,
 And, with staff of justice, metes
Unto every one his rights,--
 Landmarks, too, 'tis hers to fix;
And in witness she invites
 All the hidden powers of Styx.

And the forge-god, too, is there,
 The inventive son of Zeus;
Fashioner of vessels fair
 Skilled in clay and brass's use.
'Tis from him the art man knows
 Tongs and bellows how to wield;
'Neath his hammer's he
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Submitted on May 13, 2011

Modified on May 01, 2023

3:47 min read
372

Quick analysis:

Scheme Text too long
Closest metre Iambic tetrameter
Characters 4,104
Words 738
Stanzas 16
Stanza Lengths 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 7

Friedrich Schiller

Johann Christoph Friedrich von Schiller was a German poet philosopher historian and playwright During the last seventeen years of his life Schiller struck up a productive if complicated friendship with already famous and influential Johann Wolfgang Goethe with whom he frequently discussed issues concerning aesthetics and encouraged Goethe to finish works he left merely as sketches this relationship and these discussions led to a period now referred to as Weimar Classicism They also worked together on Die Xenien The Xenies a collection of short but harshly satirical poems in which both Schiller and Goethe verbally attacked those persons they perceived to be enemies of their aesthetic agenda. more…

All Friedrich Schiller poems | Friedrich Schiller Books

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